Fender P10 User Manual
Page 4
Product Specifications
Model
Passport P10
120v part number 069-1110-000
Euro
230v part number 069-1110-060
Aust
240v part number 069-1110-030
UK
230v part number 069-1110-040
100v part number 069-1110-070
(only difference in product is AC line cord)
Power Output
27 watts (RMS)
Speaker type
5” full-range, 4 ohm
Power Supply
Intelligent charger 90-260v AC input
18VDC +2.5A output (inner contact is posi
tive)
Battery
12v/ 2.7amp hour rechargeable gel cell
Charging Time
4 hours
Operating Time
Up to eight hours talk time
Dimensions (In)
11.2 L x 6.3 W x 7.0 H
(mm)
285 L x 160 W x 178 H
Weight
6.5 lbs. / 2.95 Kgs (with battery)
Replacement parts
Replacement parts are available through your Authorized Fender Audio
dealer, Service Center or from Fender Musical Instruments directly.
Microphone
069-9000-000
3’ mic cable (coiled)
005-7529-000
Shoulder Strap
005-7527-000
Universal Power Adapter
005-7530-000
AC Power Cord
120v
005-7531-000
230v Euro
005-7532-060
230v UK
005-7533-040
100v
005-7534-070
Rechargeable Battery
005-7535-000
Be sure to register your purchase at www.fender.com
Tips on correctly using the microphone
Getting good results with a microphone is largely due to proper micro-
phone technique. When speaking, hold the microphone directly in front
of your mouth. Picture yourself eating a lollipop. The lollipop stick is
the “body” of the microphone. This is the proper angle you should be
holding the microphone in relation to your mouth.
The distance the microphone is held away from your mouth is largely
dependent on how loud you speak. It is common for performers or pre-
senters to “eat the mic”. This is term used for someone who keeps the
microphone grill in contact with their lips at all times. You will find that
if you use the microphone this way, you can speak in a normal voice and
be heard clearly. Speaking loudly can cause your voice to distort.
Experiment with what is most comfortable for you. Keep these few
items in mind.
- The closer the mic is to your mouth, the louder you will be.
- The closer the mic is to your mouth, the “fuller” your voice will be
(this is called “proximity effect” where bass frequencies
increase when you move closer to a microphone).
- The closer your mouth is to the microphone, the lower you can set the
overall output. This lessens the opportunity for feedback to
occur (that awful squealing that occurs when a microphone gets
too close to a speaker).