MACKIE ProFX12 - Manual (Page 7)

7
Owner’s Manual
Owner’
s Manual
House of Worship System ProFX12
MAIN RIGHT (BALANCED)
MAIN LEFT
USB
(BALANCED)
POWER
ON
FUSE: T1.6AL AC250V ~100-240V 50/60 Hz 25W
MANUFACTURING DATE SERIAL NUMBER
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
8K 4K 2K 1K 500 250 125
15
15
10
10
5
5
0
15
15
10
10
5
5
0
TAPE
IN
ST RETURN MAIN OUT PHONES
FOOTSWITCH
PHONES
TAPE
OUT
L
R
L
(UNBALANCED)
R
STEREO GRAPHIC EQ
FX SEND
MID 2.5kHz MID 2.5kHz MID 2.5kHz MID 2.5kHz MID 2.5kHz
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
LINE IN 4
INSERT
R L
LOW CUT 100 Hz
U
GAIN
MI C GAIN
U +50 -20dB +30dB
4
12kHz HI
MID 2.5kHz
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
12kHz HI
MID 2.5kHz
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
12kHz HI
MID 2.5kHz
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
12kHz HI
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
R L
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
R L
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
R L
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
R L
LOW CUT 100 Hz
12kHz HI
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
BAL / UNBAL
(MONO) (MONO) (MONO) (MONO)
LINE IN 7
LINE IN 8
BAL / UNBAL LINE IN 9
R L
LOW CUT 100 Hz
GAIN
7/8 5/6
12kHz HI
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
R L
MIC GAIN
U +50
GAIN
MIC GAIN
U +50
9/10
12kHz HI
LEVEL SET LEVEL SET LEVEL SET
LOW CUT 100 Hz
U
GAIN
MI C GAIN
U +50 -20dB +30dB
LEVEL SET LEVEL SET LEVEL SET
LOW CUT 100 Hz
U
GAIN
MI C GAIN
U +50 -20dB +30dB
LOW CUT 100 Hz
U
GAIN
MI C GAIN
U +50 -20dB +30dB
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
GAIN
MIC MIC MIC MIC MIC MIC
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
U
+20 -20
GAIN
U
+20 -20
R L
11/12 ST RTN FX RTN
EQ EQ EQ EQ EQ EQ EQ EQ
12kHz HI
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
U
+15 FX TO MON FX MASTER
U
+15 O O O O
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
L
R
(MONO)
LINE IN 5
LINE IN 6
BAL / UNBAL
L
R
LINE IN 10
BAL / UNBAL
L
R
LINE IN 11
LINE IN 12
BAL / UNBAL
L
R
BAL / UNBAL
L
R
BAL / UNBAL
L
R
MON SEND
BAL / UNBAL
BAL / UNBAL
PRESETS
FX PRESETS
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
MON MAIN
4
LINE IN 3
INSERT
3
BAL / UNBAL
3
LINE IN 2
INSERT
2
BAL / UNBAL BAL / UNBAL
2
LINE/HI-Z IN 1
INSERT
1 5/6 7/8 9/10 11/12
0dB=0dBu
MAIN
METERS
OL
4
6
3
10
15
7
10
20
30
0
2
BREAK (MUTES ALL CHANNELS)
PHANTOM POWER
POWER
O O +10
U
TAPE LEVEL O O +20
U
USB THRU
LINE HI-Z
O O MAX
1 OL OL OL OL OL OL OL OL OL
OL
MAIN MIX MON EQ IN BYPASS
R L INPUT LEVEL
USB
MUTE
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
48V
Mono Effects
Microphones Lavalier
Clip-on Mic
Headphones
SRM450v2 Powered Monitors
Laptop
with Tracktion
recording
the service
Effects Processor
Mono in, Stereo out
Dual Compressors
Compressor/Limiter
Acoustic Guitar
and Mic
iPod
Docking Station
Monitor EQ
Assistive Listening
System
Keyboard
Electric
Guitar
HD1521 Powered Speakers
This diagram shows various microphones attached to channels 1 to 4, a mic'd guitar on channel 5/6,
a guitar effects processor connected to the left line-level input of channel 7/8 and a keyboard attached
to channel 9/10's line-level inputs. An iPod docking station is attached to the stereo tape inputs.
An effects processor receives a mono input from the FX send and its stereo outputs connect to the stereo
return inputs. An assistive listening system is connected to the line-level main output. Dual compressors
are connected to the inserts of channels 1 to 4, allowing vocal compression.
Mackie HD1521 powered speakers are connected to the left and right main output via a compressor/
limiter. Two SRM450v2 powered speakers are set up as stage monitors and connect to the mixer's
monitor output via a graphic EQ. The aux mon controls of each channel allow you to create a stage
monitor mix that is independent of the main mix. Use the external graphic EQ to adjust the stage
monitor EQ, as desired. Headphones are used for monitoring.
A laptop connects to the USB port, and allows the 2-channel main mix of the service to be recorded
using Tracktion software. Two channels of audio can also play from the computer to the main mix.