MACKIE PPM1012 - Manual (Page 10)

10
PPM101
PPM1012
PPM1012 Features
Rear Panel
1. POWER CONNECTION
This jack accepts the supplied 3-prong IEC AC power
cord.
Before you plug the AC power cord into the
powered mixer, make sure that the voltage of
your unit is the same voltage as your local AC
mains supply. Use only the power cord supplied. Also,
disconnecting the plug’s ground pin is dangerous. Please
don’t do it. And no running with scissors either. Let's be
safe out there!
2. POWER SWITCH
Press the top of this rocker switch inwards to turn on
the mixer. The front panel power LED [42] will glow
with happiness, or at least it will if you have the mixer
plugged into a suitable live AC mains supply.
Press the bottom of this switch to turn off the mixer,
whenever you feel that this would be a safe thing to do.
Half-way through a heavy metal guitar solo might not be
such a good time.
As a general guide, you should turn on your
powered mixer first, before any external power
amplifiers or powered speakers, and turn it off
last. This will reduce the possibilities of any
turn-on, or turn-off thumps in your speakers.
3. SPEAKER-LEVEL OUTPUTS
These output connections provide speaker-level
output power from the internal power amplifiers to your
passive speakers. The outputs can be selected with the
amp mode switch [53] to be either the stereo main mix,
mono main mix/monitor 1, or monitor 1/monitor 2.
The power output of the PPM1012 is 500 watts rms
per channel into 4 ohms, and 800 watts peak.
Two common types of connector are provided for your
convenience: Speakons and 1/4" TS.
• Speakon outputs are wired Pin 1+ positive
(hot) and Pin 1– negative (cold).
Mono Speakon Connection
• 1/4" TS outputs are wired Tip positive, and
Sleeve negative.
1/4" TS Connection
These two types of outputs are wired in parallel, and
it is possible to use both types at once.
The minimum impedance that the powered
mixer can handle is 4 ohms per channel, and
we recommend that you do not go below this.
If you are using both outputs per channel, make sure
each loudspeaker is 8 ohms impedance or greater.
4. VENTILATION
These holes in the rear panel allow the inter-
nal fans to flow breezy and minty-fresh cooling
air over the internal power amplifiers. Do not
obstruct these holes, or the amplifiers may overheat and
shut down. Do not remove the feet, as these help keep
the powered mixer off the ground for ventilation.
80Hz
LOW
MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8
INPUT
(BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL)
INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT
GAIN
U
-20
LAMP
12V 0.5A
L
R
FX SEND TAPE
OUT IN
L
MON SEND
FX RTN
(MONO)
MID
FREQ
R L
U
GAIN
MI C GAIN
0 +50 -20dB +30dB
600
1.5k 150
8k 100
OFF MAX
U
GAIN
MI C GAIN
0 +50 -20dB +30dB
U
GAIN
MI C GAIN
0 +50 -20dB +30dB
U
GAIN
MI C GAIN
0 +50 -20dB +30dB
U
GAIN
MI C GAIN
0 +50 -20dB +30dB
U
GAIN
MI C GAIN
0 +50 -20dB +30dB
U
GAIN
MI C GAIN
0 +50 -20dB +30dB
U
GAIN
MI C GAIN
0 +50 -20dB +30dB
1 9/10 11/12 2 3 4 5 6 7 8
SOLO
OL
+10
0
-20
SOLO
OL
+10
0
-20
1 9/10 11/12 2 3 4 5 6 7 8
EQ EQ
OFF MAX OFF MAX OFF MAX OFF MAX OFF MAX
