Setting the reverb type, Setting the reverb depth, Selecting the chorus type – Yamaha CLAVINOVA C L P - 3 8 0 User Manual

Page 88: Setting the chorus depth, Reverbtype, Reverbsend, Chorus type, Chorussend, See the procedur e on page 80, See the procedur e on page 80. in dual mode

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Detailed settings for the voices [VOICE SETTING]

CLP-380 Owner’s Manual

88

Detailed Settings

You cannot set this parameter for the voice parts “Left” and “Left

× Layer.”

See the procedure on page 80.

Setting range:

Room...................... Simulates reverberation in a room.

Hall1....................... Simulates reverberation in a concert hall.

Hall2....................... Reverberation is slightly longer than that of

“Hall1.”

Stage...................... Reverberation suitable for a solo instrument

sound.

Plate ....................... Reverberation simulating that created by

vibration of a metal plate.

The reverb effect is not applied if the ReverbSend parameter is set to “0.”

See the procedure on page 80.

In Dual mode:

Setting range:

0 – 127

You cannot set this parameter for the voice parts “Left” and “Left

× Layer.”

See the procedure on page 80.

Setting range:

Chorus ................... Adds a rich, spacious sound.

Celeste .................. Adds swell and a spacious sound.

Flanger .................. Adds swell effects of an ascending or

descending jet plane.

See the procedure on page 80.

In Dual mode:

Setting range:

0 – 127

Setting the reverb type

[ReverbType]

Setting the reverb depth

[ReverbSend]*

TIP

B

D

NO

YES

A

C

Main Set?-->
ReverbType Hall1

TIP

B

D

NO

YES

A

C

Main Set?-->
ReverbSend 14

B

D

NO

YES

A

C

MainxLayer Set?-->
ReverbSend(E.Piano1) 26

Voice for editing (Voice 1 or Voice 2)

Selecting the chorus type

[Chorus Type]

Setting the chorus depth

[ChorusSend]*

TIP

B

D

NO

YES

A

C

Main Set?-->
ChorusType Chorus

B

D

NO

YES

A

C

Main Set?-->
ChorusSend 48

B

D

NO

YES

A

C

MainxLayer Set?-->
ChorusSend(E.Piano1) 72

Voice for editing (Voice 1 or Voice 2)

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