Tannoy ACTIVE STUDIO MONITORS - Manual (Page 51)

Preset #
Display Name
1 thru 15
Empty or User Preset
Presets 1 - 15 are "empty" until you choose to store a custom preset; after which it will display "User Preset #"
Preset Level (dB)
Factory Presets
Typical applications
L
C
R
Ls
Rs
SUB
LFE
Bass M. X
X-Curve 1
X-Curve 2
-over
16
Neutral
All parameters neutral - a good starting point
0
0
0
0
0
0
0dB Gain
Of
f
Of
f
Of
f
17
BassMgt. 50Hz
Music, video and post for domestic (Not Cinema) use -
0
0
0
0
0
0
0dB Gain
50Hz
Of
f
Of
f
Stereo, 5.1, 5.3 and 6.1
18
BassMgt. 80Hz
Music, video and post for domestic (Not Cinema) use -
0
0
0
0
0
0
0dB Gain
80Hz
Of
f
Of
f
Stereo, 5.1, 5.3 and 6.1
19
BassMgt. 95Hz
Music, video and post for domestic (Not Cinema) use -
0
0
0
0
0
0
0dB Gain
95Hz
Of
f
Of
f
Stereo, 5.1, 5.3 and 6.1
20
BassMgt. 1
10Hz
Music, video and post for domestic (Not Cinema) use -
0
0
0
0
0
0
0dB Gain
110Hz
Of
f
Of
f
Stereo, 5.1, 5.3 and 6.1
21
BassMgt. 1
15Hz
Music, video and post for domestic (Not Cinema) use -
0
0
0
0
0
0
0dB Gain
115Hz
Of
f
Of
f
Stereo, 5.1, 5.3 and 6.1
22
BassMgrt.120Hz
Music, video and post for domestic (Not Cinema) use -
0
0
0
0
0
0dB Gain
120Hz
Of
f
Of
f
Stereo, 5.1, 5.3 and 6.1
23
Cinema Flat
Mixing for Cinema without compensation
0
0
-3
-3
0
0dB Gain
Of
f
Of
f
Of
f
for X-curve. 5.1
24
Cine X-curve
Mixing for Cinema in a small room - compensates
0
0
-3
-3
0
0dB Gain
Of
f
On
Of
f
for X-curve. 5.1
25
Cine X-curve2
Mixing for Cinema in a small room - compensates
0
0
-3
-3
0
0dB Gain
Of
f
Of
f
On
for modified X-curve. 5.1
26
Cinema X+50Hz
Mixing for Cinema with small room X-curve 0
0
-3
-3
0
0
0dB Gain
50Hz
On
Of
f
compensation and bass Management.
27
Cinema X+80Hz
Mixing for Cinema with small room X-curve
0
-3
-3
0
0
0dB Gain
80Hz
On
Of
f
compensation and bass Management.
28
CinemX+120Hz
Mixing for Cinema with small room X-curve
0
-3
-3
0
0
0dB Gain
120Hz
On
Of
f
compensation and bass Management.
29
Cinema 80Hz
Mixing for Cinema with Bass management but
0
-3
-3
0
0
0dB Gain
80Hz
On
Of
f
without compensation for X-curve
30
Cinema 120Hz
Mixing for Cinema with Bass management but
0
-3
-3
0
0
0dB Gain
120Hz
Of
f
Of
f
without compensation for X-curve
31
OB V
an 120Hz
OB vans and very small rooms where rear-channels
0
-2
-2
0
0
0dB Gain
120Hz
Of
f
Of
f
are close to sweetspot
32
Neutral
All parameters neutral - a good starting point
0
0
0
0
0
0dB Gain
Of
f
Of
f
Of
f
X-curve #1 -
ANSI / SMPTE222M (1.5dB roll of
f per oct. from 2kHz))
X-curve #2 -
ANSI / SMPTE222M Mod. (3dB roll of
f per oct. from 4kHz)
LFE Gain - Please note that in general the LFE channel should be mixed with +10dB headroom. If you are not able to boost your LFE monitor output from your console, +10dB gain can be added on your Subwoofer input. Most encoder/decoder formats take the LFE boost into account, meaning that you should leave the Subwoofer LFE gain at 0dB when playing back a DTS
™
or DOLBY
™
encoded material on your Precision iDP
™
system.
51
ACTIVE STUDIO MONIT
ORS