ALESIS MULTIMIX 16 User Manual

Page 18

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2

A Tour of the MultiMix USB2.0

16

the relative balance of the left and right channel signals being sent

to the left and right main mix buses.


Aux

Here you’ll find knobs that control the levels of aux sends A and

B. AUX A is either pre-fader or post-fader, depending on the

position of the PRE / POST switch. When the switch is in the

raised position, the aux send is pre-fader. When the switch is

depressed, the aux send is post-fader.

What does all this mean? In POST mode the aux send is affected

by the fader, EQ and HPF settings. In PRE mode the aux send is

affected only by the EQ and HPF settings. POST mode is

generally used for sending the signal to an external effects device

(so that the fader controls the signal level), and PRE mode is

usually used for cue sends (for example, sending a signal to

headphones while recording, for which you may not want the fader

to alter the channel’s level).

AUX B is always post-fader, as indicated by the word “POST” to

the right of this knob. Like AUX A, AUX B can be used for

routing signals to external devices. And when you are using the

onboard effects processor, AUX B is used to control the level of

the channel’s signal being routed to the processor.

EQ

The MultiMix gives you three bands of EQ per channel. Using

these knobs, you can tailor the channel’s signal by boosting some

frequencies and cutting others. The LO and HI controls are

shelving controls with fixed frequencies of 80 Hz and 12 kHz

respectively. The MID control has a peaking response fixed at 2.5

kHz.

“Shelving” means that the mixer boosts or cuts all frequencies past

the specified frequency. “Peaking” means that frequencies above

and below the specified frequency fall off, forming a peak in a

graphical representation.

Master Section

The Master Section is the heart of the mixer, where the channel

inputs and aux returns all are mixed together and routed in various

ways.

Main Mix Fader

The signals from all channels and aux sends—excluding those that

are muted—are sent to the main mix. The MAIN MIX fader is the

one you’ll use to control the overall level of those combined

signals. This fader affects the levels of the signals sent to the

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