Yamaha AN1x User Manual

Page 12

Advertising

| |USER SEQ

F0H 43H 0nH 5CH bbH bbH 01H aaH 00H ddH.....ddH ccH F7H

| |CURRENT VOICE

F0H 43H 0nH 5CH bbH bbH 10H 00H 00H ddH.....ddH ccH F7H

| |CURRENT SEQ

F0H 43H 0nH 5CH bbH bbH 10H 0EH 00H ddH.....ddH ccH F7H

| |CURRENT SCENE1

F0H 43H 0nH 5CH bbH bbH 10H 10H 00H ddH.....ddH ccH F7H

| |CURRENT SCENE2

F0H 43H 0nH 5CH bbH bbH 10H 11H 00H ddH.....ddH ccH F7H

| |[SW5]-CURRENT SCENE_CTRL

F0H 43H 0nH 5CH bbH bbH 10H 12H 00H ddH.....ddH ccH F7H

| |USER VOICE

F0H 43H 0nH 5CH bbH bbH 11H aaH 00H ddH.....ddH ccH F7H

| |

| |DX1 MASTER TUNING

F0H 43H 1nH 04H 40H ddH F7H

| |SYSTEM

F0H 43H 1nH 5CH 00H 00H aaH ddH.....ddH F7H

| |CURRENT VOICE

F0H 43H 1nH 5CH 10H 00H aaH ddH.....ddH F7H

| |CURRENT VOICE_SEQ

F0H 43H 1nH 5CH 10H 0EH aaH ddH.....ddH F7H

| |CURRENT SCENE1

F0H 43H 1nH 5CH 10H 10H aaH ddH.....ddH F7H

| |CURRENT SCENE2

F0H 43H 1nH 5CH 10H 11H aaH ddH.....ddH F7H

| |[SW5]-CURRENT SCENE_CTRL

F0H 43H 1nH 5CH 10H 12H aaH ddH.....ddH F7H

| |

| |SYSTEM

F0H 43H 2nH 5CH 00H 00H 00H F7H

| |USER SEQ

F0H 43H 2nH 5CH 01H aaH 00H F7H

| |CURRENT VOICE

F0H 43H 2nH 5CH 10H 00H 00H F7H

| |CURRENT VOICE_SEQ

F0H 43H 2nH 5CH 10H 0EH 00H F7H

| |CURRENT SCENE1

F0H 43H 2nH 5CH 10H 10H 00H F7H

| |CURRENT SCENE2

F0H 43H 2nH 5CH 10H 11H 00H F7H

| |[SW5]-CURRENT SCENE_CTRL

F0H 43H 2nH 5CH 10H 12H 00H F7H

| |USER VOICE

F0H 43H 2nH 5CH 11H aaH 00H F7H

|SYSTEM EXCLUSIV MESSAGE

MIDI MASTER VOLUME

F0H 7FH 7FH 04H 01H llH mmH F7H

IDENTITY REQUEST

F0H 7EH 0nH 06H 01H F7H

|-+SYSTEM EXCLUSIV MESSAGE

TEST ENTRY

F0H 43H 10H 18H 5AH 00H F7H

LCD HARD COPY

F0H 43H 10H 18H 5AH 01H F7H

+TIMING CLOCK

F8H

+ACTIVE SENSING

FEH

SW3 []

MIDI Device Number

SW4 []

ARPEGGIO/STEP SEQ SELECT
Available only when Step Sequencer is selected.

SW5 []

SCENE SELECT
Available only when Scene Select is set to “Scene Control”.

SW6 []

MIDI Receive Channel
Depends on Receive Channel set in System Data.

*1 If Control Change Mode is “mode2”, then additional Control Change numbers are received. (See (3-1-6).)

(3) TRANSMIT/RECEIVE DATA

(3-1) CHANNEL VOICE MESSAGES

(3-1-1) NOTE OFF

STATUS

1000nnnn(8nH)

n = 0 ~ 15; MIDI RECEIVE CHANNEL

NOTE NUMBER

0kkkkkkk

k = 0(C-2)~127(G8)

VELOCITY

0vvvvvvv

ignores v

Reception only.

(3-1-2) NOTE ON/OFF

STATUS

1001nnnn(9nH)

n = 0 ~ 15; MIDI TRANSMIT/RECEIVE CHANNEL

NOTE NUMBER

0kkkkkkk

k = 0(C-2)~127(G8); when receiving

k = 36(C1)~96(C6); when transmitting

k = 0(C-2)~127(G8); selectable when transposed

VELOCITY

0vvvvvvv

(v›0)

NOTE ON

00000000

(v=0)

NOTE OFF

(3-1-3) PROGRAM CHANGE

STATUS

1100nnnn(CnH)

n = 0 ~ 15; MIDI TRANSMIT/RECEIVE CHANNEL

PROGRAM NUMBER

0ppppppp

p = 0 ~ 127

(3-1-4) CHANNEL AFTER TOUCH

STATUS

1101nnnn(DnH)

n = 0 ~ 15; MIDI TRANSMIT/RECEIVE CHANNEL

VALUE

0vvvvvvv

v = 0 ~ 127 AFTER TOUCH VALUE

(3-1-5) PITCH BEND CHANGE

STATUS

1110nnnn(EnH)

n = 0 ~ 15; MIDI TRANSMIT/RECEIVE CHANNEL

LSB

0vvvvvvv

PITCH BEND CHANGE LSB

MSB

0vvvvvvv

PITCH BEND CHANGE MSB

Transmitted with a resolution of 7 bits.

