Front panel description, Manual – Rane MP 24z User Manual

Page 4

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Manual-

FRONT PANEL DESCRIPTION

1

POWER “ON” indicator

: Illuminates anytime the MP 24z is connected to an appropriate power source (see k, Rear Panel).

2

SOURCE CONTROL selectors:

Provide Input selection between the various Phono and Line Inputs for their respective mixing

channels.

3

Input channel faders: Control the relative Levels of each of the four Input mixing channels.

4

Channel CUE selectors: Engaging any single or combination of CUE pushbuttons sends any program present at the respective

channel’s SOURCE CONTROL selector to the Headphone Cue section. The yellow LEDs adjacent to each CUE select button

illuminate when the switch is engaged.

5

CROSSFADE ENGAGE switch:

Activates the CROSSFADER and disables manual mixing capabilities. The adjacent green LED

illuminates whenever the Crossfader is active.

6

Left-hand CROSSFADE ASSIGN switch:

Assigns the left side of the Crossfader to any of the four Input channels when the

Crossfader is activated by its ENGAGE switch.

7

Right-hand CROSSFADE ASSIGN switch:

Assigns the right side of the Crossfader to any of the four Input channels when the

Crossfader is activated by the ENGAGE switch.

8

ACTIVE CROSSFADER:

Controls the Levels of any two channels assigned to it by the left and right Crossfade ASSIGN

switches when the ENGAGE switch is activated. The entire Crossfader assembly is replaceable from the front panel without disas-

sembling the entire unit. (See Service Information on page Manual-9.)

9

ENGAGE MIC switch: Enables the Microphone Inputs to feed the Booth, Zone, and Main Outputs. The adjacent red LED

flashes whenever the ENGAGE MIC switch is down and locked. This switch also activates a “ducker” circuit in the Booth

Output.(SeeFront Panel t and Rear Panel p.)

0

MAIN MIC LEVEL control: Sets the Level of the balanced low impedance MAIN MIC Input.

q

AUX MIC LEVEL control: Sets the Level of the unbalanced high impedance AUX MIC Input, often used for wireless mics.

w

Microphone equalization controls:

Adjust the frequency contour of both Microphone Inputs. They have no effect on any other

program material.

HI-MID

TREBLE

+8 dB

+5

+1 +3

MID

ENGAGE

EQ

BASS

-1

0

-3

-7

-10

-5

LEFT

-20 -15

ENGAGE

MIXER

CUE / PGM

RIGHT

STEREO

PAN

LINE 6

LINE 3

CUE

CUE

CUE

CUE

PH/ AUX 3

LINE 3

LINE 3 AUX/ PH 2

AUX/ PH 1

10

8

6

10

8

6

LINE 2

LINE 1

LINE 1 LINE 2

LINE 4 LINE 5

LINE 4

TREBLE

TM

4

2

0

4

2

0

4

3

2

1

ASSIGN

4

3

2

1

ASSIGN

ENGAGE

MAIN

MIC LEVEL

OL

ENGAGE

MIC

LINE 5

LINE 6

ACTIVE CROSSFADER

BOOTH LEVEL

LOOP

ZONE LEVEL

PROGRAM EQUALIZER

PEAK PROGRAM METER

POWER

HEADPHONE CONTROL

MASTER LEVEL

SOURCE CONTROL

1

MIC CONTROL

MP 24z

10

8

6

10

8

6

4

2

0

4

2

0

2

10

8

6

10

8

6

4

2

0

4

2

0

3

10

8

6

10

8

6

4

2

0

4

2

0

4

10

8

6

10

8

6

4

2

0

4

2

0

MID

BASS

AUX MIC LEVEL

MIN

2

4

8

6

MAX

0

2

4

8

6

10

0

2

4

8

6

10

MIN

2

4

8

6

MAX

LEVEL

CUE

PGM

6

2

6

2

0

2

4

8

6

10

MIN

-6

-2

6

2

MAX

MIN

-6

-2

6

2

MAX

MIN

-6

-2

6

2

MAX

MIN

-6

-2

6

2

MAX

MIN

-6

-2

6

2

MAX

MIN

-6

-2

6

2

MAX

MIN

-6

-2

6

2

MAX

CUE LEFT /

PGM RIGHT

MONO

A

B

0

2

4

6

8

10

0

2

4

8

6

10

F 60

4

2

16

13

15

18

3

17

12

11

10 9 5

6

7

14

19

20 21 22

23

1

8

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