Eden WT1250 - Manual (Page 16)

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We suggest you do some experimenting with the Midrange controls to better
understand how they can affect your tone. While playing, boost and cut the
Low Midrange so you can hear how it affects your tone. Remember to play
in all ranges, not just on the first few frets. Once you have an idea of the
tonal possibilities, return this control to FLAT and repeat the procedure with
the High Midrange control.
For Channel Two, turn the Frequency control fully counter-clockwise. Boost
the Level control. Again, play all over the neck. Then adjust the frequency a
little at a time to hear the difference. Continue until you’ve reached the top
of the Frequency adjustment. Then repeat the process while cutting the level.
This experiment will give you a better idea of what these controls can do for
your sound. Once you understand how much they can affect your sound, you
can dial in what you want more effectively.
NOTE: Don’t forget that you can disengage the entire tone control system
by pushing the EQ Bypass switch. This is Really Neat Thing that many
users like to use when recording.
Engage the Dynamic Boost – As mentioned earlier, this effect is based on
the Fletcher-Munson curve and ensures that the bass is full and the highs are
crisp, even at the lowest volume settings. As volume increases, the effect is
reduced, resulting in very consistent tone regardless of volume level. We
suggest you spend some time experimenting with this Really Neat Feature.
We believe that you’ll think it’s Really Neat, too.
NOTE: Be especially careful using the Dynamic Boost when operating in
Mono Bridge mode. You can quickly overdrive the amplifiers at high levels
when using this feature. Remember, this is a VERY BIG amplifier when in
Mono Bridge mode.
Final Settings –Engaging the Dynamic Boost may require adjustments to
the EQ section, so be prepared to do a little fine tuning. Boosting or cutting
the various tone controls may change how much compression you want to
dial in, so be prepared to make adjustments there as well.
NOTE: Don’t forget to go through the set-up procedure for both channels.
There’s nothing worse (well, almost nothing) than switching channels for
your big bass solo only to find you forgot to set up your second channel.