Yamaha 205M EN - Manual (Page 64)

Styles
CVP-205/203 64
* Only this voicing (inversion) is recognized. Other chords not marked with an asterisk can be played in any inversion.
Chord Name [Abbreviation] Normal Voicing Display for root “C”
Major [M] 1 - 3 - 5 C
Ninth [9] 1 - 2 - 3 - 5 C9
Sixth [6] 1 - (3) - 5 - 6 C6
Sixth ninth [6 9 ] 1 - 2 - 3 - (5) - 6 or 3 - 6 - 2* C6 9
Major seventh [M7] 1 - 3 - (5) - 7 CM7
Major seventh ninth [M7 9 ] 1 - 2 - 3 - (5)j - 7 CM7 9
Major seventh add sharp eleventh [M7
11
] 1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7 CM7
11
Flatted fifth [ 5] 1 - 3 - 5 C 5
Major seventh flatted fifth [M7
5
] 1 - 3 - 5 - 7 CM7
5
Suspended fourth [sus4] 1 - 4 - 5 Csus4
Augmented [aug] 1 - 3 - 5 Caug
Major seventh augmented [M7aug] 1 - (3) - 5 - 7 CM7aug
Minor [m] 1 - 3 - 5 Cm
Minor ninth [m9] 1 - 2 - 3 - 5 Cm9
Minor sixth [m6] 1 - 3 - 5 - 6 Cm6
Minor seventh [m7] 1 - 3 - (5) - 7 Cm7
Minor seventh ninth [m7
9
] 1 - 2 - 3 - (5) - 7 or 3 - 7 - 2 Cm7
9
Minor seventh eleventh [m7 11 ] 1 - (2) - 3 - 4 - 5 - ( 7) Cm7 11
Minor major seventh [mM7] 1 - 3 - (5) - 7 CmM7
Minor major seventh ninth [mM7 9 ] 1 - 2 - 3 - (5) - 7 CmM7 9
Minor seventh flatted fifth [m7
5
] 1 - 3 - 5 - 7 Cm7 5
Minor major seventh flatted fifth [mM7 5 ] 1 - 3 - 5 - 7 CmM7 5
Diminished [dim] 1 - 3 - 5 Cdim
Diminished seventh [dim7] 1 - 3 - 5 - 6 Cdim7
Seventh [7] 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 C7
Seventh flatted ninth [7 9 ] 1 - 2 - 3 - (5) - 7 C7 9
Seventh add flatted thirteenth [7 13 ] 1 - 3 - 5 - 6 - 7 C7 13
Seventh ninth [7 9 ] 1 - 2 - 3 - (5) - 7 or 3 - 7 - 2* C7 9
Seventh add sharp eleventh [7 11 ] 1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7 C7 11
Seventh add thirteenth [7 13 ] 1 - 3 - (5) - 6 - 7 or 3 - 6 - 7 C7 13
Seventh sharp ninth [7 9 ] 1 - 2 - 3 - (5) - 7 C7 9
Seventh flatted fifth [7 5 ] 1 - 3 - 5 - 7 C7 5
Seventh augmented [7aug] 1 - 3 - 5 - 7 C7aug
Seventh suspended fourth [7sus4] 1 - 4 - 5 - 7 C7sus4
Suspended second [sus2] 1 - 2 - 5 Csus2
Chord Types Recognized in the Fingered Mode (Example for “C” chords)
C
Cm
C7
( )
CM7
( )
C9 C6 9
( )
Caug Cm6 Cm7
( )
Cm7 5 CmM7 5
Cm7 9
( )
Cm9
CmM7
( )
CmM7 9
( )
Cdim Cdim7
C7 9
( )
C7 13
( )
C7 9
( )
C7 13
Csus4
C7 5
C6
( ) ( )
CM7 9 CM7 11
( )
CM7 5 C 5
( )
C7 11 C7 9
( )
C7aug
Cm7 11
( )
( )
CM7aug
( )
C7sus4 Csus2
• Notes in parentheses can
be omitted.
• For FINGERED, FIN-
GERED ON BASS, and AI
FINGERED, if you play
any three adjacent keys
(including black keys), the
chord sound will be can-
celed and only the rhythm
instruments will continue
playing (Chord Cancel
function). This let you play
back only the rhythm.
• Playing two same root
keys in the adjacent
octaves produces accom-
paniment based only on
the root.
• A perfect fifth (1 + 5) pro-
duces accompaniment
based on the root and the
fifth.
• The auto accompaniment
Style will sometimes not
change when related
chords are played in
sequence (e.g. some
minor chords followed by
the minor seventh).
• You can also have the
CVP-205/203 “teach” you
how to play Fingered
chords. From the CHORD
FINGERING display
(page 131), specify the
chord you want to learn,
and the notes you should
press are indicated in the
display.