Owner's manual 9, Typical recording system, Bal/unbal – MACKIE ONYX 1220I User Manual

Page 9: Omax send pre post send pre post send, 5khz, 12khz pre post send, Send input fw 1-2 line (mono) (mono) (mono) (mono), 75hz 18db/oct, 80hz, 12khz

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Owner's Manual

9

dB

30

20

10

40
50

5

5

U

60

10

O

O

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

10

dB

30

20

10

40
50

5

5

U

60

O

O

ALT 3/4

OL

-

20

OL

-

20

OL

-

20

OL

-

20

OL

-

20

OL

-

20

OL

-

20

OL

-

20

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

48V

48V

48V

48V

U

+

15

-15

U

+

15

-15

ON

YX MIC PRE

TALKBACK

MAIN MIX

TALKBACK

PRE
POST

HI-Z

LINE

PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE

TAPE

MAIN OUT

IN

OUT

L

R

BAL/UNBAL

BAL/UNBAL

ALT 3-4 OUT

BAL/UNBAL

CTRL - RM OUT

AUX

1-2

PHONES

DESTINATION

LEVEL

O

O

MAX

SEND

PRE
POST

SEND

PRE
POST

SEND

EQ

MID

2.5kHz

HIGH

12kHz

PRE
POST

SEND

L

L

L

L

R

R

R

R

SEND

INPUT

FW 1-2

LINE

(MONO)

(MONO)

(MONO)

(MONO)

R/4

L/3

L

R

L

R

POWER

MIC

1

2

75Hz

18dB/OCT

3

75Hz

18dB/OCT

4

ON

YX MIC PRE

PRE
POST

HI-Z

LINE

SEND

ON

YX MIC PRE

PRE
POST

SEND

ON

YX MIC PRE

GAIN

GAIN

GAIN

GAIN

+

40dB

U

-20dB

U

20

30

40

60

+

40dB

U

-20dB

U

20

30

40

60

+

40dB

U

-20dB

U

20

30

40

60

+

40dB

U

-20dB

U

20

30

40

60

U

+15

-15

U

+15

-15

U

+15

-15

U

+15

-15

EQ

MID

2.5kHz

LOW

80Hz

HIGH

12kHz

EQ

MID

2.5kHz

LOW

80Hz

HIGH

12kHz

MID

2.5kHz

LOW

80Hz

HIGH

12kHz

PRE
POST

SEND

1k

100

8k

HIGH

12kHz

U

+

15

-15

LOW

80Hz

EQ

AUX

2

1

L

R

PAN

1

LINE

2

LINE

4

LINE

3

LINE

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

GAIN

GAIN

GAIN

GAIN

+

20dB

-

20dB

U

+

20dB

-

20dB

U

U

+15

-15

U

+15

-15

U

+15

-15

+

20dB

-

20dB

U

U

+15

-15

U

+15

-15

U

+15

-15

+

20dB

-

20dB

U

AUX MASTER

2

1

SEND

RETURN

2

1

CTRL ROOM/PHONES

SOURCE

PHONES

CONTROL

ROOM

RUDE
SOLO

20

15

10

6

3

0

2

4

7

10

20

30

L

R

0dB=0dBu

LEVEL

SET

CLIP

PRE
POST

PRE
POST

RTN TO

AUX1

MAIN MIX

ALT 3-4

TAPE

FW 1-2

ASSIGN TO

MAIN MIX

MAX

O

O

MAX

O

O

+

15

O

O

+

15

O

O

+

10

O

O

+

10

O

O

MAX

O

O

MAX

O

O

U

+15

-15

U

+15

-15

LOW

80Hz

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

2

3

4

7-8

5-6

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

9-10

11-12

LINE IN 9-10

LINE IN 11-12

LINE IN 7-8

LINE IN 5-6

MID

FREQ

U

+

15

-15

U

+

15

-15

1k

100

8k

HIGH

12kHz

U

+

15

-15

LOW

80Hz

EQ

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

MID

FREQ

U

+

15

-15

U

+

15

-15

1k

100

8k

HIGH

12kHz

U

+

15

-15

LOW

80Hz

EQ

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

MID

FREQ

U

+

15

-15

U

+

15

-15

1k

100

8k

HIGH

12kHz

U

+

15

-15

LOW

80Hz

EQ

AUX

2

1

L

R

PAN

MAX

O

O

MAX

O

O

MID

FREQ

1

FIREWIRE

L

R

POWER

4

3

CHANNEL INSERT

BAL/UNBAL

1

AUX RETURN

2

2

1

1

( PRE-FADER / PRE EQ TIP SEND / RING RETURN )

BAL/UNBAL

2

MAIN OUT

BALANCED

AUX SEND

DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA • FABRIQUE EN CHINE

"MACKIE" & "ONYX" ARE TRADEMARKS OF LOUD TECHNOLOGIES INC. • COPYRIGHT ©2008

L

R

L

R

MAIN OUTPUT

LEVEL

MIC

+4dB

Electronic

Drum Kit

Computer with

audio production

software

Studio

Microphone

Mackie

HR824mk2

Powered Reference

Monitors for

Control Room

Electric

Guitar

Bass

Guitar

press HI-Z

buttons

press FW 1-2

to pass FW 1-2 computer

output into channels 11-12

Keyboard

Keyboard

Acoustic

Guitar

mic’d up

Headphones

Headphone Amp

CD Player

Engineer’s

Headphones

Dynamics Processor (Bass)

Multi FX Processor (Guitar)

Return

Return

Return

Compressor (Vocals)

Send

Send

Send

This diagram shows an electric guitar connected directly to the channel 1 input (hi-z switch in), a bass

guitar connected directly to channel 2 (hi-z switch in), an acoustic guitar mic'd up and connected to the
channel 3 mic input, a studio mic connected to the channel 4 mic input, an electronic drum set connected
to the channel 5-6 stereo line inputs, a keyboard connected to the channel 7-8 stereo line inputs, and a
keyboard mono output connected to channel 9 (left input). A CD player connects to the tape input.

A multi-FX processor is connected to the insert jack of channel 1 to work its magic on your guitar. A

dynamics processor is connected to the insert jack of channel 2 for your bass. A compressor is connected
to the insert jack of channel 4 for your vocals.

Mackie HR824mk2 powered reference monitors are used for your control room listening. The

engineer's headphones are used to monitor levels. Aux 2 is set up to provide the feed to a headphone
amplifi er and your band's headphones.

A desktop computer connects to a FireWire port, allowing the 2-channel main mix, individual channels,

and the aux sends to be recorded, and two channels to be played back using audio production software.

Mixer channels 11-12 can play the 2-channel signals from your computer if the FW 1-2 switch at the

top of the 11-12 channel strip is engaged. Aux 1 and 2 can be sent via FireWire to a software effects
plug-in. (In the case above, aux 2 is used for the headphone amp.)

Typical Recording System

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