Subwoofer placement guide – Earthquake Sound XJ-600R User Manual

Page 4

Advertising
background image

Subwoofer Placement Guide

Why having two gains on a mono subwoofer is
a good thing?

Often you hear the term “subwoofers are non-directional”;
this is not true subwoofer placement is harder to pick when to
low frequencies are crossed . The wider the room, the more
directional the subwoofer. The easiest solution is to use two
subwoofers in the front: one on the left and a second on the
right. The signal to both is mono. In some applications, users
might have small front speakers or planer speakers. Both
speakers have an early roll off in the sub-harmonics. The
planer needs help from 150Hz on down, having two front
subwoofers placed on the left and the right is a health
solution to this problem.

Two Subs

While having two subwoofers is better than one, the MONO
signal that drives these subwoofers keeps them from
projecting the three dimensional images in the sub-
harmonics. The use of two subwoofers allows you to cross
the sub up to 150 Hz sound quality, imaging and staging. The
two-front-subwoofer-system is an excellent solution to planer
speaker’s low frequency response early roll off. When
locating these subwoofers in a close proximity to the stereo
satellite, the subs will enhance low frequency extention. It
will be better to have a stereo subwoofer to help in the lower
bass notes and their placement.

If a bass Guitar player was standing on the left side of the
stage, and he played an EE note (42Hz) then the right sub will
also respond to that and create havoc on the stage. This can
occur if you only have one single sub in the room and it’s
placed on the right side of the room, while the bass guitar
player is playing his music on the left side of the stage. As
soon as he hits the EE note the sub speaks out on the right
and completely destroys the stage. To give you three-
dimensional front-end bass that allows you to have a low
frequency dynamic stage, Earthquake designed dual input
circuits that use buffers to maintain your stereo separation on
the processor side while mixing stereo front signals to
produce 3D bass.

The blue arrow represents the sub-harmonic
frequencies as they move always toward the
middle in a mono-two-subs- system.

The red arrow represent the lows+ the mids+ highs
as they follow the action.

Note the breakaway and the image separation

BETTER

/ This illustration shows dual subwoofer with mono signal

4

In this illustration the stereo subwoofers keep the
s u b - h a r m o n i c s d y n a m i c a l l y s y n c h r o n i z e d i n
motion with the rest of the audio systems.

Fully complementary sub-harmonics to the mids
and the highs

BEST

/ This illustration shows dual subwoofers with stereo+mono signals

GOOD

/ This illustration shows a single subwoofer setup

The blue arrow represents the subharmonic
frequencies as they move always toward the sub in
the single sub system.

The red arrow represents the lows+ mids+ highs as
they follow the action.

Note the breakaway and the image separation.

Best response if the blue and the red are identical.

Specifications Are Subject To Change Without Notice

XJ-600R

Subwoofer Power Amplifier

Advertising