FujiFilm 100F User Manual

Page 2

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FUJIFILM DATA SHEET • FUJICHROME PROVIA 100F Professional [RDP III]

2

Excessively high or low subject color temperatures may

require the following filter

additions and exposure corrections.

• The foregoing settings are for 2 hours after sunrise and 2

hours before sunset.

• Provide lens opening 1/2 stop smaller during the summer

and 1/2 stop larger during the winter.

• Excessively bright (or dark) or backlit subjects may require

plus or minus 1 stop lens opening adjustments.

Daylight

Under daylight conditions, color balancing filters are not

necessary, but the following exposure conditions may

require the indicated filters.

NOTES

Fair weather open shade and shaded

landscapes.

Bright distant scenes, snow land-

scapes, seaside scenes, aerial

scenes and open landscapes.

Close-ups of plants and subjects hav-

ing bright colors.

Subject Conditions

Filter Exposure

Correction

UV Filter

No.2C*

(SC-39 or

SC-40)**

None

High Color Temperature :

Cloudy weather landscapes or por-

traits under clear weather open

shade.

Low Color Temperature :

Morning and evening twilight scenes

and portraits.

Subject Conditions

Filter

Exposure

Correction

No.81A*

(LBA-2)***

No.82A* or

No.82C*

(LBB-2 or

LBB-4)***

+1/3

stop****

+1/3 to

+2/3

stop****

ISO 100 Electronic Flash Guide Number

=

Electronic Flash-to-Subject Distance

(meters or feet)

Lens

Aperture

(f-number)

output tends to be lower than that indicated by an

exposure meter, so it is advisable to compensate

for this by increasing exposure time or the lens

opening. Whenever possible, test exposures are

recommended.

•

Other factors requiring consideration when deter-

mining the exposure time, are lamp configuration,

use duration and line voltage, as they may affect

lamp output and color balance.

Fluorescent Lamps

•

The use of the following combinations of color com-

pensating filters is advisable when photographing

under fluorescent lighting.

•

For exacting work, however, test exposures are rec-

ommended because lamp make and age may af-

fect light output and color balance.

(Exposure Time : 1/4 second)

* Kodak Filters

** Fuji Sharp-cut Filter

*** Fuji Light Balancing Filter (not available in certain markets.)

**** “+”= Lens opening

Electronic Flash

•

Electronic flash produces light similar to daylight, so

filters are not needed. However, the possibility of

undesirable effects on color balance, due to various

factors (differences in equipment, amount of use,

etc.) should be taken into consideration and test ex-

posure made.

•

The use of a flash meter is advisable, but the follow-

ing formula can also be used to obtain satisfactory

lens opening.

Fluorescent

Lamp Type

Color Compen-

sating Filters*

Exposure

Corrections**

White

(W)

25M+20B

+1 stop

Daylight

(D)

30R+10M

+1 stop

Cool White

(CW)

35M

+1 stop

Warm White

(WW)

No.80B

+15M+10R

+2

1

/

3

stops

•

Set the film speed at ISO 100. Since the amount of

light reflected onto the subject from surrounding

surfaces will differ with the conditions, refer to flash

unit instructions.

* Kodak Color Compensating Filters (or Fuji CC Filters) recom-

mended.

** Exposure correction values include filter exposure factors.

These values are added to unfiltered exposure meter readings.

“+” followed by number = required increase in lens opening.

• Use 1/30 or slower shutter speeds.

• For shutter speeds longer than 128 seconds, exposure ad-

justments will be necessary to compensate for reciprocity

failure.

Tungsten Lamps

•

A Kodak Filter No.80A (or Fuji Light Balancing Filter

LBB-12) is recommended along with a 1

2

/

3

lens

stop increase, when using 3200K tungsten lighting.

•

If household tungsten lighting (room lamps, etc.)

constitutes the main source of illumination, in addi-

tion to the above filter a Kodak filter No.82A (or Fuji

Light Balancing Filter LBB-2) is required, plus an

aperture increase of 1/3 stop (total 2 stops).

Mixed Light Lamps

Under mixed light conditions, derive the basic filter con-

figuration to suit the main light source.

NOTES

Daylight Photoflood / Photo-Reflector Lamps

•

Daylight-type photoflood or photo-reflector lamp

5.

LONG AND MULTIPLE EXPOSURE

COMPENSATION

No exposure correction or color balance compensation

is required for exposures within a 1/4000 to 128 seconds

shutter speed range. However, for exposures of 128

seconds or longer, reciprocity-failure related color bal-

ance and exposure compensations are required.

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