Chord basics, Reference style (auto-accompaniment) functions – Yamaha DGX-305 User Manual

Page 64

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Reference

Style (Auto-accompaniment) Functions

64

DGX-505/305 Owner’s Manual

Chord Basics

Two or more notes played together constitute a “chord.”

The most basic chord type is the “triad” consisting of three notes: the root, third, and
fifth degrees of the corresponding scale. A C major triad, for example, is made up of
the notes C (the root), E (the third note of the C major scale), and G (the fifth note of
the C major scale).

In the C major triad shown above, the lowest note is the “root” of the chord (this is the chord’s “root position” … using
other chord notes for the lowest note results in “inversions”). The root is the central sound of the chord, which supports
and anchors the other chord notes.
The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.

The lowest interval in our root-position triad (between the root and the third) determines whether the triad is a major or
minor chord, and we can shift the highest note up or down by a semitone to produce two additional chords, as shown
below.

The basic characteristics of the chord sound remain intact even if we change the order of the notes to create different
inversions. Successive chords in a chord progression can be smoothly connected, for example, be choosing the appropri-
ate inversions (or chord “voicings”).

Reading Chord Names
Chord names tell you just about everything you need to know about a chord (other
than the inversion/voicing). The chord name tells you what the root of the chord is,
whether it is a major, minor, or diminished chord, whether it requires a major or
flatted seventh, what alterations or tensions it uses … all at a glance.

Some Chord Types

(These are just some of the “Fingered”chord types recognized by the DGX-505/305.)

3rd

3rd

Root

Major third – four half steps (semitones)

Minor third – three half steps (semitones)

C

M

C

m

C

aug

C

dim

Major chord

Minor chord

Augmented chord

Diminished chord

Minor 3rd

Major 3rd

Major 3rd

Minor 3rd

Major 3rd

Major 3rd

Minor 3rd

Minor 3rd

C

m

Root note

Chord type

C

sus4

C

7

C

m7

C

M7

C

7

(

b5

)

C

m7

(

b5

)

C

7sus4

C

mM7

Perfect 5

th

Perfect 4

th

Flatted 7

th

Major chord

Flatted 7

th

Minor chord

Major 7

th

Major chord

Major 7

th

Minor chord

Flatted 5

th

7

th

chord

Flatted 5

th

Minor 7

th

chord

Flatted 7

th

Suspended 4

th

chord

Suspended 4

th

7

th

Minor 7

th

Major 7

th

7

th

, suspended 4

th

Minor 7

th

, flatted 5

th

7

th

, flatted 5

th

Minor/major 7

th

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