Applications: studio – Sound Performance Lab 9320 User Manual

Page 6

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6

S T E R E O

Applications:

Studio

A

Ap

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n 1

1::

The S

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inserted into

the Master-Inserts of the console.

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n 2

2::

The S

TEREO

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ITALIZER

inserted

between Noise-Reduction and

Recorder to improve archived

recordings.

1

1..

The most obvious application of the S

TEREO

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is to process a

final mix, either while mixing or during post-production prior to cutting.

Insert your S

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into the master-inserts of your console or right

in between a playback and a recording unit.

It is important to use full-range monitors to assess the effect of any bass

processing in and out of circuit in order to appreciate just how much

processing has been added; the brain soon acclimates to changes in timbre

and it is easy to overdo it! If in doubt, refer frequently to known recordings

played through the same monitor system.

Do not connect the S

TEREO

V

ITALIZER

between master-outputs and

amplifier. The major disadvantage of this connection is the varying input

sensitivity with each fader movement.

When patching the S

TEREO

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ITALIZER

into the sub-groups or master-breaks

of the console, note if the master breaks are switched »pre« or »post«

fader. They should best be switched »pre« fader, so that a variation of the

master fader does not affect the input level of the S

TEREO

V

ITALIZER

. The

effect level and the treated sound will then remain unchanged.

2

2..

Another popular stereo application is the processing of existing

master tapes during post-production such as when reprocessing archive

material for CD release.

If a single-ended noise reduction system is used to clean up the original,

the S

TEREO

V

ITALIZER

can make a significant contribution in restoring the

high end detail that invariably suffers during such treatment. In many

cases, the restored master can be made to sound appreciably better than

the original.

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