The importance of match – Olympus E-100 ZOOM RS User Manual

Page 10

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More than 200 years ago, Newton showed that white light

was composed of multiple wavelengths, (RGB) which are

now called photons. These waves of light pass through a

lens on a camera and are supposed to be “imaged” at the

same point, onto film emulsion for example. When the pho-

tons are not imaged properly onto the film plane, chromatic

aberration occurs and is most commonly caused by using

single lens construction. Incorporating two lenses made of

different materials can solve chromatic aberration with film

camera lenses. The net effect of chromatic aberration is un-

intended color artifacts such as halos and wild colors.

The marriage between lens and CCD is critical to delivering

the best possible images. Post imaging processing can only

do so much to help a poor image. Remember the old axiom,

garbage in - garbage out.

The same holds true for uncorrected lenses made for digital

cameras and the net effect it causes are unwanted artifacts,

noise and a degraded image. Unbeknownst to many in the

industry, digital camera lenses require different construction

than film camera lenses. If a manufacturer, (and some do)

tries to place a lens designed for a film camera onto a digital

camera, the net effect is chromatic aberration and only a small

portion of the lens will actually throw light onto the CCD. This

gross under-utilization also causes a loss in edge-to-edge

sharpness that could be delivered to the CCD.

The digital camera lens construction of the CAMEDIA E-100

ZOOM RS contains a concave element that forces photons

coming through the lens into a straight-ahead alignment to

the 28 MHz high-speed progressive scan CCD. All CCD sen-

sors are very picky about how light is delivered to them and

they don’t like oblique angles of light hitting them, which

The Importance of Match-

The Importance of Match-

The Importance of Match-

The Importance of Match-

The Importance of Match-
ing Lens to CCD

ing Lens to CCD

ing Lens to CCD

ing Lens to CCD

ing Lens to CCD

causes a digital form of chromatic aberration. Film emulsion

layers are designed to read light from an oblique angle and

the fall-off from the lens. Olympus found that in order to get

the best possible images from a digital camera, the light

coming into a CCD must be straight on.

The CAMEDIA E-100 ZOOM RS Lens

Elements and Interaction with the CCD

Light - Photons

CCD¤

Sensor

Lens Elements

Film
Emulsion
Layers

Lens Elements

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