Yamaha DIGITAL MIXING STUDIO N8 - Manual (Page 44)

Using the n8/n12 with Cubase 5 series
Owner’s Manual
44
English
Use one of the following three methods to route
Cubase audio tracks to the n8/n12.
■ Assign each audio track to an input channel
individually
This method is useful when you want to mix a solo
part or other important parts.
■ Assign multiple audio tracks to the same input
channel
In this case, multiple audio tracks will be mixed in
the Cubase mixer, then routed to the n8/n12 input
channel.
This method is useful when you want to first create a
mix from multiple tracks, such as drums recorded on
multiple tracks.
■ Select the “n12 (n8)-L/R” output routing option,
then mixing signals via DAW TO ST.
If you turn the DAW TO ST [ON] switch on, you can
use DAW TO ST as the input channel.
6. Use the Cubase mixer control to adjust the
output level of the audio tracks.
■ If you are assigning each audio track to an input
channel individually:
In the Cubase mixer, set the fader (for the track you
wish to assign) to the “0.00” position. With this
setting, the signal will be routed to the input channel
at the nominal output level.
■ If you are assigning multiple audio tracks to the
same input channel:
In the Cubase mixer, adjust the mix balance
between the tracks.
7. While playing back the Cubase project, control
the channel faders to adjust the mix balance.
If the signals are being mixed to the STEREO buses
via DAW TO ST, rotate the DAW TO ST [LEVEL]
control to adjust the signal level.
You can also apply the n8/n12 built-in digital reverb
to the audio track playback signal by turning on the
REVERB TO ST [ON] switch and rotating the channel
[REVERB] control.
AUDIO TRACK INPUT CHANNEL
INPUT CHANNEL AUDIO TRACK
Cubase
n8/n12
AUDIO TRACK INPUT CHANNEL
INPUT CHANNEL AUDIO TRACK
Cubase
n8/n12
STEREO
BUS
AUDIO TRACK
AUDIO TRACK
INPUT
CHANNEL
INPUT
CHANNEL
Cubase
n8/n12
DAW TO ST
on