Rear panel ( d -5.5), Re a r panel (d-5.5) – Vizio D-5.5E User Manual

Page 11

Advertising
background image

RCA

Stereo

L

&

R

P

o

st

Accessor

y

Patch

Points

(POST

IN/OUT)

These RCA

p

in

jacks

a

re

u

n

b

a

-

lanced,

w

it

h

a

nominal

level o

f

10dB.

Input

jack

impedance

is

1

0

k

ohms,

a

n

d

o

u

tp

u

t j

a

c

k

impe-

dance

i

s 1

k

ohms.

T

h

e

Accessory

jacks

allow signal

processing

a

n

d

effect

devices

t

o

be

inserted

i

n

to

th

e

signal

path.

T

h

e

regular

s

ig

-

n

a

l path

i

s interrupted

w

h

e

n

a

plug

is

inserted

into

th

e

Acces-

so

ry

I

n

jack.

RCA

Group

Pre

Accessory

Patch

Points

(

P

R

E

I

N

/O

U

T

)

These RCA

p

in

jacks

a

re

unba-

lanced,

with

a

nominal

level o

f

-10dB.

I

n

p

u

t

ja

c

k

impedance

i

s

1

0

k

ohms,

a

n

d

output

jack

i

m

p

e

-

dance i

s

1

k

o

h

m

s.

The Accessory

ja

c

k

s allow

signal

processing

and

effect

devices

t

o

b

e

inserted

into

th

e

signal

p

a

th

.

The

regular s

ig

-

n

a

l p

a

th

is

interrupted

w

h

e

n

a

p

lu

g

i

s

inserted

into

t

h

e

A

cces-

sory

in

j

a

c

k

.

RCA

Group

Post

Accessory

P

a

tc

h

Points

(POST

I

N

/O

U

T

)

These RCA

p

in

jacks

a

re

unba-

lanced,

with

a

nominal

l

e

v

e

l

o

f

10dB.

I

n

p

u

t j

a

c

k

impedance

i

s

1

0

k

ohms,

a

n

d

output

jack

i

m

p

e

-

dance

i

s

1

k

ohms.

T

h

e

Accessory

jacks

allow

signal

processing

a

n

d

effect

devices

to

be

inserted

into

th

e signal

path.

T

h

e

regular s

ig

-

n

a

l path

is

interrupted

when

a

p

lu

g

i

s

inserted

in

to

th

e

Acces-

sory i

n

j

a

c

k

.

A

C

Power

C

o

rd

The p

o

w

e

r

cord i

s o

f

th

e

th

re

e

-

w

ir

e

t

y

p

e

with

proper

grounding

facilities

built-in.

(6ft.)

Earth

Terminal

T

h

is

terminal

c

an

b

e

u

se

d

to

ground

o

th

e

r

devices

to

t

h

e

D-5.5

to

reduce

h

u

m

and

shock

hazard.

Aux

2

S

en

d

Jack

(

A

U

X

2

SEND)

T

h

is

1

/4

"

phone

jack

c

a

n

b

e

u

se

d

e

it

h

e

r a

s

a

monitor

send,

o

r i

n

conjunction

with

the

Aux

2

R

e

-

tu

rn

j

a

c

k

t

o

connect

a

n

o

u

tboard

effects

device

(ie.,

delay

o

r

re-

v

e

rb

)

to

t

h

e

D-5.5.

The

A

u

x

2

S

e

n

d

j

a

c

k

s

h

o

u

ld

b

e

connected

to

the

input

o

f

the

effect.

Nominal

o

u

tp

u

t level

is

+

4

d

B

w

it

h

an

impedance

o

f

1

k

ohms.

Pushbutton

C

ircuit

Breaker

(

1

A

)

(PUSH

RESET)

T

h

is

breaker

i

s

designed

t

o

pro-

te

c

t

th

e

D-5.5

in

th

e

event o

f

internal o

r external

fault.

W

a

it

about

two

minutes

after

correct

-

in

g

the

fault

a

n

d

push

the

button

to

reset

th

e

system

and

restore

proper

operation.

