JL Audio 505 User Manual

Page 8

Advertising
background image

can be controlled with the source unit fader,

without affecting the level of the subwoofer channel.

See diagram B below.

Note: This configuration can also be set up so

that the subwoofer level tracks with the front

channel level.To configure the system in this

manner, go to the “Subwoofer Channel Control

Section” / “Input From” selector switch and

select “Front” instead of “F+R”.

C) Two pairs of inputs connected to the rear

and subwoofer inputs of the 500/5 (a source unit

or processor with front and rear outputs is

required). In this mode, the source unit or

processor fader adjusts the relative level of the

subwoofer channel vs. all four satellite channels as

a whole.The relative level of the front and rear

channels is pre-set with the amplifier input

sensitivity controls and cannot be adjusted from

the source unit. See diagram C on page 16.

D) Three pairs of inputs connected to the rear,

front and subwoofer inputs of the 500/5.This mode

is applicable for use in systems with a source unit or

processor that provides discrete front, rear and

subwoofer outputs. In this mode, the subwoofer

level and front to rear fading can be controlled from

the front of the vehicle. See diagram D on page 16.

JL AUDIO 500/5

15

Adjusts level of

rear channels.

Select 12dB or

24dB/octave filter

slope for rear

channels

(high-pass)

Select Ambience

Mode (Off or On)

Select “Low” for

preamp level inputs

or “High” for

speaker level inputs

Select “Low” for

preamp level inputs

or “High” for

speaker level inputs

Select “2ch”

Input Mode

Amp Output to

Rear Satellite

Speakers

Amp Output to

Front Satellite

Speakers

Select “HP”
(High-Pass)

Mode

Select 12dB or

24dB/octave filter

slope for front

channels

(high-pass)

Select “x1”

range for rear

filter freq.

(50-500 Hz)

Select “x1” range

for front filter freq.

(50-500 Hz)

Select high-pass

filter freq. for
rear channels

(50-500 Hz)

Adjusts level of

front channels.

Input from

source unit or

processor

Not Used

Front Input Section

Input Sens.

Input Voltage

Low/High

Left Ch.

Right Ch.

Front Filter Section

Freq. Range

x1/x10

HP Filter Freq.(Hz)

Front Speaker Outputs

Filter Slope

12dB/24dB

Filter Mode

Off/BP/HP

Rear Speaker Outputs (25Wx2)

Rear Input Section

Input Sens.

Input Voltage

Low/High

Left Ch.

Right Ch.

L-R Ambience

Off/On

Rear Filter Section

Freq. Range

x1/x10

Filter Freq. (Hz)

High-Pass Filter

Off/12dB/24dB

F/R Input Mode

2ch/4ch

Also sets

low-pass

cutoff for
Front Ch.

Bandpass

filter (when

selected)

Rear

Inputs

Only

Front

and

Rear

Select high-pass

filter freq. for rear

channels (50-500 Hz)

Adjusts level of

rear channels.

Select 12dB or

24dB/octave filter

slope for rear

channels

(high-pass)

Select Ambience

Mode (Off or On)

Select “Low” for

preamp level inputs

or “High” for

speaker level inputs

Select “4ch”

Input Mode

Amp Output to

Rear Satellite

Speakers

Amp Output to

Front Satellite

Speakers

Select “HP”
(High-Pass)

Mode

Select 12dB or

24dB/octave filter

slope for front

channels

(high-pass)

Select “x1”

range for rear

filter freq.

(50-500 Hz)

Select “x1” range

for front filter freq.

(50-500 Hz)

Select high-pass

filter freq. for
rear channels

(50-500 Hz)

Adjusts level of

front channels.

Input from rear

outputs of source
unit or processor

Input from front

outputs of source
unit or processor

Select “Low” for

preamp level inputs

or “High” for

speaker level inputs

Front Input Section

Input Sens.

Input Voltage

Low/High

Left Ch.

Right Ch.

Front Filter Section

Freq. Range

x1/x10

HP Filter Freq.(Hz)

Front Speaker Outputs

Filter Slope

12dB/24dB

Filter Mode

Off/BP/HP

Rear Speaker Outputs (25Wx2)

Rear Input Section

Input Sens.

Input Voltage

Low/High

Left Ch.

Right Ch.

L-R Ambience

Off/On

Rear Filter Section

Freq. Range

x1/x10

Filter Freq. (Hz)

High-Pass Filter

Off/12dB/24dB

F/R Input Mode

2ch/4ch

Also sets

low-pass

cutoff for
Front Ch.

