MACKIE ONYX 1220I - Manual (Page 7)

Owner's Manual 7
dB
30
20
10
40
50
5
5
U
60
10
O O
10
dB
30
20
10
40
50
5
5
U
60 O O
ALT 3/4
10
dB
30
20
10
40
50
5
5
U
60 O O
ALT 3/4
10
dB
30
20
10
40
50
5
5
U
60 O O
ALT 3/4
10
dB
30
20
10
40
50
5
5
U
60 O O
ALT 3/4
10
dB
30
20
10
40
50
5
5
U
60 O O
ALT 3/4
10
dB
30
20
10
40
50
5
5
U
60 O O
ALT 3/4
10
dB
30
20
10
40
50
5
5
U
60 O O
ALT 3/4
10
dB
30
20
10
40
50
5
5
U
60 O O
ALT 3/4
OL
- 20
OL
- 20
OL
- 20
OL
- 20
OL
- 20
OL
- 20
OL
- 20
OL
- 20
SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
48V 48V 48V 48V
U
+ 15 -15 U
+ 15 -15
ON YX MIC PRE
TALKBACK
MAIN MIX TALKBACK
PRE
POST
HI-Z LINE
PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE
TAPE MAIN OUT
IN OUT
L
R
BAL/UNBAL BAL/UNBAL ALT 3-4 OUT BAL/UNBAL
CTRL - RM OUT
AUX 1-2 PHONES
DESTINATION
LEVEL O O MAX
SEND
PRE
POST
SEND
PRE
POST
SEND
EQ
MID 2.5kHz
HIGH 12kHz
PRE
POST
SEND
L L L L
R R R R
SEND INPUT
FW 1-2 LINE
(MONO) (MONO) (MONO) (MONO)
R/4 L/3 L R L R
POWER
MIC
1 2
75Hz 18dB/OCT
3
75Hz 18dB/OCT
4
ON YX MIC PRE
PRE
POST
HI-Z LINE
SEND
ON YX MIC PRE
PRE
POST
SEND
ON YX MIC PRE
GAIN GAIN GAIN GAIN
+ 40dB
U
-20dB U
20 30 40
60 + 40dB
U
-20dB U
20 30 40
60 + 40dB
U
-20dB U
20 30 40
60 + 40dB
U
-20dB U
20 30 40
60
U
+15 -15
U
+15 -15
U
+15 -15
U
+15 -15
EQ
MID 2.5kHz
LOW 80Hz
HIGH 12kHz
EQ
MID 2.5kHz
LOW 80Hz
HIGH 12kHz
MID 2.5kHz
LOW 80Hz
HIGH 12kHz
PRE
POST
SEND
1k
100 8k
HIGH 12kHz
U
+ 15 -15
LOW 80Hz
EQ
AUX
2
1
L R
PAN
1
LINE
2
LINE
4
LINE
3
LINE
BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL
GAIN GAIN GAIN GAIN
+ 20dB - 20dB
U
+ 20dB - 20dB
U
U
+15 -15
U
+15 -15
U
+15 -15
+ 20dB - 20dB
U
U
+15 -15
U
+15 -15
U
+15 -15
+ 20dB - 20dB
U
AUX MASTER
2
1
SEND RETURN
2
1
CTRL ROOM/PHONES SOURCE
PHONES CONTROL ROOM RUDE
SOLO
20
15
10
6
3
0
2
4
7
10
20
30
L R 0dB=0dBu
LEVEL SET
CLIP
PRE
POST
PRE
POST
RTN TO AUX1
MAIN MIX
ALT 3-4
TAPE
FW 1-2
ASSIGN TO MAIN MIX
MAX O O MAX O O
+ 15 O O
+ 15 O O
+ 10 O O
+ 10 O O
MAX O O
MAX O O
U
+15 -15
U
+15 -15
LOW 80Hz
AUX
2
1
L R
PAN
MAX O O
MAX O O
2 3 4 7-8 5-6
AUX
2
1
L R
PAN
MAX O O
MAX O O
AUX
2
1
L R
PAN
MAX O O
MAX O O
AUX
2
1
L R
PAN
MAX O O
MAX O O
9-10 11-12
LINE IN 9-10 LINE IN 11-12 LINE IN 7-8 LINE IN 5-6
MID
FREQ
U
+ 15 -15 U
+ 15 -15
1k
100 8k
HIGH 12kHz
U
+ 15 -15
LOW 80Hz
EQ
AUX
2
1
L R
PAN
MAX O O
MAX O O
MID
FREQ
U
+ 15 -15 U
+ 15 -15
1k
100 8k
HIGH 12kHz
U
+ 15 -15
LOW 80Hz
EQ
AUX
2
1
L R
PAN
MAX O O
MAX O O
MID
FREQ
U
+ 15 -15 U
+ 15 -15
1k
100 8k
HIGH 12kHz
U
+ 15 -15
LOW 80Hz
EQ
AUX
2
1
L R
PAN
MAX O O
MAX O O
MID
FREQ
1
FIREWIRE
L R
POWER 4 3
CHANNEL INSERT
BAL/UNBAL
1
AUX RETURN
2
2 1
1
( PRE-FADER / PRE EQ TIP SEND / RING RETURN )
BAL/UNBAL 2
MAIN OUT BALANCED AUX SEND
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA • FABRIQUE EN CHINE "MACKIE" & "ONYX" ARE TRADEMARKS OF LOUD TECHNOLOGIES INC. • COPYRIGHT ©2008
L R L R
MAIN OUTPUT LEVEL MIC +4dB
Mackie
SRM450v2
Powered
Speaker
Mackie
SRM450v2
Powered
Speaker
Laptop with
audio production
software
Microphone
Stereo Effects Processor
Acoustic Guitar
and Mic
Guitar Processor
Send
Return
SRM150
Powered
Monitor
Drum
Machine
Aux 2
set to
PRE
1-2 Man Coffeehouse Gig
Hookup Diagrams
This diagram shows an acoustic guitar mic'd up directly to channel 1 and a microphone connected to
channel 2 for vocals. A guitar processor is connected to the insert jack of channel 1.
An effects processor receives a mono input from the aux 1 send, and its stereo outputs connect to the
stereo return inputs. Aux 1 is set post-fader, using the Aux 1 pre/post switch in the Aux Master section.
A Mackie SRM150 powered speaker is connected to aux send 2 as a monitor for the performer(s).
Aux 2 is set to pre-fader, using the Aux 2 pre/post switch in the Aux Master section.
Mackie SRM450v2 powered speakers are connected to the left and right main outputs.
A laptop connects to the FireWire port, and allows the 2-channel main mix of the performance to be
recorded using your audio production software. Two channels of audio can also play from the computer
to the main mix. For example, you can play intermission music when the call for an egg-nog decaf latté
or green tea gets too strong and you have to take a break.