MACKIE PPM1012 - Manual (Page 14)

1
PPM101
PPM1012
WARNING: The headphone amp is loud, and
can cause permanent ear damage. Even
intermediate levels may be painfully loud with
some earphones. BE CAREFUL! Always turn the phones
level control [19] all the way down before connecting
headphones or pressing a solo switch, or doing anything
new that may affect the headphone volume. Then turn it
up slowly as you listen carefully.
19. LEVEL
This knob controls the level of the signal going to your
stereo headphones.
Make sure this is fully down whenever you are
making connections in your system, or putting
on the headphones, or before you press any
solo switch [41]. Bring up the level slowly and carefully
to protect your hearing.
20. FX FOOTSWITCH CONNECTOR
This is where you connect a footswitch. (Any two-but-
ton on/off footswitch will do). This allows you to easily
mute or un-mute the two internal effect processors
independently, while stamping your foot and looking
like you were mad about something.
The output is wired so the tip affects FX1, and the
ring affects FX2.
If the internal effects have already been muted with
the FX mute switches [64] then the footswitch has no
effect. It cannot un-mute or mute it.
The footswitch only affects the internal FX. It has no
effect on the output-to and input-from external effects
processors.
80Hz
LOW
MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8
INPUT
(BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL)
INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT
GAIN
U
-20
LAMP
12V 0.5A
L
R
FX SEND TAPE
OUT IN
L
MON SEND
FX RTN
(MONO)
MID
FREQ
R L
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
600
1.5k 150
8k 100
OFF MAX
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
U
GAIN
MI C GAIN
0 +50
-20dB +30dB
1 9/10 11/12 2 3 4 5 6 7 8
SOLO
OL
+10
0
-20
SOLO
OL
+10
0
-20
1 9/10 11/12 2 3 4 5 6 7 8
EQ EQ
OFF MAX OFF MAX OFF MAX OFF MAX OFF MAX
12kHz
HI
LOW CUT
100 Hz
U
+15 -15
U
+15 -15
U
+15 -15
U
+15 -15
+20
12kHz
HI
80Hz
LOW
HI
MID
2.5kHz
LOW
MID
400Hz
U
+15 -15
U
+15 -15
U
+15 -15
U
+15 -15
12kHz
HI
80Hz
LOW
HI
MID
2.5kHz
LOW
MID
400Hz
GAIN
U
-20
PAN
AUX
SEND
EQ
COMP COMP COMP COMP COMP COMP
+20
1
2
L
R
(MONO)
L
R
(MONO)
L
R
(MONO)
1
2
FX RTN
L
R
L
R
M
L
R
M
MON
1
MON
2
FX 1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX 1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX 1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX 1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX 1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX 1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX 1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
80Hz
LOW
MID
FREQ
R L
600
1.5k 150
8k 100
EQ
12kHz
HI
PAN
AUX
SEND
MON
1
MON
2
FX 1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
R L
PAN
AUX
SEND
MON
1
MON
2
FX 1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
R L
PAN
AUX
SEND
MON
1
FX
MON
2
FX
1
FX
2
U
+15 O O
U
+15 O O
U
+15 O O
U
+15 O O
-15
U
+15
-15
U
+15
-15
U
+15
1 FX 2
9 1 2 10 / INPUT 11 12 / MAIN OUT
MAIN INSERT
TAP
DELAY
INT FX
MUTE
TAP
DELAY
INT FX
MUTE
TAP TO EDIT
01 PLATE REVERB
02 VOCAL PLATE
03 WARM ROOM
04 BRIGHT ROOM
13 CHORUS
14 CHORUS + REVERB
15 DOUBLER
16 TAPE SLAP
05 WARM LOUNGE
06 SMALL STAGE
07 WARM THEATER
08 BRIGHT STAGE
09 WARM HALL
10 CONCERT HALL
11 CATHEDRAL
12 GATED REVERB
17 DLY 1 BRIGHT (350ms)
18 DLY 1 WARM (300ms)
19 DLY 2 BRIGHT (250ms)
20 DLY 2 WARM (200ms)
21 DLY 3 BRIGHT (175ms)
22 DLY 3 WARM (150ms)
23 CHORUS + DLY (300ms)
24 REVERB + DLY (200ms)
15
15
10
10
5
5
0
15
15
10
10
5
5
0
16K 8K 4K 2K 1K 500 250 125 63
HI-Z HI-Z
OL
4
6
3
10
15
7
10
20
30
0
2
U
+20 O O TAPE IN
BREAK
MUTES
CH 1-12
U
+15 O O
U
+15 O O
TO MON 1 TO MON 2
FX 1 FX 1
MONO OUT
LPF
O O MAX
75Hz
100 180
120
200Hz
0dB = 0dBu
LEVEL
SET
RUDE SOLO
MAIN
MON 2
EQ ASSIGN
MAIN
METERS
R L
PHANTOM POWER
MAIN EQUALIZER
MON 1 EQUALIZER
15
15
10
10
5
5
0
15
15
10
10
5
5
0
16K 8K 4K 2K 1K 500 250 125 63
SIG/OL SIG/OL
U
+15 O O SEND MASTER
U
+15 O O SEND MASTER
LOW CUT
100 Hz
LOW CUT
100 Hz
LOW CUT
100 Hz
LOW CUT
100 Hz
LOW CUT
100 Hz
LOW CUT
100 Hz
LOW CUT
100 Hz
dB
10
O O
5
5
U
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
OL
+10
0
-20
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
dB
30
20
10
O O
40
50
5
5
U
60
SOLO
dB
30
20
10
O O
40
50
5
5
U
60
dB
30
20
10
O O
40
50
5
5
U
60
FX RTN 1 FX RTN 2 MON 1 MON 2 MAIN
FOOTSWITCH
TIP: FX1 RING: FX2
PHONES
FX
LEVEL
2 X 800W PROFESSIONAL POWERED MIXER
O O MAX
30
20
40
50
60
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
(L) (R)
MON 1
MON 2
MAINS
MON 1
STEREO
MAIN
A B
LINE LINE LINE LINE LINE LINE LINE
HI-Z
LINE
HI-Z
POWER AMP
LIMITER
A B
POWER AMP
MODE
POWER
2 X 800W PROFESSIONAL POWERED MIXER
CAUTION
HOT SURFACE,
AVOID CONTACT REVISION
SERIAL NUMBER
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
B
SPEAKER OUT
A
SPEAKER OUT
OUTPUT POWER: @ 4 OHMS, 800 WATTS PEAK PER CH
MINIMUM LOAD: 4 OHMS PER CHANNEL
PIN
1+
1
PIN
1+
1
R
21. BNC LAMP CONNECTION
Located in the top right corner of the mixer, this
12V socket will drive any standard BNC-type lamp, for
example, a Littlite® #12G or #12G-HI (high-intensity).
It will cast a light in the dark, so you can work your
audio magic like an ancient wizard. It will also attract
all the mosquitoes, moths, and other hungry flying crit-
ters within a one mile radius. Have fun with that.
22. LUNCH-TIME DECOUPLER
Not available on Earth models, this control actually
slows down time, especially lunchtimes. Use this wisely,
and only engage it after receiving your food and bever-
ages, or you may be in for a long wait.
Do not engage during drum solos or scats.
14 13 11 10
5
9
6 7
8 8 12 12
15
16
17
21
20
18
16
7
19