MACKIE ProFX12 - Manual (Page 8)

8
ProFX8 and ProFX12
Pr
oFX8 and Pr
oFX12
DJ System ProFX8
MAIN RIGHT (BALANCED)
MAIN LEFT
USB
(BALANCED)
MANUFACTURING DATE SERIAL NUMBER
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
8K 4K 2K 1K 500 250 125
15
15
10
10
5
5
0
15
15
10
10
5
5
0
TAPE
IN
ST RETURN MAIN OUT PHONES
FOOTSWITCH
PHONES
TAPE
OUT
L
R
L
(UNBALANCED)
R
0dB=0dBu
MAIN
METERS
R L
OL
4
6
3
10
15
7
10
20
30
0
2
BREAK
(MUTES ALL CHANNELS)
PHANTOM POWER
POWER
STEREO GRAPHIC EQ
FX SEND
MID 2.5kHz MID 2.5kHz MID 2.5kHz MID 2.5kHz MID 2.5kHz
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
INSERT
R L
LOW CUT 100 Hz
U
GAIN
MI C GAIN
U +50 -20dB +30dB
OL
1
EQ
12kHz HI
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
R L
LOW CUT 100 Hz
U
GAIN
MI C GAIN
U +50 -20dB +30dB
2
EQ
12kHz HI
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
LINE IN 2 LINE/HI-Z IN 1
INSERT
BAL / UNBAL
(MONO) (MONO) (MONO) (MONO)
LINE IN 3
LINE IN 4
BAL / UNBAL LINE IN 5
R L
LOW CUT 100 Hz
GAIN
3/4
EQ
12kHz HI
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
R L
LOW CUT 100Hz
GAIN
MIC GAIN
U +50
MIC GAIN
U +50
5/6
EQ
12kHz HI
LEVEL SET LEVEL SET LEVEL SET LEVEL SET
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
GAIN
MIC MIC MIC MIC
80Hz LOW
U
+15 -15 U
+15 -15
U
+15 -15
U
+20 -20
R L
7/8 ST RTN FX RTN
EQ
12kHz HI
PAN
AUX U
+15 O O
MON
FX
U
+15 O O
U
+15 FX TO MON FX MASTER
U
+15 O O O O
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
30
20
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
dB
30
20
10
10
O O
40
50
5
5
U
60
L
R
LINE IN 6
BAL / UNBAL
L
R
LINE IN 7
LINE IN 8
BAL / UNBAL
L
R
BAL / UNBAL
L
R
BAL / UNBAL
L
R
MON SEND
BAL / UNBAL
BAL / UNBAL
MUTE
PRESETS
FX PRESETS
OL OL OL OL OL
INPUT LEVEL
USB
O O +10
U
TAPE LEVEL O O +20
U
MON MAIN
1 2 3/4 5/6 7/8
OL
USB THRU
LINE HI-Z
MAIN MIX MON EQ IN BYPASS
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
O O MAX
LINE HI-Z
MUTE MUTE MUTE MUTE MUTE MUTE
48V
Headphones
Effects Processor
Reverb
Compressor
CD Player
Laptop running Tracktion
and DJ software
HD1531 Powered Speakers
SRM450v2 Powered Monitors
Microphones
iPod
Docking Station
CD Turntable
POWER
ON
This diagram shows two microphones attached to channels 1 and 2, a CD player connected to the
line-level inputs of channel 3/4 and a CD turntable connected to the line-level inputs of channel 7/8.
An iPod docking station is attached to the stereo tape inputs. An effects processor receives a mono input
from the FX send and its stereo outputs connect to the stereo return inputs. A reverb and compressor are
connected to the insert of channel 1 allowing vocal compression and a touch of reverb.
Mackie HD1531 powered speakers are connected to the left and right main output. Two SRM450v2
powered speakers are set up as stage monitors and connect to the mixer's monitor output. The aux mon
controls of each channel allow you to create a stage monitor mix that is independent of the main mix.
Switch the internal graphic EQ to adjust the stage monitor EQ if desired. Headphones are used for
monitoring.
A laptop connects to the USB port and allows 2-channel output of DJ software to play in the main mix.
It may also be used to record a set on the computer for posterity.