Altec Lansing 3300A User Manual

Page 4

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Operating Instructions for the Altec Lansing 3300A Series Mixing Consoles

3.2 Output Connections

The main outputs of the mixing con­

sole

are

electronically

servo-

halanced. Bzilanced output connec­

tions may be made to the male 3-pin

XLR-type connectors. For single-
ended outputs, strap the low (—)
output (pin 3 on XLR or Ring on

‘/cl­

inch phone) to ground. Otherwise,

the

electronically

servo-balanced

output stage will produce 6 dB less
output signal level than with a
balanced

output

connection.

Unbalanced connections may be
made to the other Vi-inch phone
(TRS) connectors. Refer to Figure 2

for typical output connections.

3.3 Insert Connections

Signal processing equipment may
easily be inserted in the signal path

by using the Vi-inch phone (TRS) in­

sert connectors. The external device

must have line level unbalanced in­
puts and outputs. The output signal
from the mixing console is on the

Tip and the input signal is on the

Ring. Tlie Sleeve is ground. Refer to

Figure 3 for a typical insert

connection.

4

OPERATION

4.1 Input Channel Controls

(Refer to Figure 4.)

The input channel is the beginning

of the signal amplification chain of

the mixer. Each input channel will

accept one signal source which may
be equalized, have effects added and
sent to the monitor and main ^stem
for the audience to hear. Each input
hcis a low-impedance microphone in­

put (the 8-pin XLR connector) and a
high-impedance microphone or line
input (V«-inch phone jack). The line
input will accept signals from an
instrument, high-impedance micro­

phone, tape/CD player, keyboard or

electronic drums or eilmost any other

audio source. Always make sure that

the channel fader (see Figure 4)

I IMUU.ANCCO

j 1 IWVT

“X

1

wjt

S/

t

h

^

____pL.

EXTEBNiL
EFFECTS

PROCESSOR

Y

CHANNEL

Aid SUB

•^IS

Figure 3. Typical insert coimection.

and/or master faders (see Figure 5)
are down before plugging or unplug­
ging input sources.

1. TRIM Control:

This control

adjusts the gain of the input
amplifier to accommoriaie the

wide

variation

in

signal

strength presented to the mixer

by the endless variety of signal
sources. 1110 TRIM control
allows the amplification of each

individual input source to be

optimized. Correct setting of the

TRIM control results in the best

signal-to-noise ratio (no iiiss),

the greatest dynamic range, and
the freedom from overload dis­
tortion.

To set the TRIM control
correctly, first set the channel
fader at minimum and depress
the channel PFL switch. Make
sure

the

source

(mic,

instrument) that is plugged into

the channel is used at its
nominal

performance

level.

Increase the TRIM level until
the level of the PFL meter
reaches 0 VU. Gradually bring

the channel fader up to Uie
desired listening level, 'iliis

insures that nominal level is
maintained

throughout

the

input channel.

If the level is too low in :e

trim

s

gain circuit, hiss . ill

occur. If the level is too high in
the TRIM circuit, overloac' is-

tortion will occur. Keeping ‘-e

channel faders at nominal 1( el
with proper setting of the

TT ; ' T

control will keep the sy^’- n

sounding

its

best

and

Is

quietest.

ALTEC LANSING^ CORPORATION • a Mark IV Company

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