Paging system connections – Cloud Electronics 46-120TMedia User Manual

Page 16

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46-120 Installation and User Guide V1.2

16

in the vast majority of installations there will be no power
supply issues. See page 32 for more information about the
46-120’s DC power

capabilities.

The pinout of the Facility Port connector is given in the table

below:

PIN

USE

Cat 5 CORE*

1

Audio ‘cold’ phase (-)

White + Orange

2

Audio ‘hot’ phase (+)

Orange

3

Priority VCA control

White + Green

4

+ 15 V

Blue

5

0 V

White + Blue

6

-15 V

Green

7

Music level control (0 to 10 V)

White + Brown

8

Music source select control (0 to 10 V)

Brown

SCN

Screen for system music controls

Connector shell

* Standard wiring for pre-made cables







Please also refer to page 26 for further information
regarding installation of remote active input modules.

Connecting an LM-2 remote active module

The LM-2 should be connected to the

FACILITY PORT

using screened Cat 5 cable. (Note that as the cable carries
analogue audio, only screened Cat 5 should be used.) All eight
cores are used. The LM-2 includes controls for local music
level and source selection, the wiring for these functions being
catered for on the Facility Port; thus it is not necessary to
make any connections to Zone 1’s

MUSIC CONTROL

port.
The LM-2’s upper PCB is fitted with an RJ45 connector
labelled

OUTPUT. Connect this to the FACILITY PORT

of the relevant Zone using screened Cat 5 cable with screened
RJ45s at each end. Follow the colour coding shown in the
table above. The metal screening of the connectors should be
bonded to the screen of the cable. Full details can be found in
the LM-2 Installation Guide.
The second RJ45 connector on the LM-2,

LINK, may be used

to “daisy-chain” additional LM-2s, thus allowing multiple input
modules to be installed at different locations in the Zone. See

the LM-2 Installation Guide for more details.
Before the LM-2’s music source and level controls will operate,
set the Zone 1

MUSIC CONTROL LEV and SRC push-

button switches ([10] on page 12) to REMOTE (i.e., pressing

it in). In this setting, Zone 1’s front panel

MUSIC LEVEL and

MUSIC SOURCE controls become inoperative. Sometimes

it is desirable to permit remote control of music level but
retain music source selection at the mixer amplifier. In this
case, set only the

LEV switch to REMOTE. This will render

the LM-2’s music source switch inoperative, and return source
selection to the 46-120’s front panel.

Paging system connections

Cloud PM Series paging microphones may be connected
directly to the 46-120 in two ways:
• via the Cloud Digital Paging interface ([20] at page 12)

– only available if the CDI-46 Digital Interface card is
fitted.

• using the

MIC 1/TEL input and ACCESS CONTACTS

connector.

Connecting PM4/4SA paging microphones

Cloud PM Series microphones are available in 4, 8, 12 or 16-
zone versions; the installer should be sure he/she understands
how paging zones correspond to mixer zones before
commencing wiring. Although the 46-120 only supports
a maximum of four zones, there is no technical reason to
prevent a PM microphone being used in a restricted manner.

Connection via the CDPM/PM port:

If a CDI-46 Digital Interface card is fitted, the PM4 may be
simply connected to the

CDPM/PM INPUT using screened

Cat 5 cable. No other connections are required; a PM4 will
be powered from the 46-120, but a PM4-SA will require an
external PSU. Full installation instructions are supplied with
the PM Series microphone and the CDI-46 card.

Connection via the Mic input

Two connections are required: the paging mic audio signal
should be connected to the

MIC 1/TEL input ([4] on page

12) and the control cable to the 6-pin Zone

ACCESS

CONTACTS port ([8] on page 12). The pinout of the

ACCESS CONTACTS port is given below:

PIN NO.

FUNCTION

1

0 V

2

Zone 1

3

Zone 2

4

Zone 3

5

Zone 4

6

+12 V

Standard two-core screened audio cable should be used for
the audio signal, and stranded multicore cable with an overall
screen for the control cable.

Connections on the PM microphone are made via the
rear cable access glands and screw terminal blocks on the
internal PCB (

TERM1, TERM2 and TERM8 in the case of

a PM4). Full connection details can be found in the PM Series

Installation and User Guide.

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