Recognized standard chords, Reference style (auto-accompaniment) functions, All chords in the chart are “c-root” chords – Yamaha DGX-305 User Manual
Page 62
Reference
Style (Auto-accompaniment) Functions
62
DGX-505/305 Owner’s Manual
■ Recognized Standard Chords
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All chords in the chart are “C-root” chords.
* These chords are not shown in the Dictionary function.
Chord Name/[Abbreviation]
Normal Voicing
Chord (C)
Display
Major [M]
1 - 3 - 5
C
Add ninth [(9)]
1 - 2 - 3 - 5
C
9
Sixth [6]
1 - (3) - 5 - 6
C
6
Sixth ninth [6(9)]
1 - 2 - 3 - (5) - 6
C
6
9
*
Major seventh [M7]
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
C
M7
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
C
M7
9
*
Major seventh add sharp eleventh [M7(#11)]
1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7
C
M7
#11
*
Flatted fifth [(b5)]
1 - 3 - b5
C
b5
*
Major seventh flatted fifth [M7b5]
1 - 3 - b5 - 7
C
M7
b5
*
Suspended fourth [sus4]
1 - 4 - 5
C
sus4
Augmented [aug]
1 - 3 - #5
C
aug
Major seventh augmented [M7aug]
1 - (3) - #5 - 7
C
M7aug
*
Minor [m]
1 - b3 - 5
C
m
Minor add ninth [m(9)]
1 - 2 - b3 - 5
C
m9
Minor sixth [m6]
1 - b3 - 5 - 6
C
m6
Minor seventh [m7]
1 - b3 - (5) - b7
C
m7
Minor seventh ninth [m7(9)]
1 - 2 - b3 - (5) - b7
C
m7
9
Minor seventh add eleventh [m7(11)]
1 - (2) - b3 - 4 - 5 - (b7)
C
m7
11
*
Minor major seventh [mM7]
1 - b3 - (5) - 7
C
mM7
Minor major seventh ninth [mM7(9)]
1 - 2 - b3 - (5) - 7
C
mM7
9
*
Minor seventh flatted fifth [m7b5]
1 - b3 - b5 - b7
C
m7
b5
Minor major seventh flatted fifth [mM7b5]
1 - b3 - b5 - 7
C
mM7
b5
*
Diminished [dim]
1 - b3 - b5
C
dim
Diminished seventh [dim7]
1 - b3 - b5 - 6
C
dim7
Seventh [7]
1 - 3 - (5) - b7 or
1 - (3) - 5 - b7
C
7
Seventh flatted ninth [7(b9)]
1 - b2 - 3 - (5) - b7
C
7
b9
Seventh add flatted thirteenth [7(b13)]
1 - 3 - 5 - b6 - b7
C
7
b13
Seventh ninth [7(9)]
1 - 2 - 3 - (5) - b7
C
7
9
Seventh add sharp eleventh [7(#11)]
1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7
C
7
#11
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 - b7
C
7
13
Seventh sharp ninth [7(#9)]
1 - #2 - 3 - (5) - b7
C
7
#9
Seventh flatted fifth [7b5]
1 - 3 - b5 - b7
C
7
b5
*
Seventh augmented [7aug]
1 - 3 - #5 - b7
C
7aug
Seventh suspended fourth [7sus4]
1 - 4 - (5) - b7
C
7sus4
Suspended second [sus2]
1 - 2 - 5
C
sus2
*
C
C
(
9
)
C
6
(
9
)
C
6
C
M7
C
M7
(
9
)
C
M7
(
#11
)
C
(
b5
)
C
M7
(
b5
)
C
sus4
C
aug
C
M7aug
C
m
(
9
)
C
m
C
m6
C
m7
C
m7
(
9
)
C
m7
(
11
)
C
mM7
C
mM7
(
9
)
C
m7
(
b5
)
C
mM7
(
b5
)
C
dim
C
dim7
C
7
C
7
(
b9
)
C
7
(
b13
)
(
9
)
C
7
(
#11
)
C
7
(
13
)
C
7
(
#9
)
C
7
C
7b5
C
7aug
C
7sus4
C
sus2
• Notes in parentheses can be omitted.
• Playing two same root keys in the adjacent octaves produces accompa-
niment based only on the root.
• A perfect fifth (1 + 5) produces accompaniment based only on the root
and fifth which can be used with both major and minor chords.
• The chord fingerings listed are all in “root” position, but other inversions
can be used — with the following exceptions: m7, m7b5, 6, m6, sus4,
aug, dim7, 7b5, 6(9), sus2.
NOTE
• Inversion of the 7sus4 and m7(11) chords are not recognized if the
notes shown in parentheses are omitted.
• The auto accompaniment will sometimes not change when related
chords are played in sequence (e.g. some minor chords followed by the
minor seventh).
• Two-note fingerings will produce a chord based on the previously played
chord.
NOTE