Waldorf Edition - Manual (Page 39)

Waldorf Edition
User Manual 39 Waldorf
An edited and the original sound can at any time be compared with the Compare
function (CMPR).

If you press the CMPR button, it lights up in red, indicating that Compare is active,
and the sound changes back to its original settings. Pressing CMPR again, brings
back the edited version.
 If you hold down [Shift] while you press the CMPR button, the Sound will imme-
diately set back to its original settings and the edited version is abandoned.
 When Compare is active, you can get the same effect by simply changing the
Sound Program. Use one of these two methods if you are not satisfied with your
edited Sound.
 If you click on AKKU, then the selected sound is set back to its default settings.
 If you hold down [Alt] while pressing the AKKU button, a random sound is crea-
ted (similar to the original PPG, which did this, when its internal battery was
empty). You really should try out this function, as new interesting Sounds can be
created this way.
MIDI Functions
The PPG Wave 2.V’s MIDI interface is more or less identical with that of most syn-
thesizers. As soon as the MIDI connection is set up, the PPG Wave 2.V can be play-
ed across the whole MIDI note range. Same as the original synth, the Plug-In can
process monophonic Aftertouch data, provided you use a keyboard that generates
this data type.
You can remote-control the PPG Wave 2.V controls using an external MIDI Control-
ler device (fader box) or a Master keyboard. MIDI Controller data can of course also
be created graphically or numerically in respective editors of the host. A table listing
the available MIDI Controllers can be found in the appendic of this manual.
Controlling the PPG Wave 2.V through the Novation RemoteSL
Certain parameters of the PPG Wave 2.V can be controlled through the Novation
RemoteSL. The RemoteSL offers 24 encoders, potentiometers and sliders that can be
mapped on up to 72 different parameters.
The PPG Wave 2.V is 8 times multi-timbral which means that it has far more than
these 72 parameters. Therefore, we limited control to the parameters of MIDI Chan-
nel 1. The parameters are mapped as follows: