Control elements – Behringer Ultrabass BX4410 User Manual

Page 5

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5

ULTRABASS BX4410/BX4410A

2. CONTROL ELEMENTS

1.2.3 Online registration

Please do remember to register your new BEHRINGER

equipment right after your purchase by visiting

www.behringer.com (alternatively www.behringer.de) and

kindly read the terms and conditions of our warranty carefully.

Should your BEHRINGER product malfunction, our goal is to

have it repaired as quickly as possible. To arrange for warranty

service, please contact the retailer from whom the equipment

was purchased. Should your BEHRINGER dealer not be located

in your vicinity, you may directly contact one of our subsidiaries.

Corresponding contact information is included in the original

equipment packaging (Global Contact Information/European

Contact Information). Should your country not be listed, please

contact the distributor nearest you. A list of distributors can be

found in the support area of our website (www.behringer.com).

Registering your purchase and equipment with us helps us

process your repair claims quicker and more efficiently.

Thank you for your cooperation!

2. CONTROL ELEMENTS

2.1 Front panel

Fig. 2.1: BX4410/BX4410A front panel (section 1)

The LEVEL VU meter reads the level that is applied to the

preamp circuitry of the BX4410/BX4410A.

+

If the GAIN control

is set fully counterclockwise,

the VU meter reads the input level only. Selecting

“Active”

instead of “Passive” is recommended

if the input level appears too high (in the right-hand

third of the VU meter). Use the GAIN control to set

the amplifier properly (so that the meter is in the

mid region). The overall volume can be adjusted

with the OUTPUT control

.

These are the inputs for your electric bass guitar. The

PASSIVE jack is for passive basses, the ACTIVE jack for

active instruments with high output levels. The ACTIVE

jack features 10 dB less gain.
Use the GAIN control to determine the input gain on your

BX4410/BX4410A.
Connect your footswitch to the FOOTSWITCH jack, so

as to control the sub-harmonics processor and SHAPE

filter.
With the sub-harmonics processor switched on (see

)

you can add ultra-low bass frequencies to your sound by

turning the ULTRABASS control (see chapter 5).
Press the ULTRABASS switch to enable the sub-harmonics

processor: The LED above the switch lights up.

Fig. 2.2: BX4410/BX4410A front panel (section 2)

The BASS control in the EQ section allows you to boost or

cut the bass frequencies at approx. 50 Hz.
Press the DEEP switch to add low frequencies (ranging

from 30 - 200 Hz) to your bass sound. When the DEEP

function is switched on, the LED above the switch lights up.
This control governs the upper bass-frequency range at

approx. 140 Hz.
The MIDDLE control allows you to boost/cut the low

midrange frequencies at approx. 500 Hz.
This control raises/lowers the high midrange frequencies

at approx. 1.6 kHz.
The TREBLE control governs the high-frequency range

on your BX4410/BX4410A at approx. 7.5 kHz.
Use this switch to enable/disable the BRIGHT effect, which

adds some brilliance to the treble frequencies in the range

from 2 - 20 kHz. When the BRIGHT function is on, its

respective LED lights up.

Fig. 2.3: BX4410/BX4410A front panel (section 3)

When you enable the SHAPE filter with switch

, you

can use the SHAPE control to modify the filter sound. The

filter position is adjustable in the range from 120 Hz - 1.2 kHz.
The SHAPE switch activates the SHAPE filter. When the

filter is on, the LED above the switch lights up.
Use the OUTPUT control to determine the overall volume

of your BX4410/BX4410A.

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