Theory of operation – American DJ Mix 44 User Manual

Page 2

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THEORY OF OPERATION

The Mix 44 combines four separate mixers into one unit, pro­

viding a versatile method of line level audio signal mixing and

distribution. The four input by four output matrix design allows

flexible routing of four input signals to as many as four sepa­

rate locations at the same time. A typical use for the Mix 44 is

as an outboard four channel matrix with four buss audio con­

soles, to provide multiple feeds. All inputs and outputs are

active, electronically balanced circuits accessed through XLR

connectors. The input section and all critical gain sections of

the Mix 44 use the same IC chips as top professional mixing

boards. The inputs are instrumentation grade differential

amplifiers which yield exceptionally high Common Mode

Rejection (CMR). The C.M.R. of the Mix 44 is greater than

75dB, 20 to 20KHz. The Mix 44 has a 1 Meg Q. input imped­

ance allowing it to tap onto any balanced audio line without

loading it.

adequately "turn off line level signals. Maximum signal level

through the Mix 44 at clipping is -t28dBm balanced and

-i-22dBm unbalanced. The same figures apply to both the input

and the output and individual clip LEDs are provided which

illuminate at -3dB below actual clipping. With THD+n typical­

ly less than .02% in the entire audio spectrum and a unity gain

signal tp noise ratio greater than 85dB with 22dB of headroom,

the Mix 44 delivers excellent sonic performance. An internal

provision has been made for a direct input to the sum buss of

each mixer. The Mix 44 can be individually customized to take

advantage of this feature if required.

The male output XLR connectors on the Mix 44 are actively

balanced with pin 2 being positive, pin 3 being negative and

pin 1 being audio ground. For unbalanced operation use pins 1

and 2 leaving pin 3 UNCONNECTED.

Each of the 4 inputs is connected through a female XLR and is

parallelled to a male XLR thru jack for normal operation. Pin 2

is positive, pin 3 is negative and pin 1 is audio ground for all

connections. Next to each male XLR there is an input select

switch which determines how matrix 3 and matrix 4 are fed

input signal. With the channel input select switch set to the

normal, loop thru "in" position, the female and male XLR are

parallel wired for in and thru connections. With the channel

input select switch in the "out" position, the female XLR

becomes the input for matrix 1 and matrix 2 only and the male

XLR becomes the input for matrix 3 and matrix 4. This config­

uration eliminates the thru connection but increases flexibility

by completely separating mixers 1 and 2 from mixers 3 and 4.

Female to female XLR adaptors can be used to change the sex

of the male connectors.

All the gain controls on the Mix 44 (Channel gain and Master)

have a range of -60 to +13dBm. Total gain of the unit is 26dB.

With both the channel and master volume controls at the same

position, unity gain is at the 12 O'clock knob position. The

60dB of attenuation in the off position allows the Mix 44 to

The Mix 44 has a monitoring section consisting of channel

select switches, an LED VU meter, a headphone volume con­

trol, and a 1/4" TRS headphone jack. Selecting any combina­

tion of the 4 channel select switches routes those channels'

audio signals to the headphone circuit and the LED VU meter,

allowing the user to monitor the output of the mixers. The VU

LEDs display, in dBm, the exact level that is at the XLR output.

The headphone circuit is a mono type which drives both left

and right stereo earpeices. The circuit works with any head­

phones of greater than 20 ohm impedance. The headphone vol­

ume control also has a gain range of -60 to +13 dB to accom­

modate a wide range of audio levels.

The Mix 44 utilizes two dual primary power transformers which

can be configured with internal jumpers for 120 VAC 60Hz. or

230 VAC 50Hz. operation. There is an internal fuse on the hot

side of the AC cord, and the power switch makes and breaks

both the hot and neutral legs of the AC cord. A ground lift

switch is provided which can disconnect the audio circuit

ground from the AC chassis ground.

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