Introduction into the vitalizer – Sound Performance Lab EQ MAGIX User Manual

Page 20

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20

The initial settings on the V

ITALIZER

Switching on the V

ITALIZER

section

1.The P

ROCESS

control

2. The B

ASS

control

3. The M

ID

-H

I

T

UNE

control

Introduction into

the VITALIZER

®

If you are working with a V

ITALIZER

filter network for the very first time, it

is advisable to operate the control parameters in a certain order to achieve

optimum results as quickly as possible. You should use a mono signal of

good quality as a signal source. You can either preamplify it in the I

NPUT

section or feed it directly into the I

NSERT

R

ETURN

, so that the signal goes

directly into the P

ARAMETRIC

section.

The picture above shows the initial settings on the EQ MAGIX. First, turn

the B

ASS

control to the centre position (»0«); the H

ARMONICS

and the

P

ROCESS

control on zero as well (extreme left) and turn the M

ID

-H

I

T

UNE

control to 3.5 kHz. The -10 dB, D

EEP

and C

OMBINE

functions are left on

Bypass for the time being.

Press the A

CTIVE

switch. There is no audible change in the sound at this

stage.

Slowly move the P

ROCESS

control in from the extreme left. You will find

that there is no audible change in the sound until the

MIN

position (ca. 11

o'clock). That is just how it should be. All frequencies from 3.5 kHz (initial

setting M

ID

-H

I

T

UNE

) are only raised with increasing intensity above this

point. First set the P

ROCESS

control at 3 o'clock. The bass range is not yet

influenced at this point.

The next step is to shift the B

ASS

control from the zero position to both

sides. Watch out for the differing bass sounds nuances, the creation of

which is only controlled in that way by the V

ITALIZER

.

Turn to the right: The bass sounds tight and dry.

Turn to the left: The bass sounds soft and round.

You should perform these hearing tests on appropriate »full-range«

monitors because near-field monitors normally cannot reproduce the deep

bass generated by the V

ITALIZER

in its entirety. Decide on a bass sound of the

desired amplitude.

Now start varying M

ID

-H

I

T

UNE

. The original setting is 3.5 kHz. Turn to

the right: The programme material sounds brighter and gets more mids

from about 1.5 kHz. The impression you hear is the reverse of the poten-

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