12kHz HI
LOW CUT 100 Hz
U
+15 -15
U
+15 -15
U
+15 -15
U
+15 -15
+20
12kHz
HI
80Hz
LOW
HI MID
2.5kHz
LOW
MID
400Hz
U
+15 -15
U
+15 -15
U
+15 -15
U
+15 -15
12kHz
HI
80Hz
LOW
HI MID
2.5kHz
LOW
MID
400Hz
GAIN
U
-20
PAN
AUX
SEND
EQ
COMP COMP COMP COMP COMP COMP
+20
1
2
L
R
(MONO)
L
R
(MONO)
L
R
(MONO)
1
2
FX RTN
L
R
L
R
M
L
R
M
MON 1
MON 2
FX 1
FX 2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz HI
PAN
AUX
SEND
MON 1
MON 2
FX 1
FX 2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz HI
PAN
AUX
SEND
MON 1
MON 2
FX 1
FX 2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz HI
PAN
AUX
SEND
MON 1
MON 2
FX 1
FX 2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz HI
PAN
AUX
SEND
MON 1
MON 2
FX 1
FX 2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz HI
PAN
AUX
SEND
MON 1
MON 2
FX 1
FX 2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz HI
PAN
AUX
SEND
MON 1
MON 2
FX 1
FX 2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz HI
PAN
AUX
SEND
MON 1
MON 2
FX 1
FX 2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
R L
PAN
AUX
SEND
MON 1
MON 2
FX 1
FX 2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
R L
PAN
AUX
SEND
MON 1
FX
MON
2
FX
1
FX 2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
1 FX 2
9 1 2 10 / INPUT 11 12 / MAIN OUT
MAIN INSERT
TAP DELAY
INT FX MUTE
TAP DELAY
INT FX MUTE
TAP TO EDIT
01 PLATE REVERB
02 VOCAL PLATE
03 WARM ROOM
04 BRIGHT ROOM
13 CHORUS
14 CHORUS + REVERB
15 DOUBLER
16 TAPE SLAP
05 WARM LOUNGE
06 SMALL STAGE
07 WARM THEATER
08 BRIGHT STAGE
09 WARM HALL
10 CONCERT HALL
11 CATHEDRAL
12 GATED REVERB
17 DLY 1 BRIGHT (350ms)
18 DLY 1 WARM (300ms)
19 DLY 2 BRIGHT (250ms)
20 DLY 2 WARM (200ms)
21 DLY 3 BRIGHT (175ms)
22 DLY 3 WARM (150ms)
23 CHORUS + DLY (300ms)
24 REVERB + DLY (200ms)
15
15
10
10
5
5
0
15
15
10
10
5
5
0
16K 8K 4K 2K 1K 500 250 125 63
HI-Z HI-Z OL
4
6
3
10
15
7
10
20
30
0
2
U
+20 O O TAPE IN
BREAK
MUTES CH 1-12
U
+15 O O
U
+15 O O
TO MON 1 TO MON 2
FX 1 FX 1
MONO OUT
LPF
O O MAX
75Hz
100 180
120
200Hz
0dB = 0dBu
LEVEL
SET
RUDE SOLO
MAIN
MON 2
EQ ASSIGN
MAIN
METERS
R L
PHANTOM POWER
MAIN EQUALIZER
MON 1 EQUALIZER
15
15
10
10
5
5
0
15
15
10
10
5
5
0
16K 8K 4K 2K 1K 500 250 125 63
SIG/OL SIG/OL
U
+15 O O SEND MASTER
U
+15 O O SEND MASTER
LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz
dB
10
O O
5
5
U
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
dB
30
20
10
O O
40
50
5
5
U
60
dB
30
20
10
O O
40
50
5
5
U
60
FX RTN 1 FX RTN 2 MON 1 MON 2 MAIN
FOOTSWITCH
TIP: FX1 RING: FX2
PHONES
FX
LEVEL
2 X 800W PROFESSIONAL POWERED MIXER
O O MAX
30
20
40
50
60
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
(L) (R)
MON 1
MON 2
MAINS
MON 1
STEREO MAIN
A B
LINE LINE LINE LINE LINE LINE LINE
HI-Z
LINE
HI-Z
POWER AMP
LIMITER
A B
POWER AMP
MODE
POWER
2 X 800W PROFESSIONAL POWERED MIXER
CAUTION
HOT SURFACE,
AVOID CONTACT REVISION
SERIAL NUMBER
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
B
SPEAKER OUT
A
SPEAKER OUT
OUTPUT POWER: @ 4 OHMS, 800 WATTS PEAK PER CH
MINIMUM LOAD: 4 OHMS PER CHANNEL
PIN
1+
1
PIN
1+
1
R
COLD
HOT
1+
1+
1–
1–
2–
2+
SLEEVE
TIP
TIP SLEEVE
TIP
SLEEVE
1
4
2 3 3
4