(3-1-6) CONTROL CHANGE

STATUS

1011nnnn(BnH)

n = 0 ~ 15; MIDI TRANSMIT/RECEIVE CHANNEL

CONTROL NUMBER

0ccccccc

CONTROL VALUE

0vvvvvvv

* TRANSMITTED CONTROL NUMBERS

c =

MODULATION

; v = 0 - 127

c =

FOOT CONTROLLER

; v = 0 - 127

c =

MAIN VOLUME

; v = 0 - 127

c = 12

RIBBON Z CONTROLLER

; v = 0 - 127

c = 13

RIBBON X CONTROLLER

; v = 0:-64 - 64:0 - 127:+63

c = 64

SUSTAIN SWITCH

; v = 0-63:OFF, 64-127:ON

c = 71

HARMONIC CONTENT

; v = 0 - 127

c = 72

RELEASE TIME

; v = 0 - 127

c = 73

ATTACK TIME

; v = 0 - 127

c = 74

BRIGHTNESS

; v = 0 - 127

c = 75

DECAY TIME

; v = 0 - 127

c = 00..95 ASSIGNABLE CONT

; v = 0 - 127

* RECEIVED CONTROL NUMBER

c =

MODULATION

; v = 0 - 127

c =

FOOT CONTROLLER

; v = 0 - 127

c =

PORTAMENTO TIME

; v = 0 - 127

c =

DATA ENTRY MSB

; v = 0 - 127

c = 38

DATA ENTRY LSB

; v = 0 - 127

c =

MAIN VOLUME

; v = 0 - 127

c = 10

EXPRESSION

; v = 0 - 127

c = 12

RIBBON Z CONTROLLER

; v = 0 - 127

c = 13

RIBBON X CONTROLLER

; v = 0:-64 - 64:0 - 127:+63

c = 64

SUSTAIN SWITCH

; v = 0-63:OFF, 64-127:ON

c = 65

PORTAMENTO SWITCH

; v = 0-63:OFF, 64-127:ON

c = 71

HARMONIC CONTENT

; v = 0 - 127

(VCF FILTER RESONANCE)

c = 72

RELEASE TIME

; v = 0 - 127

(AMP EG RELEASE TIME)

c = 73

ATTACK TIME

; v = 0 - 127

(AMP EG ATTACK TIME)

c = 74

BRIGHTNESS

; v = 0 - 127

(VCF FILTER CUTOFF)

c = 75

DECAY TIME

; v = 0 - 127

c = 91

REVERB DEPTH

; v = 0 - 127

c = 93

CHORUS(VARIATION) DEPTH

; v = 0 - 127

c = 94

DELAY DEPTH

; v = 0 - 127

c = 96

DATA ENTRY INC

; v = 127

c = 97

DATA ENTRY DEC

; v = 127

c = 00..95

ASSIGNABLE CONTROLLER

; v = 0 - 127

*1 Preset CONTROL CHANGE NUMBER at the factory. Can be changed.
*2 Used only when assigning the parameter with RPN numbers.

In addition, the following CONTROL NUMBERs will be transmitted/received when Control Change Mode 2 is selected. (These are unique
to the AN1x and therefore not in accordance with the MIDI 1.0 standard.)

