Comparing diversity reception and rota-versity, Smartdiversity, Rota-versity – Lectrosonics UT700 User Manual

Page 8

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UDR700 / UM700 / UT700

supplied with 48 Volts. A unique 16-position sensitivity
control at the element itself can also adjust the sensitiv­
ity over a 15 dB range. This is in addition to the normal
gain control in the wireless microphone. The result is
the widest dynamic range of any condenser mic in a
wireless microphone.

The VariMic

TM

has a three-point damped rubber suspen­

sion to reduce high frequency handling noise and a
generous sized windscreen to keep wind noise and
breath pops away from the microphone.

Comparing Diversity Reception and Rota-Versity

The UDR700’s new approach to diversity reception is a
vast improvement over traditional designs. Traditional
analog diversity reception designs employed techniques
ranging from simple antenna and audio signal switching
using one or two receivers, to dual-receiver ratio
combining systems. In the digital realm, even more
advanced techniques are possible to analyze and
correct antenna phase.

A popular phrase, “true diversity,” arose in defense of
dual-receiver audio switching diversity designs versus
very low cost receivers that simply had two antennas
mounted on a single unit. Diversity reception can be
implemented by mixing or selecting the audio from two
separate receivers, or by various antenna combining
techniques ahead of the receiver. In reality, all receiver
designs can aptly be called “true diversity” if they make
use of two or more antennas that are receiving diverse
(uncorrelated) signals.

Two diversity designs found in use today include Audio
Switching Diversity and Ratio Diversity. Both offer some
improvement in
audio reception,
but with a
significant
increase in
equipment costs
because of the
need for two
receivers.
SmartDiversity

from
Lectrosonics is
different.

SmartDiversity

SmartDiversity

is a microprocessor controlled tech­

nique that automatically analyzes audio content and RF
levels to determine optimum timing for the switching
activity. Active analog antenna phase switching tech­
niques use both antennas at the same time, with 180
degree phase switching to help keep the received
signals in phase and minimize dropouts. When the
overall RF signal strength quickly drops, the phase of
one antenna is switched 180 degrees. If the switch
increases the RF
level, it will remain
latched in that
position until the
RF level quickly
drops again. Both
antennas are used
at the same time,
so overall operating
range is also
improved.

Rota-Versity

ANTENNA PHASE

SWITCHING

RECEIVER

180 DEGREE PHASE

SWITCHING

MICROPROCESSOR

RECEIVER A

RECEIVER A

SWITCH

RECEIVER AUDIO OUTPUT

SELECTED BY RF LEVEL

AUDIO SWITCHING

DIVERSITY

AUDIO
OUTPUT

RATIO DIVERSITY

AUDIO COMBINING

AUDIO
OUTPUT

Rota-Versity

is only possible in the digital realm. Rota-

Versity

TM

uses a four-way phase shifter to combine the

output of two antennas in any of four phase angles,
each 90 degrees apart, regardless of RF levels. Hun­
dreds of times per second, all of the phase angles are
explored, with the angle offering the best reception
used for the audio data. The result is the diversity
system “tracks” the phase shift between the two anten­
nas to ensure that they always add to one another (they
are always less than 90 degrees out of phase). Multi-
path dropouts are minimized and operating range is
maximized by using both antennas simultaneously.
Because it times
phase switches
to happen only
during digital
packet headers
where no audio
is being con­
veyed, Rota­
versity

is also

transparent and
cost effective .

ROTA-VERSITY™ DIGITAL

PHASE CORRELATION

0

270

90

MICROPROCESSOR

RECEIVER

180

PHASE CORRECTED

COMBINING

LECTROSONICS, INC.

RECEIVER A

RECEIVER A

RECEIVER AUDIO OUTPUTS

MIXED IN OptiBlend™ RATIO
CONTROLLED BY RF LEVEL

AUDIO

PANNING

CIRCUIT

8

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