Appendix, Sounds – KORG CONCERT C-720 User Manual
Page 70
Appendix > Sounds
68
Appendix
Sounds
Var.
Name
CC 0
CC32
PC*
Osc.
Description
PIANO 1
1
GrandPiano**
121
0
0
4
Samples recorded from a gorgeous-sounding concert grand piano. It also includes
four dynamic levels, sustain samples, and key-off samples, plus other EPx effects. Per-
fect for classical compositions as well as any other style that requires an accurate
acoustic piano sound.
2
BriteGrand**
121
0
1
4
As the above, but slightly more open-sounding.
3
Rock Piano
121
1
1
2
Bright, spacious and clean piano. Excellent for pop or rock music.
4
Piano&Str.
121
2
0
4
A mix of warm piano and full, lush strings.
PIANO 2
1
Honky-Tonk
121
0
3
2
Classic, detuned saloon-piano.
2
MelloGrand**
121
1
0
4
Warm, slightly dark-sounding piano. Mostly good for classical music.
3
Piano&Pad
121
3
0
4
A mix of warm piano and warm, synthetic pads.
4
Elec.Grand
121
0
2
2
An electronic piano sound, typical of the late 70s. Extremely dynamic, with varying
timbre according to keyboard dynamics. Good for pop and funky music.
5
M1 Piano
121
1
2
2
The classic, ringing sound of the Korg M1 sampled piano, so often heard in pop music
during the late 80s.
E. PIANO 1
1
Tine EP 1
121
0
4
4
The most classic electric piano using hammer-struck metallic tines. It is extremely
dynamic, producing a soft tone when played lightly, or an aggressive tone when
played hard.
2
SuitTineEP
121
1
4
2
As the above, but warmer and with the addition of a phaser effect.
3
DynoTineEP
121
2
4
2
This electric piano has a very wide dynamic range, and is particularly suited to funky
music.
4
Tine EP 2
121
4
4
2
As Tine EP1, but with a tremolo effect.
E. PIANO 2
1
Dig. EP 1
121
0
5
2
An electronic piano sound created by means of the FM synthesis, extremely popular
during the mid 80s. Wide dynamic range. It is particularly suited to pop music of the
age.
2
Dig. EP 2
121
1
5
2
As the above, but slightly brighter.
3
Reed EP
121
3
4
1
An electric piano sound, often heard in pop music.
4
TremReedEP
121
5
4
1
As the above, but with a tremolo effect.
HARPSI/CLAV
1
Harpsi 8
121
0
6
3
This is the classic instrument for baroque music. Harpsichord uses plucked strings, so
there is no touch response.
2
Harpsi 16
121
1
6
4
As the above, but with the addition of a register one octave lower.
3
Clav
121
0
7
2
The clavinet sound. This is often heard in funk and soul music. The leftmost pedal is
used to trigger glide down.
4
Synth Clav
121
1
7
3
A synth-generated clavinet sound. The leftmost pedal is used to trigger glide down.
VIBES/GUITAR
1
Vibes 1
121
0
11
2
A sampled orchestral vibraphone with a great dynamic range.
2
Vibes 2
121
1
11
2
As the above, but with no tremolo.
3
Nylon Gtr.
121
0
24
2
A gorgeous, full-sounding nylon-strings guitar. The leftmost pedal is used to trigger
glide down.
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