Yamaha DG60-112 - Manual (Page 8)

8
Setting Examples
To help you start enjoying the fantastic sound of the DG60-112, here are some examples of common settings.
Use these as a starting point in creating your own original sounds.
* Set the Master Volume control to a suitable level.
* The setting can be changed to suit the guitar you use. Find your optimum setting by referring to the sample settings.
LEAD1 10.0 – 10.0 6.8 8.7 10.0 10.0 5.1
LEAD2 9.0 – 5.0 6.4 2.0 6.5 5.0 4.0
LEAD2 3~8 – 7.0 2.0 2.0 5.5 7.0 3.0
DRIVE1 10.0 – 9.7 1.5 8.2 7.5 6.5 4.0
DRIVE1 8.7 – 7.0 7.5 7.5 7.4 7.1 4.2
DRIVE2 10.0 – 9.2 8.5 4.0 7.3 5.6 4.4
DRIVE2 4.9 – 7.0 7.0 8.1 7.7 9.0 3.2
CRUNCH1 9.3 – 9.3 9.0 8.1 3.9 7.4 5.1
CLEAN2 10.0 – 4.9 5.3 8.6 3.9 3.6 4.1
CLEAN2 5.4 – 7.2 8.3 10.0 4.9 5.0 3.2
CLEAN1 5.3 – 5.7 0.9 3.0 9.5 9.9 3.1
CRUNCH2 2.6 – 2.7 7.5 9.2 7.3 1.7 4.2
CRUNCH2 3.0 – 9.3 4.7 1.6 6.5 7.3 3.4
CRUNCH1 3.5 – 7.0 4.0 2.0 3.0 4.0 4.0
CLEAN1 5.4 – 10.0 8.2 8.9 8.1 5.8 4.7
LEAD1 10.0 – 10.0 5.8 1.9 10.0 10.0 5.5
A typical distortion sound often used in British hard rock.
Ideally smooth lead sound for solos with sustains using
the front pickup.
A brilliant sound suitable for hard rock and heavy metal.
Optimum distortion for heavy riffs with the gain up, crisp
overdrive with the gain down.
Tight overdrive sound.
A punchy overdrive sound with rich overtones in the mid
range.
A hard overdrive sound emphasizing the low and high
ranges.
Texas blues type sound with slight overdrive.
All-round crunch sound.
The warm and clean sound of a crunch amp. Can be used
for all genres from jazz to rock.
Crunch sound like a low-power vintage amp with the vol-
ume turned up all the way.
Contemporary jazz sound. Can be used to obtain a clean
sound without using the CLEAN channel.
Country sound with a punch.
A rich and clean bass sound used in hard rock.
A bright, clean sound. Can be used widely in a number of
scenes.
The natural, light crunch sound of a clean amp with the
volume up.