Marantz MM9360 User Manual

Page 6

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9. INPUT XLR and ¼" PHONE jacks

The amplifier uses 1/4" phone jacks and female XLR jacks

for balanced input signals, recommended for longer input

cables and to minimize hum and noise.

Balanced Inputs

It is recommended that balanced input connections be used

whenever possible to take full advantage of the amplifier's

common mode rejection properties, and to reduce ground-

loop problems. The (+) signal is on pin 2 of the XLR, and

the tip of the phone jack. The (-) signal is on pin 3 of the

XLR, and the ring of the phone jack.

Unbalanced Inputs

If an unbalanced XLR input connection is used, pin 3 should

be connected to input ground (pin 1). If the ¼" input jack

is used unbalanced, the use of a mono (tip-sleeve) plug

will automatically tie the (-) connection to input ground.

Note: Never float the (+) or (-) input connection when us-

ing an unbalanced source.

10. RC-5 IN/OUT jack

If your system uses a Marantz remote control com-

patible component with preamplifier outputs, such as an

A/V preamplifier or surround receiver, these jacks allow

you to turn the power of the amplifier to ON or OFF/Standby

through remote control from the preamplifier or receiver.

Before using these jacks, check the owner's manual of the

Marantz component to see if it is remote control compat-

ible.

11. AC INLET

Connect AC cord (Supplied) and plug into a grounded AC

power outlet.

12. DC TRIGGER jacks

Two 3.5mm jacks are used for remote switching between

ON status and OFF/Standby status. An external 12 volt

DC power supply wired in series with a switch is required

for the DC trigger input. Wire the switched DC to the tip of

a 3.5mm miniature phone plug for the DC trigger input,

and wire the power supply ground to the sleeve. Be sure

to use a latching (push-push) type switch rather than a mo-

mentary switch. Assuming the amplifier's main AC power

switch is on, an input voltage transition from 0 to 12 volts

turns on the amplifier (if already in OFF/Standby mode),

and after a one second delay provides 12 volts to the DC

Trigger Out jack for remote control of other amplifiers. A

DC trigger input voltage transition from 12 volts to 0 volts

returns the amplifier into Off/Standby mode.

13. AC FUSE drawer

This is where the AC line fuse is located. In the event of

fuse failure, replace only with MDA 12 250V.

14. INPUT RCA jacks

Connect the preamplifier output to this jack. Since these

connections use unbalanced signals, they are more

succeptable to picking up radiated noise such as magnetic

field from a large power transformer, electric motors,

flourescent lights, computer and video cables, etc. For

best noise performance, keep these cables short and avoid

passing them near any potential noise source.

15. SPEAKER SYSTEM terminals

Dual binding posts provide connections for the speaker out-

puts. In addition to using the banana-type plug, the bind-

ing posts have a slotted entry-way for wire-crimped spade

terminals. In BRIDGE MONO mode, the channel 1, 3, or 5

red binding post is the (+) in-phase speaker output termi-

nal and the channel 2, 4, or 6 red binding post becomes

the (-) out-of-phase speaker terminal.

CAUTION! NEVER CONNECT THE TWO RED BINDING

POSTS TOGETHER OR CONNECT EITHER RED BIND-

ING POST TO A BLACK BINDING POST!

Audio Input Connector Types

Tip (+)

Ring (-)

Sleeve (Gnd)

Stereo Phone Plug
used for balanced

2 = (+)
3 = (-)
1 = (gnd)

XLR pins are
numbered
on the
connector
insert.

XLR M ale

Tip (+)

Sleeve (Gnd)

M ono Phone Plug
used for unbalanced

RCA Plug

(+)

(Gnd)

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