c = 3

SCENE SELECT

; v = 0 - 127

c = 8

LAYER MODE

; v = 0 - 127

c = 9

POLY/MONO MODE

; v = 0 - 127

c = 14

LFO RESET MODE

; v = 0 - 127

c = 15

LFO1 WAVE

; v = 0 - 127

c = 16

LFO1 SPEED

; v = 0 - 127

c = 17

LFO2 SPEED

; v = 0 - 127

c = 18

VCO1 PITCH MOD DEPTH

; v = 0 - 127

c = 19

VCF FILTER MOD DEPTH

; v = 0 - 127

c = 20

LFO1 DELAY

; v = 0 - 127

c = 21

VCO1 PITCH COARSE TUNE

; v = 0 - 127

c = 22

VCO SYNC PITCH

; v = 0 - 127

c = 23

VCO SYNC PITCH DEPTH

; v = 0 - 127

c = 24

VCO SYNC PITCH SOURCE

; v = 0 - 127

c = 25

PEG DEPTH

; v = 0 - 127

c = 26

PEG SWITCH

; v = 0 - 127

c = 27

PEG DECAY

; v = 0 - 127

c = 28

PEG SUSTAIN LEVEL

; v = 0 - 127

c = 29

FEG RELEASE

; v = 0 - 127

c = 30

VCF CUTOFF KBD TRACK

; v = 0 - 127

c = 31

AMP EG SUSTAIN LEVEL

; v = 0 - 127

c = 33

VCO ALGORITHM

; v = 0 - 127

c = 34

VCO SYNC PITCH MOD SW

; v = 0 - 127

c = 35

FM DEPTH

; v = 0 - 127

c = 36

FM SOURCE1

; v = 0 - 127

c = 37

FM SOURCE2

; v = 0 - 127

c = 39

MIXER NOISE LEVEL

; v = 0 - 127

c = 50

VCO1 WAVE TYPE

; v = 0 - 127

c = 51

VCO2 WAVE TYPE

; v = 0 - 127

c = 52

VCO2 PITCH COARSE TUNE

; v = 0 - 127

c = 53

VCO2 PITCH FINE TUNE

; v = 0 - 127

c = 54

VCO2 EDGE

; v = 0 - 127

c = 55

VCO2 PULSE WIDTH

; v = 0 - 127

c = 56

VCO2 PWM DEPTH

; v = 0 - 127

c = 57

VCO2 PITCH MOD DEPTH

; v = 0 - 127

c = 58

VCF HPF CUTOFF

; v = 0 - 127

c = 59

VCF FILTER TYPE

; v = 0 - 127

c = 60

FILTER EG VELOCITY SENS

; v = 0 - 127

c = 61

AMP EG VELOCITY SENS

; v = 0 - 127

c = 62

VCA VOLUME

; v = 0 - 127

c = 63

VCA FEED BACK LEVEL

; v = 0 - 127

c = 68

MIXER VCO1 LEVEL

; v = 0 - 127

c = 69

MIXER VCO2 LEVEL

; v = 0 - 127

c = 70

RING MODULATOR LEVEL

; v = 0 - 127

c = 76

VCO1 EDGE

; v = 0 - 127

c = 77

VCO1 PITCH FINE TUNE

; v = 0 - 127

c = 78

VCO1 PULSE WIDTH

; v = 0 - 127

c = 79

VCO1 PWM DEPTH

; v = 0 - 127

c = 80

VCA AMP MOD DEPTH

; v = 0 - 127

c = 81

FILTER EG DEPTH

; v = 0 - 127

c = 82

FILTER EG ATTACK

; v = 0 - 127

c = 83

FILTER EG DECAY

; v = 0 - 127

c = 85

PORTAMENTO MODE

; v = 0 - 127

c = 86

VCO1 PWM SOURCE

; v = 0 - 127

c = 87

VCO2 PWM SOURCE

; v = 0 - 127

c = 90

ARPEGGIO/STEP SEQ SW

; v = 0 - 127

MODULATION is used to control vibrato depth.

PORTAMENTO TIME sets the time it takes for the pitch to reach the next note played when PORTAMENT SWITCH (CONTROL #65) is set
to on. 0 is the minimum time and 127 is the maximum.

PANPOT position relatively changes accordiong to the preset value for each voice.

REVERB DEPTH controls reverb send level.
CHORUS DEPTH overwrites the Dry: Wet value of the Variation Effect directly for each voice.
DELAY DEPTH controls delay send level.

HARMONIC CONTENT adjusts the resonance preset for each voice. Setting a value adds to or subtracts from the center value 64 since it is
an offset parameter. Higher values produce more resonance. The effective range may be narrower than the range you can designate depending
on the selected voice.

RELEASE TIME adjusts the envelop release time preset for each voice. Setting a value adds to or subtracts from the center value 64 since it
is an offset parameter.

ATTACK TIME adjusts the envelop attack time preset for each voice. Setting a value adds to or subtracts from the center value 64 since it is
an offset parameter.

BRIGHTNESS adjusts the cutoff frequency preset for each voice. Setting a value adds to or subtracts from the center value 64 since it is an
offset parameter. Lower valnes produce a warmer sound. The effective range may be narrower than the range you can designate depending on
the selected voice.

(3-2) CHANNEL MODE MESSAGES

STATUS

1011nnnn(BnH)

n = 0 ~ 15 ;MIDI RECEIVE CHANNEL

CONTROL NUMBER

0ccccccc

c = CONTROL NUMBER

CONTROL VALUE

0vvvvvvv

v = DATA VALUE

(3-2-1) ALL SOUND OFF

(CONTROL NUMBER = 78H , DATA VALUE = 0)

All the sounds currently played including the channel messages such as note-on and hold-on in a certain channel are canceled when
receiving this message.

(3-2-2) RESET ALL CONTROLLERS

(CONTROL NUMBER = 79H , DATA VALUE = 0)

Resets the values set for the following controllers.

PITCH BEND CHANGE

0 (Center)

AFTER TOUCH

0 (Minimum)

MODULATION

0 (Minimum)

EXPRESSION

127 (Maximum)

SUSTAIN SWITCH

0 (Off)

P11-19

97.7.11

1:36

[

Advertising

Popular Brands

Popular manuals