The closest approach, Hi-fi world , noel keywood – QUAD Classic Series ESL User Manual

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There are few things in life as rewarding as a truly

invigorating live performance from our favourite artist

or orchestra.

Reproducing that experience accurately in the home

requires loudspeakers that go beyond the conventional.

To really understand the ESL, a listener needs to be

familiar with the nature of a live performance. Whilst the

performance may be impressive and communicate all

kinds of emotions, it is never artificial. It sounds real

and natural.

At Quad, we believe this is the job of a loudspeaker.

To present the music in the raw, natural form -

nothing added, nothing taken away. In this respect,

the ESL is an acquired taste. It displays none of the

over-empasized bass boom or mid-range projection

that plagues moving-coil, box-bound speakers - so in

comparison, the ESL can seem rather meek and polite.

The characteristics, however, that can make these box

speakers so impressive, are also those that cause

fatigue and wear down the listener. Spend some time

with the ESL and you too will begin to realise that it’s

not always the one that shouts the loudest that gets

heard.

It is often said of ‘box’ or cabinet mounted loudspeakers

that you can hear more of the box than the driver. This

is true, even with high-end ‘box’ loudspeakers. The box

- no matter how inert - will always colour the sound.

Electrostatic loudspeakers are therefore in a league of

their own in terms of ‘transparency’.

But to get really close to the original sound, a standard

planar electrostatic speaker, needs more. At a live

performance, each sound comes from an identifiable

position on the stage. To reproduce this three-

dimensional sound ‘image’ accurately, we need to

produce an interference pattern upon the listener of

waves propagated from a pair of true point sources - in

much the same way as a laser produces a hologram.

The Quad ESL 988 and 989 speakers are the only

electrostatic speakers in the world to effectively mimic a

point-source.

Five minutes spent listening to a well set-up pair of

Quad ESLs will confirm their ability to project the

positions of each and every vocalist in a choir, and

instrument in an orchestra - with a naturalness and level

of detail that makes the Quad ESL totally unique in

every respect.

‘Quads can deliver a sublime
performance. They still take my breath
away with their profound revelation’

– Hi-Fi World , Noel Keywood

The closest approach...

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