Headphones – Kawai CN32 User Manual

Page 9

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Page

9

1

P

A

R

T

NAMES AND

FUNCTIONS

‘ HEADPHONES

¡ Headphone jack (x 2)
There are two headphone jacks located on the left underside of

the piano.

Up to two pairs of headphones can be connected simultaneously.

„

For information on attaching the headphone hook, please refer

to the assembly instructions on page 62.

z BALANCE

The BALANCE slider is used to adjust the
volume balance between the two sounds in
Dual or Split modes, and also controls the
volume of left and right-hand parts of Lesson
songs (pages 14, 16 and 32).

z EFFECTS

The EFFECTS function adds chorus, delay,
tremolo, and rotary speaker simulation
effects to the sound (page 20).

z METRONOME

The METRONOME function provides a
steady beat with which to aid piano practice.
The tempo, time signature, and volume
of the metronome can be freely adjusted
(page 23).

z POWER SWITCH

The POWER SWITCH is used to turn the
CN32 digital piano on and off. Be sure to turn
off the instrument after playing (page 10).

z RECORDER

The REC button is used for recording performances and when using the Lesson
function, to record practices for comparison with the built-in songs and etudes.
The PLAY/STOP button is used to select a song and part to play, and to start/stop
playback of the recorded songs. It is also used to start/stop playback when using
the Lesson function (page 34).

z TOUCH

The TOUCH function allows the touch sensitivity of the CN32 digital piano’s
keyboard to be adjusted (page 21).

z TRANSPOSE

The TRANSPOSE function allows the audible pitch of the CN32 digital
piano to be raised or lowered in half steps (page 22).

z FUNCTION

Pressing the TOUCH and TRANSPOSE buttons simultaneously enters the
FUNCTION modes, allowing various advanced parameters of the CN32
digital piano to be adjusted (page 39).

z SPLIT

The SPLIT function divides the
keyboard into two sections—
Upper and Lower— allowing
each section to be played with
a different sound (page 15).

z REVERB

The REVERB function adds reverberation
to the sound, simulating the acoustic
environment of a recital room, stage, or
concert hall (page 19).

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