L

&

R

C

u

e

Buss

Output

(CUE

OUT

L/R)

T

h

e

se

1

/4

" phone

jacks

provide

th

e

s

a

m

e

signal

a

s

th

e

headphone

output,

a

n

d

a

re

u

se

d

for

monitor-

ing

the

signals

o

f

the

cue

buss

o

r

stereo

L

a

n

d

R

busses

through

monitor

speakers.

T

h

is j

a

c

k

has

a n

o

m

in

a

l

o

u

tp

u

t

level

o

f +

4

d

B

and an i

m

p

edance

o

f 1

k

ohms.

A

u

x

1

S

en

d

J

a

ck

(

A

U

X

1

SEND)

T

h

is

1

/4

" phone

j

a

c

k

c

a

n

be

used

either

as

a

monitor

se

n

d

, o

r

in

conjunction

with

the

A

u

x

1

R

e-

tu

rn

j

a

c

k

to

connect

a

n

o

u

tboard

effects

d

e

v

ic

e

(i

e

.,

d

e

la

y

o

r

re

-

verb)

to

t

h

e

D

-5.5.

The

A

u

x

1

S

en

d

j

a

c

k

should

b

e

connected

to

th

e

input

o

f

the

effect.

N

ominal

output

level i

s

+

4

d

B w

it

h

a

n

impedance

o

f

1

k

ohms.

S

u

m

Output

jacks

(S

U

M

OUTPUT)

T

h

e

unbalanced

R

C

A

p

in

ja

c

k

,

1/

4"

phone

jack

an

d

e

le

ctronical-

ly

balanced

XLR

connector

are

wired

i

n

parallel.

T

h

e

R

C

A

j

a

c

k

h

a

s a

nominal

output

level o

f

-l0dB

and

an

i

mpedance

o

f

1

k

ohms,

a

n

d

the

1

/4

" phone

j

a

c

k

h

a

s a

nominal

output

level o

f

+

4

d

B

and

a

n

impedance

o

f

1

k

ohms.

T

h

e

XLR

connector

h

a

s

a

n

o

m

in

a

l output

level o

f

+

4

d

B

and

a

n

impedance

o

f

1

k

ohms.

A

ll

jacks

may

b

e

u

se

d

simul-

taneously.

G

ro

u

n

d

L

if

t

Switch

(

G

N

D

)

These

switch are

assigned to t

h

e

X

L

R

S

u

m

Output

a

n

d

Stereo

L

&

R

connectors,

and

a

re

used

to

avoid g

ro

u

n

d l

o

o

p

s

a

n

d

induced

h

u

m

t

h

a

t

sometimes

occur

w

h

e

n

connecting

t

h

e

D-5.5's

X

L

R

S

u

m

Output

o

r S

te

re

o

L

&

R

Output

with

other

equipment.

Slidin

g

the

Ground

L

if

t

S

w

it

ch

f

ro

m

the

NORMAL

position

t

o

t

h

e

L

IF

T

position

breaks

the

ground

co

n

-

nectio

n

and

may

reduce

h

u

m

a

n

d

noise.

For

m

o

st

applications t

h

e

witc

h

should

b

e

left

i

n

the

N

O

R

-

MAL

position.

Effect

Return

J

a

ck

(

E

F

F

R

E

T

)

This

1

/4

" p

h

o

n

e j

a

c

k

is

u

se

d

in

conjunction

wit

h

t

h

e

Effect

S

en

d

jack

t

o

connect

a

n

outboard

effects

device

(ie.,

delay o

r

re

-

verb)

t

o

the

D-5.5. The

Effect

Return

j

a

c

k

should

b

e

connected

to

the

output

o

f

the

effect.

Nominal

i

n

p

u

t

level i

s

2

0

d

B

with

a

n

impedance

o

f

1

0

k

ohms.

Reverb

Return

J

a

ck

(

R

E

V

RET)

T

h

is

1

/4

" phone

jack

i

s u

se

d

in

conjunction

w

it

h

th

e

R

everb

se

n

d

jack

to

connect

a

n

outboard

effects

device

(ie.,

delay

o

r

re

-

verb)

t

o

th

e

D-5.5.

T

h

e

Effect

Return

jack

should

b

e

connected

to

t

h

e

output

o

f

the

effect

device.