Bandpass

filter (when

selected)

Rear

Inputs

Only

Front

and

Rear

Select high-pass

filter freq. for rear

channels (50-500 Hz)

Note:This configuration can also be set up so that the subwoofer level tracks with the front channel level and only the rear channels are faded. To configure
the system in this manner, go to the Subwoofer Channel Control Section “Input From” selector switch and select “Front” instead of “F+R”.

SYSTEM CONFIGURATIONS

STEREO BI-AMP MODE:

This is the most common application for a

5-channel amplifier. In this mode, the front satellite

speakers, rear satellite speakers and subwoofer(s) are

independently powered and filtered. Front and rear

channels each have independent high-pass filters and

the subwoofer channel has an independent low-pass

filter. Left and right front satellite channels deliver

100W x 2 @ 1.5 - 4

Ω per channel. Left and right

rear satellite channels deliver 25W x 2 @ 3 - 4

Ω per

channel. One mono subwoofer channel delivers

250W x 1 @ 1.5 - 4

Ω.

14

JL AUDIO 500/5

Input Connection Options for the Stereo Bi-Amp

mode are as follows:

A) Single pair of inputs connected to the rear

inputs of the 500/5. In this mode, the user has no

fading capability between the front and rear channels

and no separate adjustability of subwoofer level from

the front of the vehicle. See diagram A below.

B) Two pairs of inputs connected to the front and

rear inputs of the 500/5 (a source unit or processor

with front and rear pairs of outputs is required). In

this mode, the user has front-to-rear fading

capability with non-fading sub-bass level.This means

that the relative level of the front and rear satellites

Not Used

Select 12dB or

24dB/octave filter

slope for sub

channel (low-pass)

Adjusts level of

sub channel

30 Hz Infrasonic

Filter for sub

channel

(On or Off)

For full-range

preamp output

select “F+R”

For preamp output
to slave subwoofer

amplifier(s) select

“Sub LP”

To input of

additional

amplifier (if used)

Control LF (bass)

boost level with

on-board knob

or optional

RBC-1 controller

Select “Low” for

preamp level inputs

or “High” for

speaker level inputs

Select low-pass

filter freq. for

sub channel

(40-200 Hz)

Amp Output to

Subwoofers

Select “F+R”

Input Mode

JL AUDIO 500/5

five-channel system amplifier

+12VDC

Ground

Remote

Subwoofer Output (250Wx1)

Sub LP/F+R Inputs/Front

Subwoofer Channel Control Section

Input Sens.

Input Voltage

Low/High

Independent Sub Input

Sub LP Filter

Off/12dB/24dB

Preamp Output Section

Signal From

Filter Freq. (Hz)

Remote Bass

Port

Off/30Hz

LF Boost (dB)

Input From:

Ind./F+R/Front

Infrasonic Filter

Left

Right

Left Ch.

Right Ch.

+1

+13

+3

+7

+10

Not Used

Select 12dB or

24dB/octave filter

slope for sub

channel (low-pass)

Adjusts level of

sub channel

30 Hz Infrasonic

Filter for sub

channel

(On or Off)

For full-range

preamp output

select “F+R”

For preamp output
to slave subwoofer

amplifier(s) select

“Sub LP”

To input of

additional

amplifier (if used)

Control LF (bass)

boost level with

on-board knob

or optional

RBC-1 controller

Select “Low” for

preamp level inputs

or “High” for

speaker level inputs

Select low-pass

filter freq. for

sub channel

(40-200 Hz)

Amp Output to

Subwoofers

Select “F+R” or

“Front” Input

Mode

JL AUDIO 500/5

five-channel system amplifier

+12VDC

Ground

Remote

Subwoofer Output (250Wx1)

Sub LP/F+R Inputs/Front

Subwoofer Channel Control Section

Input Sens.

Input Voltage

Low/High

Independent Sub Input

Sub LP Filter

Off/12dB/24dB

Preamp Output Section

Signal From

Filter Freq. (Hz)

Remote Bass

Port

Off/30Hz

LF Boost (dB)

Input From:

Ind./F+R/Front

Infrasonic Filter

Left

Right

Left Ch.

Right Ch.

+1

+13

+3

+7

+10

A) Single pair of inputs connected to the rear inputs of the 500/5. In this mode, the user has no fading capability between the front

and rear channels and no adjustability of subwoofer level from the front of the vehicle.

B) Two pairs of inputs connected to the front and rear inputs of the 500/5 (a source unit or processor with front and rear pairs of outputs

is required). In this mode, the user has front-to-rear fading capability with non-fading sub-bass level.This means that the relative level
of the front and rear satellites can be controlled with the source unit fader, without affecting the level of the subwoofer channel.

Advertising