Creating accompaniment styles — style creator, About creating accompaniment styles, Realtime recording (page 112) – Yamaha CVP-207 EN User Manual

Page 110: Step recording (page 113), Assembling an accompaniment style (page 114), Editing the created accompaniment style (page 115)

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CVP-209/207

110

Creating Accompaniment Styles — Style Creator

This powerful feature lets you create your own original styles, which can then be used for auto accompaniment — just
as with the preset styles.

About Creating Accompaniment Styles

The chart at right shows the basic parts (or “channels”) that make up each section
of an accompaniment style. To create an accompaniment style, record patterns to
the various channels one by one, for each of the sections you want to create.

Realtime Recording (page 112)

You can record accompaniment styles by simply playing the parts from the
keyboard in real time. However, you don’t have to record every part yourself
— you can choose an existing preset accompaniment style that is close to the
style you want, then add or replace parts in that style as needed to create your
own custom style.

Realtime Recording Characteristics
• Loop recording

Since auto accompaniment playback repeats the accompaniment patterns of several measures in a “loop,” you can
also record patterns in a loop. For example, if you start recording with a two-measure Main section, the two
measures are repeatedly recorded. Notes that you record will play back from the next loop (repetition), letting you
record new material while hearing the parts you previously recorded.

• Overdub recording

This feature lets you record new material to a track already containing recorded data, without deleting the original
data. In style recording, the recorded data remains intact, unless you specifically delete it yourself. For example, if
you start recording with a two-measure Main section, the two measures are repeated. As you record notes to each
pass of the loop (repetition), those notes play back from the next loop, letting you overdub new material while
hearing the previous parts.

Step Recording (page 113)

This method is like writing music notation on paper, since it allows you to enter each note or individually, and
specify its length. This is ideal for making precise recordings, or for recording parts that are difficult to play.

Assembling an Accompaniment Style (page 114)

This convenient feature lets you create composite styles by combining
various patterns from the internal preset accompaniment styles. For
example, if you want to create your own original 8-beat style, you
could take rhythm patterns from the “8 Beat 1” style, use the bass
pattern from “8 Beat 2,” and import the chord patterns from the “60’s 8
Beat” style — combining the various elements to create one
accompaniment style.

Editing the created Accompaniment Style (page 115)

With the editing features, you can custom edit the styles you’ve
created by real time recording, step recording, and assembling from
other styles.

POWER

METRONOME

MASTER VOLUME

STYLE

ACMP

AUTO FILL IN

OTS LINK

BREAK

INTRO

MAIN

START STOP

ON

MIN

MAX

OFF

ENDING rit.

TAP TEMPO

REW

REPEAT

TOP

FF

REC

MIC.

SIGNAL

OVER

FADE IN OUT

TAP TEMPO

DEMO

HELP

FUNCTION

SOUND

CREATOR

DIGITAL

RECORDING

MIXING

CONSOLE

BALANCE

CHANNEL

ON OFF

TRANSPOSE

TEMPO

SYNC.STOP

START STOP

PART

PART

A

E

D

C

B

F

J

I

DIRECT ACCESS

1

2

3

4

5

6

7

8

EXIT

START STOP

SONG

EXTRA TRACKS

TRACK 2

TRACK 1

VOCAL HARMONY

TALK

EFFECT

VH TYPE SELECT

MIC. SETTING

STYLE

L

R

SYNC.START

RESET

RESET

GUIDE

MENU

BACK

NEXT

VOICE PART

PIANO

ON OFF

HARMONY ECHO

LEFT

HOLD

MONO

DIGITAL

STUDIO

H

G

LAYER

PIANO & HARPSI.

E. PIANO

PERCUSSION

GUITAR

BASS

ORGAN FLUTES

ORGAN & ACCORDION

BRASS

WOODWIND

CHOIR & PAD

SYNTH.

XG

USER

STRINGS

LEFT

DATA

ENTRY

FREEZE

MEMORY

1

1

4

3

2

3

4

7

5

8

6

2

ENTER

VOICE EFFECT

VOICE

MUSIC FINDER

ONE TOCTH SETTING

REVERB

DSP

VARIATION

STYLE

ACMP

AUTO FILLIN

OTS LINK

BREAK

INTRO

MAIN

ENDING / rit.

SYNC.STOP SYNC.START START / STOP

A

B

C

D

DIGITAL

RECORDING

Section

Channel

INTRO A - D

RHYTHM 1, RHYTHM 2,
BASS, CHORD 1,
CHORD 2, PAD,
PHRASE 1, PHRASE 2

MAIN A - D

FILL IN A - D

BREAK

ENDING A - D

For information on the part
structure of accompaniment
styles, see page 96.

Rhythm 1

Rhythm 2

Bass

Chord 1

Chord 2

Pad

Phrase 1

Phrase 2

8Beat 1

Rhythm 1

Rhythm 2

Bass

Chord 1

Chord 2

Pad

Phrase 1

Phrase 2

8Beat 2

Rhythm 1

Rhythm 2

Bass

Chord 1

Chord 2

Pad

Phrase 1

Phrase 2

60’s 8 Beat

Rhythm 1

Rhythm 2

Bass

Chord 1

Chord 2

Pad

Phrase 1

Phrase 2

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