Nominal

input

level i

s

-2

0

d

B

with

a

n

impedance

o

f

1

0

k

o

h

m

s.

W

h

e

n

a

p

lu

g

i

s

inserted

into

t

h

is

jack,

t

h

e

built-in

reverb

circuitry

is

automatically

c

u

t off.

CAUTION

-

T

h

e g

ro

u

n

d p

in o

n

th

e

A

C

plug

should

n

o

t

b

e

re

-

moved

under

a

n

y

circumstances.

If

t

h

e D

-5

.5

m

u

st be u

se

d

on

a

n

A

C

circuit with

n

o

ground

o

r and

o

p

e

n

ground,

th

e

n

a

suitable

grounding

adapter

should

b

e

u

se

d

a

n

d

it

s

ground

t

e

rm

in

a

l

should

b

e

securely

attached

to

a

g

o

o

d

earth

connection.

Failure

t

o

d

o

so

will

result

i

n

in

creased

noise a

n

d

shock

hazard.

Aux

1

Return

Jack

(AUX 1

R

E

T

)

T

h

is

1

/4

" phone

j

a

c

k

c

a

n

b

e

u

se

d

in

conjunction

w

it

h

t

h

e

Aux

1

S

en

d

j

a

c

k

t

o

connect

a

n

outboard

effects

d

e

v

ic

e

(ie.,

d

e

la

y

o

r

re

-

verb)

to

the

D-5.5.

T

h

e A

u

x

1

Return

j

a

c

k

should

b

e

connected

to

the

output

o

f

the

effect.

Nomina

l input

level i

s

2

0

d

B

w

it

h

a

n

impedance

o

f

1

0

k

ohms.

Aux

2

Return

Jack (AUX 2

R

E

T

)

This 1

/4

"

p

h

o

n

e

j

a

c

k

can

b

e

u

se

d

in

conjunction

with

the

Aux

2

S

en

d

j

a

c

k

t

o

connect

an

outboard

effects

device

(ie.,

d

e

la

y

o

r

re

-

verb)

to

the

D-5.5.

T

h

e

A

u

x

2

R

e

tu

rn

j

a

c

k

should

b

e

connected

to

t

h

e

output

o

f

the

effect.

Nominal

input

level i

s

-2

0

d

B

with

a

n

impedance

o

f

1

0

k

ohms.

Effect

S

en

d

J

a

ck

(

E

F

F

SEND)

This

1

/4

" p

h

o

n

e j

a

c

k

is

u

se

d

in

conjunction

w

it

h

t

h

e Effect

R

e-

tu

rn

j

a

c

k

t

o

connect

a

n

outboard

e

ff

e

c

ts

device

(ie.,

delay

o

r

re-

verb)

to

the

D-5.5.

The

Effect

S

en

d

j

a

c

k

should

b

e

connected

to

th

e

input

o

f

th

e

effect.

Nominal

output

level i

s

+

4

d

B

w

it

h

an

impedance

o

f

Ik

o

h

m

s.

Reverb

S

en

d

J

a

c

k

(

R

E

V

SEND)

T

h

is

1

/4

" phone

jack

i

s u

se

d

in

conjunction

w

it

h

the

Reverb

R

e

-

tu

rn

j

a

c

k

to

connect

a

n

outboard

e

ff

e

c

ts

device

(ie.,

delay

o

r

re

-

verb)

to

th

e

D

-5.5

. T

h

e

Reverb

S

e

n

d

j

a

c

k

should

b

e

connected

to

the

in

put

o

f

the

effect.

Nominal

o

u

tp

u

t level

i

s

+

4

d

B

w

it

h

a

n

impedance

o

f

1

k

ohms.

Rear

Panel

(

D

-5.5)

R

C

A

S

u

m

P

o

st

Accessory

Patch

Points

(P

O

S

T

IN/OUT)

These

RCA

p

in

jacks a

re

unba-

lanced,

with

a

nominal

l

ev

el

o

f

l0dB.

Input

j

a

c

k

impedance

i

s

1

0

k

ohms,

a

n

d

o

u

tp

u

t

ja

c

k

i

m

p

e

-

dance

i

s

1

k

ohms.

