Yamaha DJX - Manual (Page 27)

27
PLAYING VOICES — THE VOICE MODE
Function Parameters — Main Voice
The Function parameters provide additional settings for the Main voice.
These settings are especially useful when using a second voice in the
Dual or Split modes, since they let you change or enhance the sound of
the Main voice separate from the Dual or Split voice. These settings
include:
• Volume
• Octave
• Pan • Reverb Send Level
• Chorus Send Level
• DSP Effect Send Level
Function Parameters
No. Parameter Name Display Name Range/Settings
F01 Main Voice Volume M.Volume 0 — 127
F02 Main Voice Octave M.Octave -2 — 2 (octaves)
F03 Main Voice Pan M.Pan -7 (full left) —
0 (center) —
7 (full right)
F04 Main Voice Reverb M.RevLvl 0 — 127
Send Level
F05 Main Voice Chorus M.ChoLvl 0 — 127
Send Level
F06 Main Voice DSP M.DspLvl 0 — 127
Effect Send Level
Description
This determines the volume of the Main voice, letting
you create an optimum mix with the Dual or Split
voice.
This determines the octave range for the Main voice.
Use this to set the most suitable range for the Main
voice when using the Split mode, or use it to create an
octave layer in the Dual mode.
This determines the pan position of the Main voice in
the stereo image.
This determines how much of the Main voice’s signal is
sent to the Reverb effect. (See page 34.) Higher values
result in a louder Reverb effect.
This determines how much of the Main voice’s signal is
sent to the Chorus effect. (See page 35.) Higher
values result in a louder Chorus effect.
This determines how much of the Main voice’s signal is
sent to the DSP effect. (See page 36.) Higher values
result in a louder DSP effect.
These settings are not saved
when you turn off the
power. If you wish to save
them, save them to a User
bank in the Performance
Setup feature (page 56).
Selecting and changing the Function parameters:
Press the FUNCTION button, then use the numeric keypad to select the
parameter number. After “FUNCTION” stops flashing, use the numeric
keypad or +/- buttons to change the setting. (For details, see page 18.)