Moog Music Voyager Old School - Manual (Page 41)

Page 42
Voyager OS User’s Manual - Appendices
Page 43
Voyager OS User’s Manual - Appendices
PERFORMANCE TIP: There may be times when you want a wider control range than a
single CV provides. It’s possible to increase the control range of a CV using a Mult and the
Mixer in the CP-251. Begin by connecting the CV to a Mult, and then make connections
from the Mult to the Mixer 1 & Mixer 2 inputs. Set the Mixer 1 & 2, and Master levels to
maximum, then route the output to your desired input. (Note: Although the Mixer is effec-
tively doubling the CV signal in this confi guration, the Mixer output cannot exceed about
+/-7.5V)
Connecting other CV compatible equipment
We’ve covered some basic uses of the Voyager and the VX-351 and CP-251. Other CV compatible
equipment like our Moogerfooger®
equipment like our Moogerfooger equipment like our Moogerfooger analog effects can be incorporated to further expand the sonic palette.
Here are some things you could try with a Voyager, a VX-351and our Moogerfoogers:
- Use the Voyager’s Filter Envelope to control the Sweep of a MF-103 12-Stage Phaser.
- Use the Voyager’s Mod Wheel to control the Rate of the MF-103 12-Stage Phaser.
- Use the Voyager’s Mod Wheel to control the Mix on the MF-102 Ring Modulator.
- Use the Voyager’s Noise Output to add roughness to the MF-101’s Filter Cutoff.
- Use the Voyager’s Keyboard Pitch Output to control the VCO in the MF-107 FreqBox.
With all of the control options provided, the possibilities for sound creation are nearly limitless!
We’ve just scratched the Surface
The examples provided here are just a few of the synthesis possibilities afforded by the Voyager OS and our
line of CV Expanders. Other CV compatible equipment can be connected as well; just keep in mind that
you should always connect a source to a destination, and that you shouldn’t combine multiple source CVs
without a mixer. We encourage you to experiment, as there are many possibilities for exploring synthesis
– whether you are trying to duplicate a sound or effect you heard, or if you are trying to make a sound that
nobody’s heard before. Remember - experimentation is part of the fun!