T

h

e

Accessory

jacks

a

ll

o

w

signal

processing

and

effect

d

evices

t

o

b

e

inserted

i

n

to

th

e

signal p

a

th

, t

h

e

regular

signal

p

a

th

i

s

interrupted

w

h

e

n

a

plug

is

inserted

into

t

h

e

Accessory

i

n

jack.

RCA

S

u

m

Pre

Accessory

Patch

Point

(PRE

IN/OUT)

These R

C

A

p

in

jacks

a

re

unba-

lanced,

with

a

nominal

level

o

f

l0

d

B

.

Input

jack

impedance

i

s

1

0

k

o

h

m

s,

a

n

d

output

jack

i

m

p

e

-

dance

i

s

1

k

ohms.

T

h

e

Accessory

jacks

allow

signal

processing

and

effect

device

s

to

be

inserted

i

n

to

th

e

signal

path.

T

h

e

regular

s

ig

-

n

a

l

p

a

th

i

s interrupted

w

h

e

n

a

p

lu

g

i

s

inserted

in

to

th

e

Acces-

sory in j

a

c

k

.

Stereo

L

&

R

output

jacks

(ST

L

&

S

T

R

OUTPUT)

T

h

e

unbalanced

R

C

A

pin

jacks,

1

/4

" phone

jacks

and

electroni-

cally

balanced XLR connectors

are

wired

in

parallel.

T

h

e

R

C

A

ja

c

k

h

a

s

a

n

o

m

in

a

l

output

level o

f

l0dB

a

n

d

a

n

impedance

o

f

1

k

o

h

m

s,

a

n

d

the

1

/4

"

phone

ja

c

k

h

a

s a

nominal

output

l

e

v

e

l

o

f

+

4

d

B

a

n

d

a

n

impedance

o

f

1

k

ohms.

T

h

e

XLR

connectors

hav

e

a

nominal

output

level o

f

+

4

d

B

a

n

d

a

n

impedance

o

f

1

k

o

h

m

s.

A

ll

jacks

may

b

e

used

simul-

taneously.

R

C

A

Stereo

L

&

R

P

re

Accessory

Patch

Points

(P

R

E

IN/OUT)

These

RCA

p

in

ja

c

k

s are

u

n

b

a

-

lanced,

with

a

nominal

level o

f

l0

d

B

.

Input

jack

impedance

i

s

1

0

k

ohms,

and

output

j

a

c

k

impe-

dance

i

s

1

k

ohms. T

h

e

Accessory

jacks

allow

signal

processing

a

n

d

effect

devices

t

o

b

e

inserted

i

n

to

th

e

signal

path.

T

h

e

regular

s

ig

-

n

a

l p

a

th

i

s

interrupted

w

h

e

n

a

plug

i

s inserted

into

th

e

Acces-

so

ry

i

n

jack.

R

e

a

r

Panel

(D-5.5)

Group

Output

ja

ck

s

(GROUP

OUTPUT)

T

h

e

unbalanced

R

C

A

pin

jacks

a

n

d

1

/4

" phone

jacks

a

re

w

ir

e

d

i

n

parallel.

T

h

e

R

C

A

ja

c

k

has

a

n

o

m

in

a

l output

level o

f

1

0

d

B

and

a

n

im

p

e

d

a

n

c

e

o

f

1

k

ohms,

w

h

il

e

th

e

1

/4

" j

a

c

k h

a

s

a

n

o

m

in

a

l

o

u

tp

u

t

level

o

f +

4

d

B

and an

impedance

o

f

1

k

ohms. The

jacks

m

a

y

be

u

se

d

simultaneously.

R

C

A

T

a

p

e I

n

p

u

t (

T

A

P

E

IN

)

These

RCA

p

in

jacks

a

re

unba-

lanced,

with

a

nominal

level o

f

-20dB

a

n

d

impedance

o

f

1

0

k

o

h

m

s,

a

n

d accept

in

p

u

t sources

fr

o

m

-20dB

to

+

10dB.

