Sonic Charge Synplant - Manual (Page 15)

Gene Description
lfo_rate Designates the LFO frequency. The LFO creates vibrato and tremolo effects.
lfo_amt Adjusts the level of the vibrato / tremolo effect. Values less than 0.5 will turn off the LFO en-
tirely.
lfo_bal Decides the balance between vibrato (pitch modulation) and tremolo (amplitude modulation) .
0.0 = vibrato, 0.5 = both vibrato and tremolo, 1.0 = tremolo only.
a_form Controls the waveform shape and timbre of Oscillator A. The waveform morphs gradually
from sine to sawtooth to square to pulse. (See Figure 11 Oscillator Waveforms.)
a_noise Adjusts the mix of noise in Oscillator A. Higher settings will introduce noise and at 1.0 the
signal is entirely obscured by noise.
a_color Changes the character of the noise in Oscillator A from a brown (muddy) noise to a white
(sharp) noise.
a_freq Controls the pitch of Oscillator A. In practice, since Oscillator B and the filter cut-off fre-
quencies are linked to this setting, it determines the overall pitch of the sound.
a_mod Is bipolar and determines the pitch modulation amount from the Envelope. 0.5 means no
pitch modulation. 0.0 is maximum negative and 1.0 is maximum positive modulation.
b_form Controls the waveform shape and timbre of Oscillator B. The waveform morphs gradually
from sine to sawtooth to square to pulse. (See Figure 11 Oscillator Waveforms.)
b_noise Adjusts the mix of noise in Oscillator B. Higher settings will introduce noise and at 1.0 the
signal is entirely obscured by noise.
b_freq Controls the pitch of Oscillator B in relation to the pitch of Oscillator A.
b_mod Is bipolar and determines the pitch modulation amount from the Envelope. 0.5 means no
pitch modulation. 0.0 is maximum negative and 1.0 is maximum positive modulation.
b_sh Sets the sample-and-hold frequency of Oscillator B. Only very high values will activate the
effect and the higher the value, the lower the sample-and-hold frequency.
fm_amt Controls the frequency modulation amount of Oscillator A by Oscillator B. The setting is bi-
polar with 0.5 meaning no frequency modulation.
fm_mod Changes how the Envelope affects the frequency modulation amount. At 0.5 it has no effect
on the fm amount. Lower values increase the fm amount as the modulation envelope in-
creases and higher values do the opposite.
sub_am Adjusts the Sub-Oscillator mix. The Sub-Oscillator Amplitude modulates Oscillator B with a
pitch that is one octave lower.
balance Changes the mix-balance between Oscillator A and B. At 0.0 you will only hear Oscillator A
and at 1.0 only Oscillator B.
flt_freq Controls the cut-off frequency of the parallel filters in relation to the frequency of Oscillator
A.
flt_mod Is bipolar and determines the cut-off modulation amount from the Envelope. 0.5 means no
modulation. 0.0 is maximum negative and 1.0 is maximum positive modulation.
flt_sep Sets the separation amount between the cut-off frequencies of the two parallel filters. At 0.5
there is no separation and the filters act in unity as a single filter.
flt_q Controls the "q value" (or "resonance") of the filters.
flt_kf Determines how filter cut-off changes over the keyboard. Below 0.25 there will be no change
at all and the cut-off stays fixed. Above 0.75 the cut-off frequency will follow the keyboard
exactly.
fx_mix Sets the initial dry / wet mix of the built in effect (a chorusing reverb) . (The mix can be further
adjusted with the Effect slider on the main page.)
fx_len Changes the length of the reverberation.
fx_damp Controls how higher frequencies are dampened when the reverb decays. Higher settings
mean more dampening.
fx_chors Adjusts the chorus amount. Higher settings introduce a chorus / unison effect to the sound.
fx_size Changes the size of the perceived reverberation space. Note that this gene does not change
when growing branches because it would cause disruption of the audio.
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