Behringer MX9000 User Manual
Page 5
5
13.START-UP .............................................................................................................................37
13.1A-channel setting up procedure ..................................................................................................... 37
13.1.1 Selecting inputs .................................................................................................................. 37
13.1.2 Initializing channel for gain-setting ....................................................................................... 37
13.1.3 Auditioning a signal ............................................................................................................. 37
13.2Desk/tape setting up procedures ................................................................................................... 37
13.2.1 Desk normalization ............................................................................................................. 37
13.2.2 Multitrack initialization ........................................................................................................ 38
13.2.3 Recording levels .................................................................................................................. 38
13.2.4 Auditioning a mix ................................................................................................................ 38
13.2.5 Mixer mapping .................................................................................................................... 38
14.8-TRACK MIDI SUITE/DANCE PRODUCTION STUDIO ...................................................38
14.1Sends ........................................................................................................................................... 39
14.2Auxless headphones mix .............................................................................................................. 39
14.3Returns ......................................................................................................................................... 40
14.4Lining up record/sample inputs...................................................................................................... 41
14.5Mixdown ....................................................................................................................................... 41
15.16-TRACK RECORDING WITH 2 SAMPLERS ...................................................................41
15.1Recording ..................................................................................................................................... 41
15.2Headphones .................................................................................................................................. 42
15.3Mixdown ....................................................................................................................................... 42
16.PROFESSIONAL 24-TRACK STUDIO ................................................................................42
16.1Recording ..................................................................................................................................... 42
16.2Very tricky headphones................................................................................................................. 43
16.3Wet monitoring ............................................................................................................................. 44
16.4Mixdown ....................................................................................................................................... 44
17.LIVE P.A. WITH 2-TRACK RECORDING .............................................................................45
18.LIVE CONCERT WITH 24-TRACK RECORDING...............................................................46
19.EXPANDING THE EURODESK MX9000.............................................................................48
19.1Connections .................................................................................................................................. 48
19.2Alignment ..................................................................................................................................... 48
20.TIMECODE ...........................................................................................................................48
21.BOUNCING ...........................................................................................................................49
22.SEQUENCING LIVE .........................................................................................................49
23.INPUT/OUTPUT CONFIGURATION ...................................................................................50
24.MODIFICATIONS ..................................................................................................................50
24.1Aux sends > post EQ ................................................................................................................... 51
24.2MIX-B source > post fader ............................................................................................................. 51
24.3LED meters > pre fader ................................................................................................................. 51
25.SPECIFICATIONS .................................................................................................................52
26.WARRANTY ...........................................................................................................................54