Shure VA 300 User Manual

Page 7

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Figure 3. Typical output power vs. speaker load impedance for the

VA300 Vocal Master

Column Speaker Placement:

It must always be kept in mind that every room or space is

acoustically unique and there are no set “rules” for speaker
placement. A number of generalizations however may be made

which will at least provide a good starting point under various

conditions.

A l w a y s c o n s i d e r s p e a k e r p l a c e m e n t i n

r e l a t i o n t o

microphone placement. It is desirable for the loudspeakers and

microphones to be in close proximity in order to provide the

illusion of source-oriented sound. Source-oriented sound,

ideally should provide the listener with the illusion that all of

the sound is coming directly from the sound source, the stage

or performance area. It is also desirable to keep loudspeakers

a n d m i c r o p h o n e s s e p a r a t e d i n o r d e r t o a c h i e v e a h i g h
threshold of acoustic feedback. While these statements are
c o n t r a d i c t o r y , a g o o d s o l u t i o n t o b o t h c a n g e n e r a l l y b e

accomplished.

When the VA300-S Speaker Columns are used on stage, as

they most often are with a portable system, the speakers

should be placed at the sides of the stage and as far forward as

possible. With this setup, the entire stage area will be relatively

free from acoustic feedback; also the illusion of sound coming

from the center of the stage will be quite good except for the

first few forward rows of seats.

The Shure VA300-S Speaker Column has been designed

with rear ports to give the column a bidirectional horizontal
polar pattern below 200 Hz. This design feature was decided

upon in order to reduce low frequency acoustic feedback and
provide a relatively “dead” area at the sides of the column

with the result that microphones may be placed there with
minimal feedback problems at low frequencies.

Try to keep the speaker columns above the heads of the

audience. The easiest way to do this is put the speaker col-

umns on the stage. If the stage is only a foot or two high, raise

the speaker columns up by placing them on a solid platform or

box.

Keeping in mind that the speaker columns have a narrow

coverage angle in the vertical plane and a broad coverage angle
in the horizontal plane, here are a few generalizations on

speaker requirements for various room shapes.

A deep, narrow auditorium would generally require only

two speakers if the seating is all on one level. If balconies were

added to this same room, additional speaker columns would be

required to aim sound up into them.

A shallow, broad room might require four speakers to be

utilized in order to cover the extreme horizontal expanse.

Again if balconies were added, four more speakers might be

required to expand the vertical coverage.

The “Theatre-in-the-Round” will almost always necessitate

the use of at least four columns. More speakers might be re-
quired to provide adequate horizontal coverage if the theatre is

very deep.

To “aim” speakers up for effective coverage of a balcony,

use the Shure Model A3S-S Speaker Stand. This stand will

provide added stability and approximately 150 of tilt. In an

emergency, a spare microphone stand can be used to hold up a

tilted speaker column. Adjust the height of the microphone
stand to one or two inches less than the height of the top edge

of the upper rear port on the back of the speaker. Tilt the
speaker back until the top edge of the upper rear port rests on
the top of the microphone stand. Changing the height of the

microphone stand adjusts the amount of tilt on the speaker.

The VA300-S Speaker Column may be used on its side,

though this reduces the horizontal coverage and the penetra-

ting power. In a low ceiling, small intimate room such as a

night club, horizontal mounting, at or near the ceiling level

may be very successful. An alternate solution for this type of

small room is to use VA301-S Monitor Speakers. It is not

recommended that the VA300-S Speaker Column be used on

its side in larger rooms.

It is not possible to adequately cover all phases of speaker

placement in all types of rooms in this manual. Just remember

that every room is acoustically different from any other and

therefore speaker placement will vary from room to room.

Good speaker placement will provide the audience with

even distribution of sound intensity, sound which is free from

excessive reverberation and ethos, and the illusion of sound

emanating from the real source.

Power Connections:

Connect the line cord (12) to an outlet which supplies 120

volts AC, 60 Hz. power. The three-position toggle switch on

the front panel of the VA300 controls power to the Console.
This three-position switch (10) is used to reverse line polarity,
for minimum hum.

If extension cords are required to supply power to the

VA300, a high quality #18 gauge or larger cord should be

used.

Do not connect more than one VA300, or other amplifier

to one extension cord. Use separate extension cords for each

amplifier. Use a maximum of two VA300’s or other amplifier

per 120 volt house circuit. Failure to adhere to the above will

result in loss of available output power and the risk of blowing

house fuses, but will in no way damage the VA300 amplifier.

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