P

ro

p

e

r

adjustment

o

f

b

o

th

t

ri

m

control

(T

R

IM

)

a

n

d

input

fader

ensure

optimum

signal-to-noise

ratio

a

n

d

minimum

d

istortion.

Direct

Output

(DIRECT

OUT)

T

h

e Direct

O

u

tp

u

t o

n

each

chan-

n

e

l utilizes

a

n

unbalanced

R

C

A

p

in

j

a

c

k

w

it

h

a

n

impedance

o

f

1

k

o

h

m

s

a

n

d

a

l

e

v

e

l o

f

-10dB.

T

h

e

Direct O

u

tp

u

t

is

post-EQ/post-

fader,

a

n

d

i

s useful

f

o

r

recording

and

for

sending

i

ndividual

i

n

-

struments

to

a

main

P

A

mixer

through

direct

boxes.

RCA

P

o

st

Accessory

Patch

Points

(

P

O

S

T

IN

/O

U

T

)

T

h

e

se

R

C

A

p

in

jacks

a

re

unba-

lanced,

with

a

nominal

level o

f

-10dB.

I

n

p

u

t

ja

c

k

impedance

i

s

1

0

k

o

h

m

s,

a

n

a!

output

jack

impe-

dance

i

s

1

k

ohms.

T

h

e

Accessory

jacks

a

ll

o

w

signal processing

a

n

d

effect

devices

to

be

inserted

into

the signal p

a

th

.

The

regular

s

ig

-

n

a

l

path

i

s

interrupted

when

a

p

lu

g

i

s

inserted

into

the

Acces-

so

ry

I

n

jack.

RCA

Pre

Accessory

P

a

tc

h

Points

(

P

R

E

IN/OUT)

These RCA

p

in

jacks

a

re

unba-

lanced,

with

a

nominal

l

e

v

e

l o

f

-1

0

d

B

. Input

j

a

c

k

impedance

is

1

0

k

o

h

m

s,

a

n

d

output

j

a

c

k

i

m

p

e

-

dance

i

s

1

k

ohms.

T

h

e

Accessory

jacks

allow

s

ignal processing

a

n

d

effect

d

e

v

ic

e

s t

o

b

e

inserted i

n

to

th

e

signal

path.

T

h

e

regular

s

ig

-

n

a

l path

is

interrupted

when

a

p

lu

g

is

inserted

in

to

t

h

e Acces-

so

ry

i

n

jack.

1/4"

phone

Channel

In

p

u

t

(I

N

-

PUT)

T

h

is

j

a

c

k

i

s a

standard

1

/4

"

phone

ja

c

k

,

with

a

nominal

level o

f

-40dB

and

a

n

impedance

o

f

1

0

0

k o

h

m

s,

and

accepts

input

so

u

rc

e

s f

ro

m

-40dB

t

o

+20dB.

Proper

adjustment

o

f

the

p

a

d

a

n

d

ti

rm

c

o

n

tr

o

l (PAD/TRIM)

a

n

d in-

put

fader

ensur

e

optimum

s

ignal-

to-noise

ratio

and

m

inimum

d

is

-

tortion.

When

a

p

lu

g

i

s

inserted

in

to

t

h

e

1

/4

"

input

jack,

t

h

e

c

o

r-

responding

X

L

R

m

ic

input

o

r

phono

input

is

automatically

switched o

u

t

o

f

th

e

i

n

p

u

t circuit-

ry-

Phantom

Power

Switches

(PHANTOM1~8)

T

h

e

phantom

p

o

w

e

r

switch

o

n

e

a

c

h

i

n

p

u

t

channel

permits

the

u

se

r

to

supply

4

8

V

D

C

through

th

e

input

connectors to a

conde-

n

se

r microphone.

If

phantom

power

i

s

not

required,

t

h

e

switch

m

u

st

be

i

n

th

e

"off"

position.

Earth

Terminal

These m

a

y

b

e

u

se

d

to

provide

ground

connectio

n

for

tape

d

e

c

k

s

o

r turntables.

