About the js-8's internal eff ects – Roland eBand JS-8 User Manual

Page 25

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23

Convenient Functions

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About the JS-8's Internal Eff ects

TYPE Paremeter

CR

U

N

CH

BOSS CRUNCH

This is a crunch sound that faithfully reproduces picking nuances.

BLUES

This is a sound suited to blues.

WILD CRUNCH

This is a crunch sound with wild distortion.

STACK CRUNCH

This is a crunch sound with high gain.

CO

M

BO

VO DRIVE

This models the drive sound of a VOX AC-30TB. This is a sound that it suited to sixties-style British rock.

VO LEAD

This models the lead sound of the VOX AC-30TB.

VO CLEAN

This models the clean sound of the VOX AC-30TB.

M

AT

CH

MATCH DRIVE

This models the sound produced using the left input on a Matchless D/C-30, a modern tube amp widely

used in styles from blues to rock.

FAT MATCH

This models the sound of a Matchless modified for high gain.

MATCH LEAD

This models the sound produced using the right input on a Matchless D/C-30

BG L

EA

D

BG LEAD

This models the lead sound of the MESA/Boogie combo amp, a tube amp that was very popular in the late

‘70s and ‘80s.

BG DRIVE

This models a MESA/Boogie with TREBLE SHIFT SW on.

BG RHYTHM

This models the rhythm channel of a MESA/Boogie combo amp.

M

S C

LA

S-

SI

C

MS1959 I

This models the sound produced using Input I on a Marshall 1959 Super Lead amp. This is a trebly sound

suited to hard rock.

MS1959 I+II

The sound of connecting Inputs I and II of the Marshall 1959 amp in parallel, creating a sound with a stron-

ger low end than I.

M

S M

O

D

-

ER

N

MS HIGAIN

This models the sound of a Marshall modified with a midrange boost.

MS SCOOP

This is a Marshall sound that’s been tweaked for a metal sound.

R-

FI

ER

R-FIER VINTAGE

Models the sound of the Channel 2 VINTAGE Mode on the MESA/Boogie DUAL Rectifier.

R-FIER MODERN

Models the sound of the Channel 2 MODERN Mode on the MESA/Boogie DUAL Rectifier.

R-FIER CLEAN

Models the sound of the Channel 1 CLEAN Mode on the MESA/Boogie DUAL Rectifier.

T-

A

M

P

T- AMP LEAD

The models A MP3 on a Hughes & Kettner TriAmp.

T- AMP CRUNCH

The models AMP2 on a Hughes & Kettner TriAmp.

T- AMP CLEAN

The models AMP1 on a Hughes & Kettner TriAmp.

H

I-

G

A

IN

BOSS DRIVE

This is a drive sound producing awesome distortion.

SLDN

This models a Soldano SLO-100, a very popular tube amp in the 1980s.

LEAD STACK

This is a lead sound with high gain.

HEAVY LEAD

A powerful lead sound featuring extreme distortion.

M

ET

A

L

BOSS METAL

This is a metal sound suited to heavy riffs.

5150 DRIVE

This models the lead channel of a Peavey EVH 5150.

METAL LEAD

This is a lead sound suited to metal.

EDGE LEAD

This is a sharp sound suited for lead play.

BA

SS

BASS CLEAN

Clean sound that is great for use with bass guitars.

BASS CRUNCH

Crunch sound with natural distortion that sounds great with bass guitars.

BASS HIGAIN

A high-gain sound suitable for use with bass guitars.

Parameter

GAIN

Adjusts the distortion of the amp.

LEVEL

Adjusts the volume of the entire preamp.

Be careful not to raise the LEVEL setting too high.

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