Roland ME-70 - Manual (Page 4)

E-4
Using the Effects
You can select from among a wide variety of original effects, such as those that equalize the volume levels, or extend the sound without
distorting it (sustain).
fig.0140
COMP/FX (Compressor/Effects)
TYPE What the controls do
COMP
This sets the sustain for the sound. This sets the attack (onset) of the sound. This sets the volume level of the effect.
T.WAH UP/
T.WAH DOWN
This sets the sensitivity of response to the
input sound. This sets the tone (brightness) of the wah. This sets the intensity of the wah sound.
SLOW GEAR
This sets the sensitivity of response to the
input sound. Adjusts the time needed for the volume
to reach its maximum. This sets the volume level of the effect.
DEFRETTER This sets the sensitivity of response to the
input sound. This sets the tone. This sets the volume level of the effect.
Single>Hum
This adjusts the tone of the low fre-
quency range. This adjusts the tone of the high fre-
quency range. This sets the volume level of the effect.
Hum>Single This adjusts the tone of the low fre-
quency range. This adjusts the tone of the high fre-
quency range. This sets the volume level of the effect.
SOLO This adjusts the tone of the low fre-
quency range. This adjusts the tone of the high fre-
quency range. This sets the volume level of the effect.
All product names mentioned in this document are trademarks or registered trademarks of their respective owners.
Those companies are not affiliated with BOSS and have not licensed or authorized BOSS's ME-70. Their marks are used solely to identify the
equipment whose sound is simulated by BOSS's ME-70.
COMP Pedal
This switches the effect
on and off.
TYPE knob
Use this to choose the type of compressor or effect.
1: COMP
2: T.WAH UP
3: T.WAH DOWN
4: SLOW GEAR
5: DEFRETTER
6: Single Hum
7: Hum Single
8: SOLO
This produces an effect that sustains the sound without
distortion. It also works as a limiter to suppress loud peaks in
the input signal.
This produces a wah effect matched to the intensity of picking.
This removes the attack portion of the signal to create
violin-like sounds.
This simulates a fretless guitar.
This changes a single-coil sound to a humbucker sound.
This changes a humbucker sound to a single-coil sound.
This produces the optimal sound for solo playing in
combination with OD/DS or PREAMP.
SUSTAIN ATTACK LEVEL
SENS TONE PEAK
SENS ATTACK LEVEL
SENS TONE LEVEL
LOW HIGH LEVEL
LOW HIGH LEVEL
LOW HIGH LEVEL
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