Effects: serial or parallel, Stereo line in, Main out – MACKIE CFX SERIES User Manual

Page 9: Subwoofer out, Main insert

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9

EFFECTS: SERIAL OR PARALLEL?

Effects devices are used

either in serial or in parallel:

“Serial” means that the

entire signal is routed
through the effects device.

Examples: preamps, compressor/limiters,
graphic equalizers.

“Parallel” means that a portion of the signal

is tapped off to the device (usually via a mixer’s
aux send), processed and returned (usually via
a mixer’s aux return), to be mixed with the origi-
nal “dry” signals. Multiple signals (via multiple
mixer channels) can all make use of the same
parallel effects device. Examples: reverb, digital
delay, chorus. See diagrams below.

Dry Signal

Serial Device

Processed

Signal

Insert

Send

Insert

Return

Dry Signal(s)

Dry Signal(s)

Aux

Send

Aux

Return

Wet Signal

Channel Path

Mix

Stage

Output

Section

Processed

Signal

Signal Processor

(e.g., Compressor)

Signal Processor

(e.g., Reverb)

Parallel Device

STEREO LINE IN

These balanced inputs are designed for ste-

reo or mono, balanced or unbalanced signals,
from –20 dB to +20 dB. These TRS inputs can
be used with just about any professional or
semipro instrument, effect or tape player.

When connecting a mono device (just one

cord), always use the

LEFT (MONO) input and

plug nothing into the

RIGHT input. A trick

called “jack normalling” will cause the signal to
appear on both sides.

MAIN OUT

Coming in two flavors, XLR and TRS, the

main output represents the end of the mixer
chain, where your fully mixed and enhanced
stereo signal enters the real world.

The XLR balanced outputs will add 6 dB

when connected to balanced inputs, thereby
elevating signal from the noise floor by that
amount.

The TRS balanced outputs offer the advan-

tage of having no 6 dB level change to deal with,
while still providing extraneous noise rejection.

SUBWOOFER OUT

The CFX Mixer has an integrated mono-

summing 75Hz 3rd-order low-pass filter. It taps
the left and right

MAIN OUT

signals, mixes

them into a mono signal, then removes all but
the deepest bass information. Patch this balanced
XLR output to a high-powered mono-summed
amp and subwoofer (or an active subwoofer),
and the music police will be right over.

MAIN INSERT

With nothing plugged into these jacks, the

mix signal goes from the mix amp straight
through to the

MAIN MIX Faders

. But when

you plug a serial device into these jacks, the mix
leaves the mixer, goes through the device and
back into the mixer’s main mix faders.

If you want to send your main mix through a

compressor/limiter or similar device, these are
the jacks for you. Since the insert is before the
mix faders, moving the fader will not alter the
signal strength sent to the compressor, thereby
preserving its compression characteristics.

These unbalanced jacks are configured the

same as the channel strip insert jacks. See
page 8 for wiring and usage information.

PHONES

FOOT

SWITCH

EFX

LAMP

12V 0.5A

MAIN OUT

L

R

11

LEFT

AUX SEND

UTILITY OUT

SUB OUT

TAPE

INPUT

TAPE

OUTPUT

L

L

R

1

2

1

2

L

L

R

R

L

R

EFX SEND

STEREO EFX

RETURN

MAIN INSERT

(MONO)

(MONO)

L

R

S

75Hz

SUB OUT

R

1

2

1

2

3

4

MAIN OUT

9

LEFT

RIGHT

10

RIGHT

12

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