JL Audio 505 User Manual

Page 13

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JL AUDIO 500/5

25

4) If you would like to run a third amplifier in

“Slave” configuration, select the “Full-Range”

position on the “Output Mode” switch of the first

“Slave” amp.Then, connect an RCA cable from

the first “Slave” amplifier’s preamp outputs to the

second “Slave” amplifier. As you did with the first

“Slave” amp, set the second “Slave” amplifier’s

“Amp LP Filter” to the “Off” position.Then,

calibrate the third amplifier’s “Input Range” and

“Input Sens.” controls in the same manner as you

did for the second amplifier.

Additional amplifiers may be added to this

“Master/Slave” configuration following the same

procedure as in step 4.

Once you match the input sensitivities of all

the amplifiers, you can use the “Master” amplifier’s

“Sub LP Filter”, “Infrasonic Filter” and “LF Boost”

features to control the “Slave” amplifier(s).

The diagram below shows a Master/Slave

configuration with one “Master” 500/5 (top

amplifier) and two “Slave” 250/1 amplifiers.

Switches and controls that are defeated in the

“Slave” amplifiers are printed in gray.

NOTE: These settings are intended

as a “baseline” for tuning this system. Depending

on the vehicle, personal taste and the audio

components specific to your system, some

variation in the Subwoofer Channel Control

Section, Filter Sections and Input Sections may be

necessary for optimum performance.

JL AUDIO 250/1

monoblock subwoofer amplifier

+12VDC

Ground

Remote

Amplifier Input Section

Input Sens.

Input Voltage

Low/High

Off/On

Left Ch.

Right Ch.

Amp LP Filter

Bass Control

Preamp Output Section

Mode/Slope

Subwoofer Output

Left Ch.

Right Ch.

Infrasonic Filter

Signal Sensing

MONO OUTPUT ONLY

Off/12dB/24dB

Off/30Hz

Full-Range/Low-Pass/High-Pass

0

+1

+3

+7

+10

+13

40

200

+15

45

55

85

65

120

Filter Freq. (Hz)

LF Boost (dB)

Output Mode

Front Input Section

Input Sens.

Input Voltage

Low/High

Left Ch.

Right Ch.

Front Filter Section

Freq. Range

x1/x10

HP Filter Freq.(Hz)

Front Speaker Outputs

Filter Slope

12dB/24dB

Filter Mode

Off/BP/HP

Rear Speaker Outputs (25Wx2)

Rear Input Section

Input Sens.

Input Voltage

Low/High

Left Ch.

Right Ch.

L-R Ambience

Off/On

ar Filter Section

Range

x10

eq. (Hz)

High-Pass Filter

Off/12dB/24dB

F/R Input Mode

2ch/4ch

Also sets

low-pass

cutoff for
Front Ch.

Bandpass

filter (when

selected)

Rear

Inputs

Only

Front

and

Rear

Connect 500/5 Input to Output from Source Unit

SLAVE (B):

The last Slave amplifier’s bass processing features are inactive.The
“Amp LP Filter” and “Preamp Output” are also inactive.

24

JL AUDIO 500/5

APPENDIX C:

Master/Slave Configurations

With the flexible on-board crossovers and

processing incorporated into the 500/5, it is

possible to connect additional JL Audio 250/1

amplifiers in a “Master/Slave” configuration, with

each amplifier driving its own speaker system but

controlled by the processing and filtering of the

500/5's subwoofer section.This is very useful if

additional subwoofer power is desired in a system.

To create a Master/Slave configuration,

configure the 500/5's subwoofer section as you

would normally do to drive one subwoofer

system, then do the following to connect

additional slave amplifiers:

1) In the Preamp Output Section of the 500/5

select the “Sub LP” position on the “Signal From”

switch. This will send a parallel, mono-summed

signal from the 500/5's “Sub LP Filter” section to

its preamp outputs.

2) Connect an RCA cable from the 500/5's

preamp outputs to the main input of the first

“Slave” 250/1 amplifier. Set the “Slave” amplifier’s

“Amp LP Filter” to the “Off” position.This will

defeat the LP filter and the bass processing of this

“Slave Amplifier”.

3) The input sensitivity of the two amplifiers

needs to be adjusted independently. Set the

subwoofer channel of the 500/5 and the slave

250/1 amplifier to the same target voltage using

the procedure outlined in Appendix B (page 22).

Do not increase the “Input Sens.” setting for

any amplifier channel in the system beyond the

maximum level established during the procedure

outlined in Appendix B (page 22). Doing so

will result in audible distortion and possible

speaker damage.

JL AUDIO 250/1

monoblock subwoofer amplifier

+12VDC

Ground

Remote

Amplifier Input Section

Input Sens.

Input Voltage

Low/High

Off/On

Left Ch.

Right Ch.

Amp LP Filter

Bass Control

Preamp Output Section

Mode/Slope

Subwoofer Output

Left Ch.

Right Ch.

Infrasonic Filter

Signal Sensing

MONO OUTPUT ONLY

Off/12dB/24dB

Off/30Hz

Full-Range/Low-Pass/High-Pass

0

+1

+3

+7

+10

+13

40

200

+15

45

55

85

65

120

Filter Freq. (Hz)

LF Boost (dB)

Output Mode

JL AUDIO 500/5

five-channel system amplifier

+12VDC

Ground

Remote

Rea

Freq. R

x1/x

Filter Fre

Subwoofer Output (250Wx1)

Sub LP/F+R Inputs/Front

Subwoofer Channel Control Section

Input Sens.

Input Voltage

Low/High

Independent Sub Input

Sub LP Filter

Off/12dB/24dB

Preamp Output Section

Signal From

Filter Freq. (Hz)

Remote Bass

Port

Off/30Hz

LF Boost (dB)

Input From:

Ind./F+R/Front

Infrasonic Filter

Left

Right

Left Ch.

Right Ch.

+1

+13

+3

+7

+10

Connect 500/5 Preamp Output to 250/1 (Slave A) Input

Connect 250/1 (Slave A) Preamp Output to 250/1 (Slave B) Input

MASTER:

SLAVE (A):

The Master amplifier’s bass processing features are
active and affect all three amplifiers equally.

This Slave amplifier’s bass processing features are inactive,
but the Full-Range (pass-through) feature of its “Preamp
Output”
feeds the input of the next Slave amplifier.

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