Fender P10 User Manual

Page 4

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Product Specifications

Model

Passport P10

120v part number 069-1110-000

Euro

230v part number 069-1110-060

Aust

240v part number 069-1110-030

UK

230v part number 069-1110-040
100v part number 069-1110-070

(only difference in product is AC line cord)

Power Output

27 watts (RMS)

Speaker type

5” full-range, 4 ohm

Power Supply

Intelligent charger 90-260v AC input
18VDC +2.5A output (inner contact is posi
tive)

Battery

12v/ 2.7amp hour rechargeable gel cell

Charging Time

4 hours

Operating Time

Up to eight hours talk time

Dimensions (In)

11.2 L x 6.3 W x 7.0 H

(mm)

285 L x 160 W x 178 H

Weight

6.5 lbs. / 2.95 Kgs (with battery)

Replacement parts

Replacement parts are available through your Authorized Fender Audio
dealer, Service Center or from Fender Musical Instruments directly.

Microphone

069-9000-000

3’ mic cable (coiled)

005-7529-000

Shoulder Strap

005-7527-000

Universal Power Adapter

005-7530-000

AC Power Cord

120v

005-7531-000

230v Euro

005-7532-060

230v UK

005-7533-040

100v

005-7534-070

Rechargeable Battery

005-7535-000

Be sure to register your purchase at www.fender.com

Tips on correctly using the microphone
Getting good results with a microphone is largely due to proper micro-
phone technique. When speaking, hold the microphone directly in front
of your mouth. Picture yourself eating a lollipop. The lollipop stick is
the “body” of the microphone. This is the proper angle you should be
holding the microphone in relation to your mouth.

The distance the microphone is held away from your mouth is largely
dependent on how loud you speak. It is common for performers or pre-
senters to “eat the mic”. This is term used for someone who keeps the
microphone grill in contact with their lips at all times. You will find that
if you use the microphone this way, you can speak in a normal voice and
be heard clearly. Speaking loudly can cause your voice to distort.

Experiment with what is most comfortable for you. Keep these few
items in mind.
- The closer the mic is to your mouth, the louder you will be.
- The closer the mic is to your mouth, the “fuller” your voice will be

(this is called “proximity effect” where bass frequencies
increase when you move closer to a microphone).

- The closer your mouth is to the microphone, the lower you can set the

overall output. This lessens the opportunity for feedback to
occur (that awful squealing that occurs when a microphone gets
too close to a speaker).

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