Appendix – Novation Bass Station II User Manual

Page 19

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19

Arp: Swing (upper F#)

Range: 1% to 99%
This modifies the rhythm of the current arp pattern. See page 17 for a full description.

Arp: Seq Retrig (upper G)

Range: Off or On
This forces a repeat of the current sequencer pattern regardless of the length of the arp
pattern. See page 17 for a full description.

Global: MIDI Channel (upper G#)

Range: 1 to 16
This On-key function lets you select the MIDI channel to be used for transmitting and
receiving MIDI data to/from other equipment (such as the MIDI sequencer within your
DAW). Hold the Function/Exit button 5 down and press the upper G note. The display
will flash, showing the current MIDI channel number (1 if it has not been changed from the
factory default). Release Function/Exit. You can now use the Patch/Value keys to alter
the channel number. The new channel number will be stored and reinstated after a power-
down.

Global: Local (upper A)

Range: On or Off
This control determines whether Bass Station II is to be played from its own keyboard, or
to respond to MIDI control from an external device, such as a MIDI sequencer or master
keyboard. Set Local to On to use the keyboard, and to Off if you are going to control the
synth externally via MIDI or use Bass Station II’s keyboard other external MIDI devices.

Global: Tune (upper A#)

Range: -50 cents to +50 cents
This parameter lets you make finer adjustments to the overall synth tuning. The increments
are cents (1/100 of a semitone), and thus setting the value to ±50 tunes the oscillator to a
quarter-tone midway between two semitones.

Global: Input Gain (upper B)

Range: -10 dB to +60 dB
This adjusts the gain of the external audio input applied at the rear panel EXT IN connector
{6}. The default value is zero (unity gain)

Global: Dump (upper C)

Range: n/a
Use this On-key function to transmit current synth parameters via MIDI as a SysEx
message. This allows you to store personal Patches on your computer for back-up
purposes. The data is transmitted from both the USB port and MIDI OUT sockets on the
rear panel. You can either transmit just the current Patch, or all 128. Hold the Function/
Exit
button and hit the key. The display will show onE. Keeping the Function/Exit
button pressed, hit the key again, and all current synth parameters will be transmitted.
Alternatively, press the Patch/Value buttons, the display will show All. Keeping the
Function/Exit button pressed, hit the key again; Bass Station II will now transmit the
parameters of all 128 Patches in sequence, so that you will have a backup of your entire
synth.

APPENDIx

Importing Patches via SysEx

The On-Key Dump function lets you save any or all of your Bass Station II Patches to a
computer by transmitting the data in the form of MIDI SysEx messages. This would not be
very useful without a method of loading Patches into the synth from the computer!

In addition to loading Patches which you may have saved, you may also want to load new
Patches which you have downloaded from the Novation website. (Remember to check the
website from time to time, as our sound programming team is constantly coming up with
great new sounds for you to use.)

Use whatever MIDI software you have installed on your computer to upload Patches as
SysEx data. You will need to know where the Patch files are saved on your hard drive, of
course.

When you send a single Patch from your computer, Bass Station II loads it into a buffer
memory, but it becomes the currently active Patch – i.e., you can use it straightaway.
However, if you change to another Patch on the synth, the uploaded Patch will be lost. If
you want to upload a Patch into your synth and save it for future use, you must Save it in the
normal manner (see “Saving Patches” on page 7). As with saving any modified Patch,
if you just press Save, the Patch in the currently-selected location will be overwritten. If you
want to Save the uploaded Patch in a specific memory location (Patch number), you must
first scroll to that location before Saving.

If you send a complete patch library, you will automatically overwrite every Patch in the
synth. This is useful – as it allows you to restore the synth to its original factory Patch
settings – but note that it will overwrite all existing Patches, so if you have not backed them
up they will be lost. Use with caution!

Sync values table

This table explains what the display will show when altering the Speed/Sync setting for
either of the LFOs (by turning the LFO rotary controls [25] when On-Key function LFO:
Speed/Sync LFO 1
is set to Sync).

Display

Display
Meaning

Musical Description

MIDI

Ticks

1

64b

64 beats

1 cycle per 16 bars

1536

2

48b

48 beats

1 cycle per 12 bars

1152

3

42b

42 beats

2 cycles per 21 bars

1002

4

36b

36 beats

1 cycle per 9 bars

864

5

32b

32 beats

1 cycle per 8 bars

768

6

30b

30 beats

2 cycles per 15 bars

720

7

28b

28 beats

1 cycle per 7 bars

672

8

24b

24 beats

1 cycle per 6 bars

576

9

213

21 + 2/3

3 cycles per 16 bars

512

10

20b

20 beats

1 cycle per 5 bars

480

11

183

18+ 2/3

3 cycles per 14 bars

448

12

18b

18 beats

1 cycle per 18 beats (2 cycles per 9 bars)

432

13

16b

16 beats

1 cycle per 4 bars

384

14

133

13 + 1/3

3 cycles per 4 bars

320

15

12b

12 beats

1 cycle per 12 beats (1 cycle per 3 bars)

288

16

102

10 + 2/3

3 cycles per 8 bars

256

17

8b

8 beats

1 cycle per 2 bars

192

18

6b

6 beats

1 cycle per 6 beats (2 cycles per 3 bars)

144

19

5b3

5 + 1/3

3 cycles per 4 bars

128

20

4b

4 beats

1 cycle per 1 bar

96

21

3b

3 beats

1 cycle per 3 beats (4 cycles per 3 bars)

72

22

8x3

2 + 2/3

3 cycles per 2 bars

64

23

2n

2nd

2 cycles per 1 bar

48

24

4d

4th dotted

2 cycles per 3 beats (8 cycles per 3 bars)

36

25

4x3

1 + 1/3

3 cycles per 1 bar

32

26

4n

4th

4 cycles per 1 bar

24

27

8d

8th dotted

4 cycles per 3 beats (16 cycles per 3 bars)

18

28

4t

4th triplet

6 cycles per 1 bar

16

29

8n

8th

8 cycles per 1 bar

12

30

16d

16th dotted

8 cycles per 3 beats (32 cycles per 3 bars)

9

31

8t

8th triplet

12 cycles per 1 bar

8

32

16n

16th

16 cycles per 1 bar

6

33

16t

16th triplet

24 cycles per 1 bar

4

34

32n

32nd

32 cycles per 1 bar

3

35

32t

32nd triplet

48 cycles per 1 bar

2

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