Aux master send, Efx 1 master send, Efx 1 return – MACKIE CFX SERIES User Manual

Page 17: Emac effects processor, Efx 2 send, To main mix

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17

AUX MASTER SEND

Aux send signals are derived by each

channel’s

AUX

knob, mixed together, then

sent through this

AUX MASTER SEND knob.

Turned fully up, it provides 15 dB of additional
gain, the center “

U” mark is unity gain, and

fully down is off.

Typically, when the talent (or lack thereof)

wants a louder monitor mix, this is the knob to
crank up — watch out for feedback!

EFX 1 MASTER SEND

Effects send signals are derived by each

channel’s

EFX 1 (EXT)

knob, mixed to-

gether, then sent through this

EFX 1 MASTER

SEND knob. Turned fully up, it provides 15 dB
of additional gain, the center “

U” mark is unity

gain, and fully down is off.

Being that this controls only post-fader

sends destined for outboard effects devices,
you’ll typically set this knob near the “

U” mark

and then leave it alone.

EFX 1 RETURN

Stereo signals come through the

EFX 1

RETURN and continue on to the MAIN MIX
Fader

. They contain the effects’ “wet”

signals to be mixed together with the channels’
“dry” original signals. Turned fully up, it pro-
vides 15 dB of additional gain, the center “

U”

mark is unity gain, and fully down is off.

Being that this controls only the return sig-

nals of external effects, with their levels
already determined by the channels’

EFX 1

(EXT)

knob, you’ll typically set this knob

near the “

U” mark and then leave it alone.

EMAC EFFECTS

PROCESSOR

FOR THE IMPATIENT:
Set

EFX 2 SEND

and

TO MAIN MIX

at the center “

U” mark.

Assuming you have your
basic mix up and run-
ning, turn up the

EFX 2

(INT)

, per channel.

This feeds in individual
amounts of channel sig-
nals to the

EMAC inputs

— you should be hearing
the effects as you do this.

Next, goof around

with the various param-
eters: Preset Select

,

TIME/RATE

,

DAMP-

ING/DEPTH

and

WIDE

. When you find

an effect you like, jot down the parameters, then
goof around some more.

To mute these effects, engage

BYPASS

(or your foot switch if connected to

EFX FOOT

SWITCH

). To send these effects to the

stage monitor cues, turn up the

EFFECTS TO

MONITOR

knobs.

FOR THE CURIOUS:
EMAC™ stands for Extended Multiply and

Accumulate, which is a proprietary 32-bit digital
stereo processor developed by our Digital Engi-
neering Group. It provides 16 preset digital
effects algorithms for you to select. In addition
to the presets, there are two parameter con-
trols (

) you can adjust to change the

sound and make it unique for your particular
application.

EFX 2 SEND

This controls the signal level being sent to

the input of the

EMAC module (and to the EFX

SEND 2

jack). Use the

EFX 2 (INT)

controls on the individual channels to adjust
the amount of each channel’s signal you want
to go to the

EMAC. Leave EFX 2 SEND set at

the center “

U” position. If you find that you’re

not getting enough of the effect in the main
mix, make sure that the

TO MAIN MIX

control is turned up at least to unity (the cen-
ter detent position). It’s okay to turn up the
EFX 2 SEND some more if you need to. Just
make sure the

ZERO LEVEL

LED never

lights more than occasionally. Read on to find
out why.

TO MAIN MIX

Stereo signals (from

STEREO EFX RETURN 2

and

EMAC EFFECTS

PROCESSOR

) come

through this

TO MAIN

MIX knob and continue
on to the

MAIN MIX

Fader

. They contain

the effects’ “wet” signals
and are mixed together
with the channels’ “dry”
original signals. Turned
fully up, it provides 15 dB
of additional gain, the
center “

U” mark is unity

gain, and fully down is off.

Being that this con-

trols only the return
signals of external and

1

(EXT)

U

+15

O

O

U

+15

O

O

U

+15

O

O

1

2

AUX

EFX

MASTER SEND

ZE

LEV

SE

TAPE LEVEL

O

O

MAX

PHONES LEVEL

UTILITY OUT LEVEL

BREAK SWITCH

(MUTES ALL CHANNELS)

U

+20

O

O

U

+20

O

O

U

+10

O

O

EFX

1

RETURN

CLIP

WIDE

BYPASS

10

0

10

0

REVERBS

DELAYS

CHORUS/FLANGE/PHASER

DAMPING

DEPTH

TIME

RATE

NORMAL

NORMAL

EFX

SM. ROOM

MD. PLATE

LG. PLATE

LG. HALL

GATED

REVERSE

CATHEDRAL

MD. HALL

SPRING

PHASER

DELAY 4
CHORUS

DELAY 3

DELAY 1

FLANGE

DELAY 2

U

+15

O

O

U

+15

O

O

U

+15

O

O

U

+15

O

O

EFX 2 (INT) RETURN MASTERS

EFX

2

SEND

TO MAIN MIX

EFFECTS TO MONITOR

AUX

1

AUX

2

CUSTOM 32-BIT PRECISION

DIGITAL STEREO EFFECTS PROCESSOR

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