Allen&Heath XB-14-2 - Manual (Page 31)

Allen & Heath 32 XB-14 MK2 User Guide
APPLICATION DIAGRAM: STUDIO+CONTROL ROOM
ST2
- 15 + 15 12kHz HF
- 15 + 15 80Hz LF
L
+ 16
-20 -30 -16 -12
0VU + 3 + 6 + 9
R PFL ACTIVE
MIN MAX PHONES
AUX
MIX B
EXT
CRM SPEAKERS
1/2
ST5
USB
SEND RETURN
-15 + 15 12kHz HF
-15 + 15 80Hz LF
ST3
- 15 + 15 12kHz HF
- 15 + 15 80Hz LF
ST1
+ 6
AUX PRE
L R
PAN =
SIGNAL PFL
- 15 + 15 12kHz HF
- 15 + 15 8 0Hz LF
ST7
ST3
L/M
R ST5
L/M
R
L/M
R
L
R
48V
INSERT R MAIN
ST2 L
R
ST4 L
R
M IX B OUT L
R
CRM SPEAKERS L
R
INSERT M4 INSERT M3
100Hz 12kHz - 15 + 15
HF
- 15
MF
+ 15
100Hz 1 2kHz -15 + 15
HF
-15
MF
+ 15
M1 M2 M3 M4 ST1 ST2 ST3 PGM
AL
LE
N
H EA
TH
LINE LINE
MIC MIC
ST7 ST1
L/M
R
AUX
INSERT L
-10 26 GAIN MIC 0 LINE
0
10 40 50 - 10 26 GAIN MIC 0 LINE
0 10 40 50
- 15 + 15 80Hz LF -15 + 15 80Hz LF
120Hz 2 00 650 500
120 Hz 200 650 500
+ 16
- 20 - 30 - 16 - 12
0VU + 3 + 6 + 9
T2
PEAK
T1
CUT SPKS DIM SPKS L R
PAN =
SI GNAL PFL
PEAK
L R
PAN =
SI GNAL PFL
PEAK
L R
PAN =
SI GNAL PFL
PEAK
L R
PAN =
SI GNAL PFL
PEAK
L R
PAN =
SIGNAL PFL
PEAK
L R
BAL =
SI GNAL PFL
PEAK SI GNAL PFL
PEAK
L R
BAL =
SI GNAL PFL
PEAK
L R
BAL =
SIGNAL PFL
PEAK
PFL ENABLE
TO GUEST
INSERT M2 INSERT M1
LINE LINE
MIC MIC
100Hz 12k Hz - 15 + 15
HF
- 15
MF
+ 15
12kHz - 15 + 15
HF
- 15
MF
+ 15
-10 63 GAIN MIC 0 LINE 10 0 30 40 - 10 63 GAIN MIC 0 LINE 10 0
10 40
- 15 + 15 80 Hz LF - 15 + 15 80Hz LF
1 20Hz 200 650 500
120Hz 200 650 500
CLF OUT
TELCO 1
TEL IN
CLF OUT
TELCO 2
TEL IN
TALK TALK
+ 6
PRE
+ 6
PRE
+ 6
PRE
+ 6
PRE
+ 6
PRE
+ 6
PRE
+ 6
PRE
+ 6
PRE
+ 6
PRE
CLF SCE
3/4 5/USB
GUEST PHONES 1 GUEST PHONES 2 CRM PHONES
EXT MON IN L
R
ST1
ST2
ST4
ST3
ST6 (USB)
ST5
0
5
10
15
20
30
40 50 OO
MIN MAX
CRM
TALK TO GUEST L R
BAL =
PGM
FDR PGM
FDR PGM
FDR PGM
FDR PGM
FDR PGM
FDR PGM
FDR PGM
FDR PGM
FDR PGM
FDR
MIX B
BUS BUS BUS BUS BUS BUS BUS BUS BUS BUS
MIX B
POWER
AUD OUT L
R
ST4
MIN MAX EX MON PGM MIX FADER
AUX AUX AUX AUX AUX AUX AUX AUX AUX
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 O O
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
0
5
10
15
20
30
40 50 OO
U S B S O URCE S EL EC T
CRM+ PHONES SEL ECTION
MIX B M IX B MIX B MIX B MIX B MIX B MIX B MIX B M IX B
PGM MIX
USB
PHONES
MIN MAX
GUEST
GUEST PHONES SELECTION
MIC FADER UP
= CUT SPKS
+ START/CUE + START/CUE + START/CUE + START/CUE
REM MUTE REM MUTE REM MUTE REM MUTE
MONO
OUT
1 00Hz
IN MON
OUT
&
- 1O 26
5 20 0
- 1O 26
5 0 GAIN GAIN M1 M2 M3 M4 T1 T2
PGM
+ 15
0 5 - 15
+ 15
0 5 - 15 + 15
0 5 -15 + 15
0 5 - 15 + 15
0 5 - 15
+ 15
0 5 -15 + 15
0 5 - 15 ST6
AUDI TION CLF SCE AUDI TIO N
REM MUTE REM MUTE AUD AUD AUD AUD AUD AUD AUD AUD AUD AUD
AUD
ON AUDITION AUX+ MONO
MIN MAX AUD MIX B LEV MIN MAX
PGM PGM
700Hz 20k LPF
HPF 20Hz 6kHz
120 Hz
7 00Hz 20k LPF
HPF 2 0Hz 6kHz
120Hz
AUX AUX
ST4
Operator/Producer
Amp
Control Room
Monitor Speakers
Guest
Presenter
TX 1
Broadcast
Transmission
Method
Telephone caller Telephone caller
CD
Jingle
CD
Limit
Telephone call handling
Telephone
Hybrid Module
Studio
Control Room
Music sources
Sound sources
Compressor/Limiter
Computer for sound
sources and
recording via USB
KEY
Microphone signals to mono inputs
Telephone line in (or exchange)
Line level to/from telephone module
Line level stereo signals
Headphone signals
Program mix for transmission
PGM inserts to limiter
Separate studio & control
room setup.
USB lead