M

ID

I Thru

Connectors

(M

ID

I THRU)

The MIDI

signal f

ro

m

th

e

MIDI

Input

connector (MIDI

IN

, A

/B

)

is

split and

sent

unaltered

t

o

th

e

fo

u

r M

ID

I

Thru

connectors

o

n

t

h

e

D

-5

.5

,

an

d t

o

s

ix

m

o

re

MIDI T

h

ru

connectors

o

n

t

h

e

D-5.5E,

i

f

u

se

d

.

E

ac

h

o

f

th

e

M

ID

I T

h

ru

jacks

c

an

b

e

c

o

n

n

e

c

te

d

t

o

a

different

synth-

esizer's

M

ID

I I

n

p

u

t

ja

c

k

,

allow-

in

g

o

n

e

M

ID

I keyboard

o

r

se

-

quencer

to

control

u

p

to

f

o

u

r

other M

ID

I

sy

n

th

s.

(ten

w

h

e

n

using

t

h

e

D-5.5E

and

sixteen

w

h

e

n

using

t

h

e

two

D-5.5E's.)

Balanced

X

L

R

Microphone

In-

put

(MIC)

T

h

e

XLR-type

microphone

i

n

p

u

t

connectors

a

re

electronically

b

a

-

la

n

c

e

d

w

it

h

a

n

o

m

in

a

l level

o

f

6

0

d

B

an

d

a

n

input

impedance

o

f

1

k

ohms,

and

will

accept

s

ig

-

nals f

ro

m

-6

0

d

B t

o

0

d

B

.

P

h

a

n

-

tom

powering

i

s

provided

for

u

se

with

condenser-type

m

ic

-

ro

p

h

o

n

e

s (

se

e

PHANTOM),

and

o

n

c

e

a

g

a

in

t

h

e

proper

adjustment

o

f P

a

d

and

Trim

control

(PAD/

RTIM) a

n

d

Input

F

a

d

e

r w

il

l

in

-

su

re

optimum

signal-to-noise

ra

ti

o

a

n

d

minimum

d

is

to

rtion.

T

h

e

m

ic

input

i

s

automatically

disconnected

w

h

e

n

either

the

corresponding

the

1

/4

"

phone

ja

c

k

i

s

used.

M

ID

I

In

p

u

t D

IN

Connectors

(M

ID

I I

N

,

A

/B

)

These

connectors

will

accept t

h

e

M

ID

I output

o

f

an

y

synthesizer,

sequencer,

o

r

other

MIDI

device.

U

se

o

f

non-MIDI-standard

D

IN

cables, o

r

o

f

c

a

b

le

s longer

th

a

n

5

m

(16'5")

m

a

y

result in

im

prop-

er

operation

a

n

d

data

l

o

ss

.

R

C

A

P

h

o

n

o

(RIAA)

Inputs

(PHONO)

These RCA

p

in

jacks

h

a

v

e

a

nominal

level

o

f —

5

0

d

B

a

n

d

a

n

impedance

o

f

5

0

k

ohms,

and

accept

i

n

p

u

t sources

f

ro

m

-50dB

to +10dB.

Proper

a

d

ju

st

m

e

n

t

o

f

the

p

a

d

and

trim

control

(PAD/

T

R

IM

) a

n

d

input

fader

ensure

optimum

signal-to-noise

ratio

a

n

d

minimum

distortion.

W

h

e

n

u

si

n

g

a

turntable

with

magnetic

cartridge,

place

t

h

e

phono

E

Q

IN/OUT switch

o

n

t

h

e f

ro

n

t panel

to

the

"i

n

"

position.

B

u

ss L

in

k

C

o

n

n

ec

to

r

(BUSS

LINK)

T

h

is

connector

i

s

used

to

link

the

D-5.5 w

it

h

t

h

e

D-5.5E.

Expander.

A

six-foot

connecting

cord

is

included

with

the

D-5.5E.

L

&

R

C

u

e

Input

(CUE

I

N

L

/R

)

These 1

/4

"

phone

jacks

allow

access

to

t

h

e

stereo

cue

buss.

T

h

is

feature

i

s

e

specially conve-

nient

during

recording

applica-

tions. These

jacks

have

a

nominal

input

l

e

v

e

l

o

f

-10dB

w

it

h

a

n

impedance

o

f

1

0

k

o

h

m

s.

— 11 —

— 10 —

— 12 —

Advertising