QUAD ESL-989 User Manual

Page 7

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7

When experimenting, it is preferable to use good recordings or works with which you

are familiar in the concert hall or good quality speech.

The ESL loudspeaker, being a dipole source, has considerable advantages over

conventional loudspeakers in terms of room placement. No energy is radiated in the

plane of the diaphragm and as a consequence, the respective axial room modes are

discriminated against. Normally the loudspeaker is placed at an angle to both

horizontal room axes and will excite both sets of horizontal axial modes, 3 dB less

than with a conventional source and discriminate entirely against the vertical axial

modes.

The loudspeakers should be placed at least 60cm (2 ft) from the rear wall of the

listening room and angled towards the listener and never in corners or alcoves or

behind furniture. Because the ESL is a totally homogeneous sound source it will be

found that they can be placed considerably further apart than normal, broadening

the stereo sound stage. Close proximity to the side walls is not detrimental to

performance. Simple geometry will show that if the ESL loudspeaker is placed at an

angle to the side wall, there will be no audible reflection at the listening position.

The ESLs are provided with optional floor spikes which screw into the four threaded

holes in the baseplate. The heights of the individual spikes can be adjusted to

ensure that the loudspeaker sits securely level on the floor.

Take care to avoid the tips of the spikes which are quite sharp.

ESL BASE AND SPIKES

Programme Material

A small note of caution. We believe that a pair of Quad ESL loudspeakers give a

more realistic picture of an acoustic event than has been possible before, but only if

the best source material is used. They are very revealing of faults in recording

techniques and ownership of these loudspeakers will cause you to re-assess the

virtues of your collection of recordings.

Loudspeaker Phasing

If there is any doubt about the way the loudspeakers are connected, their phasing

can easily be checked by playing a mono source when the sound should appear to

emanate from a point midway between the two loudspeakers. If this is indefinite,

then the connections to one of the loudspeakers should be reversed. When correctly

connected, the loudspeakers will give a definite centre sound source with more full

bodied tenor and bass registers.

ESLmanual Feb02 11/02/04 9:14 AM Page 7

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