Master section, Master, Section – Tapco Blend 6 User Manual

Page 11: Power led, Phantom power switch and led, Ctrl room switch, Ctrl room knob, Phones, Cd/tape to main mix switch, Main mix

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11

MASTER SECTION

Before you read this section, have a read of the

channel strip controls in the previous section.

16. POWER LED

This LED turns on

when the mixer is

switched on, and (as

you can probably

guess) it turns off when

the mixer is switched off.

17. PHANTOM
POWER SWITCH
and LED

Push in this switch

to provide phantom

power to the

MIC

(1) input XLR jacks.
Phantom power is

required to operate

most condenser

microphones

(some condenser

microphones are

battery-powered). With

the switch pushed in, the Blend 6 provides +48 VDC

phantom powering on XLR pins 2 and 3.

If you have ribbon mics, tube mics, or dynamic

mics that do not require phantom power, leave the
PHANTOM POWER switch out. If you are using both
condenser and dynamic mics, don’t worry. Phantom

power will not hurt most dynamic mics. Check the

microphone’s user manual if you’re not sure.

Caution: Turn all output levels down
before operating this switch to avoid

the possibility of a “pop” in your

speakers. Do not use phantom power

with tube or ribbon microphones, as

this may cause damage.

18. CTRL ROOM Switch

Use this switch to select the signal source for the

CONTROL ROOM outputs, PHONES, and METERS.

When the switch is up, they all receive the main mix

signal tapped after the MAIN MIX control.

When the switch is pushed in, they all receive the

raw CD/TAPE Input signal. Turn down the CTRL ROOM

(19) control, and PHONES (20) before engaging.

19. CTRL ROOM Knob

This adjusts the signal level going to the CONTROL

ROOM (25) outputs.

Note: When the CTRL ROOM (18) switch is up, the

CONTROL ROOM output is also affected by the MAIN

MIX (22) control.

20. PHONES

This adjusts the headphone levels without disturbing

the main mix.

Turn this down before connecting

and putting on your headphones,

or engaging the CTRL ROOM (18)

switch. Bring it up slowly.

Please see page 2 for more

information on hearing protection.

21. CD/TAPE TO MAIN MIX Switch

If you have a CD or Tape Deck connected to the

CD/TAPE inputs, push down this switch to add the

CD/TAPE signal to the main mix. This is useful if you

want to play some entertainment* while the band is

taking a break. Use the MAIN MIX control to adjust the

volume level.

* We do not mean to imply that your band isn’t

entertaining, or that any other music could possibly fi ll

in for them.

22. MAIN MIX

This rotary knob controls the fi nal level of main

mix signals sent to the MAIN outputs, TAPE outputs,

CONTROL ROOM, PHONES and METERS. So it all comes

down to this one control.

All active mono and stereo channels that are not

turned down will appear in the main mix. Other signals

feeding this control include AUX RETURN TO MAIN MIX

(13), and CD/TAPE when CD/TAPE TO MAIN MIX (21) is

pushed in.

23. METERS

These left and right meters have eight LEDs each,

with thresholds ranging from –24 dB up to +16 dB

(OL = overload).

The 0 dB LED corresponds to an output level of

+4 dBu (1.23 V RMS). The OL LEDs turn on when the

output reaches +20 dBu. There is a fair margin of

safety before actual clipping distortion occurs, but

you should turn things down if the OL LEDs come on.

Normally, the meters display the level of the main

mix, after the MAIN MIX (22) control.

If the CTRL ROOM (18) switch is pushed in, the

meters display the raw level of the CD/TAPE signal,

and not the main mix.

You can get a good mix with the meter’s peaks

fl ashing anywhere between –24 and +8 dB. Most

amplifi ers clip at about +10 dB, and some recorders

aren’t so forgiving either. For best real-world results, try to

keep your peaks between “0 NRM” (normal) and “+8.”

If your meters are too high, you will get distortion.

If they are too low, then your signal-to-noise will

suffer. Use the meters to help you adjust the mixer for

optimum performance without distortion or noise.

Then you can adjust your amplifi er’s level controls for

good overall volume.

NRM

CD/ TA

TAPE

TO M

O MAIN M

N MI X

OFF
MAIN

MAIN MIX

OL

LEFT RIGHT

16

16

12

12

8

4

0

4

12

12

24

0 = +

0 = + 4dBu

POWER

48V

PHONES

CTRL ROOM

MAIN
CD/ TA

TAPE

PHANTOM

MAIN MIX

AUX

RETURN

MA X

MA X

MA X

TO

O

MAIN

MIX

TO

AUX1

X1

MON

MAX

MAX

U

U

MAX

MAX

U

16

17

18

19

20

22

21

23

13

14

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